The PhD in Humanities (http://louisville.edu/humanities) and the Association of Humanities Academics at the University of Louisville (ahalouisville.com) announces the annual University of Louisville Graduate Conference in Humanities, March 25, 2011.
Cinema: Journal of Philosophy and Moving Image is now accepting submissions for the 2nd issue. Editors welcome articles that fall under the broad rubric of the relations between cinema and philosophy.
Submission deadline: March 1, 2011 (abstracts) and June 1, 2011 (completed papers)
Areas include, but are not limited to:
*philosophy of cinema today
*epistemology and ontology of cinema and of the moving image
*the relationship film studies and philosophy of cinema
* the analytic/continental divide within philosophy of cinema
* new approaches and trends within the philosophy of cinema
*historical approaches to philosophy of cinema and film theory
*cinema as philosophy
Thursday 9th June 2011, 9.30am – 5.00pm
Dalhousie Building, University of Dundee
Wednesday 8th June 2011, 6.00pm - 9.00pm
Reading by Don Paterson and wine reception
Tower Building, University of Dundee
PLEASE NOTE: DATE FOR CONFERENCE AND FESTIVAL HAS BEEN RESCHEDULED TO JANUARY 2012. AS A RESULT, THE CALL FOR PAPERS HAS BEEN EXTENDED TO MARCH 2011.
Festival and Academic Conference: Thursday 19th - Sunday 22nd January 2012
Confirmed delegates include:
Ian Rankin, Kate Mosse, Jackie Kaye, Elleke Bohemer, Steve Bell, Michael Prodger, Bryan Cheyette, Scott Pack, Nicholas Royle and Isabel Ashdown.
The Monster Inside Us, The Monsters Around Us: Monstrosity and Humanity
A three-day conference
De Montfort University, UK
18, 19, 20 November 2011
David Punter, University of Bristol
Andy Mousley, De Montfort University, Leicester
"It is in its transitoriness that modernity shows itself to be ultimately and most intimately akin to antiquity," Walter Benjamin writes in _The Arcades Project_. For Adorno, modernity was a quality and not a chronology. How is modernity related to temporality? How is modernity related to technology, identity, the city? What are some of the popular icons of modernity? This symposium invites proposals on any aspect of modernity as expressed in literature or culture. In addition to academic proposals, the committee welcomes proposals for creative projects including photography, painting, video, film, or performance.
Leo Bersani's 1976 A Future for Astyanax: Character and Desire in Literature was, at the time of its publication, a pathbreaking work of literary criticism and theory. The book as a whole, and Bersani's chapter "The Jamesian Lie" (originally published in Partisan Review in 1969) in particular, radically altered understandings of the structures of desire in James. A Future for Astyanax helped open up James Studies to sophisticated psychoanalytic analysis and to what was, at the time, called "Theory." In reading James with Racine, Emily Brontë, Stendhal, Histoire d'O, Gide, and Robert Wilson, Bersani defamiliarized the Henry James of American and Victorian Studies.
Throughout recorded history – traversing time and space, cultures and nations – the notion of community has fostered both collaboration and conflict. Communities, much like the individuals who inhabit them, come into being, evolve and eventually disappear. As such, they are the philosophical, social, cultural and political representations of their members. Whether defined by their geographical borders or collective identities, they share common goals, beliefs and needs. The significance of community building, community belonging and community intersections is thus filtered into literature, art, music and film.
10th Global Conference
Making Sense Of: Health, Illness and Disease
Tuesday 6th September – Thursday 8th September 2011
Mansfield College, Oxford, United Kingdom
Call for papers
This inter-disciplinary and multi-disciplinary project aims to explore the processes by which we attempt to create meaning in health, illness and disease. In previous years, this interdisciplinary conference has attracted delegates from around the world, including practising clinicians, academics from a variety of disciplines, and persons involved in community-based organizations.
Call for Papers
The editors welcome inquiries and submissions from researchers and practitioners from a broad range of disciplines, who seek to explore any aspect of photography from a theoretical standpoint. The journal publishes articles, reviews, conference reports, occasional symposia on key topics and critical analyses of technical developments. The editors will also consider proposals for contributions in the form of photographic works. Prospective guest editors with ideas for themed issues are invited to approach the editors with their proposal. Prospective book, exhibition and conference reviewers should approach the appropriate reviews editor directly.