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Journal of Philosophy: A Cross-Disciplinary Inquiry

updated: 
Thursday, November 11, 2010 - 2:52pm
Society for Philosophy and Literary Studies of Nepal(SPLS)/Institute of Advanced Communication, Education, and Research (IACER)

The peer-reviewed "Journal of Philosophy: A Cross-Disciplinary Inquiry" is dedicated to bringing western and non-western humanities currents into dialogue with each other. It publishes articles, comments, and reviews, and each issue includes an interview with a known figure in philosophy, literature, or literary theory. The journal is most interested in themes of contemporary or perennial importance in the areas of philosophy, aesthetics and literature, written from post-structuralist, critical theory, deconstructionist, post-colonial and/or non-western philosophical perspectives. The journal is edited in the United States and produced in Nepal, and is sponsored by the Society for Philosophy and Literary Studies of Nepal.

(UPDATE)Beyond Adaptation: Appropriations, Allusions and Intertextuality One-Day Postgraduate Symposium Thusrday 27th January 20

updated: 
Thursday, November 11, 2010 - 5:52am
De Montfort University, Leicester, England

As the field of adaptation studies progresses away from questions of 'infidelity' and the 'betrayal' of source material, a new set of disciplines and theories have emerged to help us understand the relationship between texts. It is now understood that artistic works are not single entities created independently of culture, but can be understood as an amalgamation of influences, allusions, and borrowings from previous texts. This intertextual model for the mapping of texts and their influences provokes questions about the very nature of adaptation. What is adaptation, and how does it differ from intertextuality? Do boundaries between texts exist? How have multiplicity and intertextuality altered perceptions of storytelling across mediums?

« Dey don't belong » : Exclusion and integration in American interwar literature. May 13th, 2011.

updated: 
Thursday, November 11, 2010 - 4:12am
Université Rennes 2, France

American society in the aftermath of WWI is distinguished by an effort to define itself resulting from a desire of emancipation from the then prevailing European model. All over the country important transformations took place with industrialization and the growing impact of capitalism or multiple immigration waves. On cultural and artistic grounds, such an incentive can be exemplified by the emergence of new forms.

Bodies in Movement: Intersecting Discourses of Materiality in the Sciences and the Arts (interdisciplinary conference)

updated: 
Wednesday, November 10, 2010 - 9:13pm
Department of English Literature, University of Edinburgh

Conference CfP:

'Bodies in Movement: Intersecting Discourses of Materiality in the Sciences and the Arts'

The University of Edinburgh, UK, May 28-29 2011

Confirmed Keynote Speakers:

Dr. Patricia MacCormack (Anglia Ruskin University)
Dr. Luciana Parisi (Goldsmiths, University of London)
Dr. Johanna Oksala (University of Dundee)

[UPDATED] Forms of Devotion: Fan Culture(s) and Transformative Works DEADLINE 12 Nov 2010

updated: 
Wednesday, November 10, 2010 - 3:06pm
Regina Yung Lee / American Comparative Literature Association

This panel at the ACLA annual meeting (Vancouver, March 31- April 3, 2011) seeks to actively engage with the transnational, translational, affective, and transformative aspects of fandom communities, especially in (but not limited to) new media contexts. As Donna Haraway puts it, "when were love and knowledge not co-constitutive?" What are fan culture's canon and literacies? Who actively reads fandom's texts, and what does that literacy entail? What social constructs govern and emerge from these subcultural activities? And whose purposes do these questions serve?

Apocalypse Literature Panel, American Literature Association

updated: 
Wednesday, November 10, 2010 - 12:14pm
Amanda Wicks, Louisiana State University

Apocalypse, post-apocalypse, atomic and nuclear narratives have increasingly shifted from the science fiction genre to pervade American literature as a whole. Authors such as Thomas Pynchon, Don DeLillo and Cormac McCarthy, among many others, consider historical or imagined catastrophes that usher in new sensibilities, while simultaneously shattering connections to the past. Traditionally, apocalypse narratives attempt to assert order and coherence where none previously existed. Does apocalypse literature still presume control over disaster? What has apocalypse literature come to signify in the U.S.? What does apocalypse literature offer? How have imagined or real endings come to be portrayed in American literature?

Defining the Postcontemporary

updated: 
Wednesday, November 10, 2010 - 9:09am
Christopher Brooks

At the ACLA in Vancouver I am chairing a panel on Postcontemporary thought. Some presenters are interested in the possibility of publishing an essay collection on that subject. Of course, a good collection will need more essays than this panel would yield, and I would like diverse, even global, perspectives.

CFP: Children in Film

updated: 
Wednesday, November 10, 2010 - 7:11am
SWTXPCA/ACA Joint Conference April 20-23, 2011

Proposals are now being accepted for the Children in Film Area of the 31st annual PCA/ACA & SWTX PCA/ACA joint conference April 20-23, 2011, in San Antonio, TX.(www.swtxpca.org). Proposals are sought that explore and interrogate the representations of children in Hollywood film, independent film, foreign film and/or children's film.

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