The affective turn in literary studies, according to Sianne Ngai, has worked to historicize certain emotions--sympathy, melancholia, shame--even as it has left unexamined the cultural roots of other, less privileged forms of feeling. This panel invites papers concerned with historicizing less "canonical" emotions by exploring their representation/production in literary texts of the eighteenth, nineteenth, and twentieth centuries.
Especially welcome are papers which
•foreground links between literary canonicity and affectivity;
•situate texts within transnational affective structures and/or discourses; and/or
•consider relationships and tensions between affect studies and the so-called "aesthetic turn."