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Re/Collections

updated: 
Tuesday, November 14, 2017 - 9:19am
Free Exchange Interdisciplinary Graduate Conference, University of Calgary
deadline for submissions: 
Saturday, December 30, 2017

Re/Collections

Free Exchange: University of Calgary Interdisciplinary Graduate Conference

9-11 March 2018

Abstract Submission Deadline: December 30th, 2017

 

Roman Ingarden and His Times: An International Phenomenological Conference 2018

updated: 
Monday, November 13, 2017 - 1:14pm
Jagiellonian University in Kraków, Poland
deadline for submissions: 
Sunday, April 1, 2018

The 50th anniversary of the death of the eminent Polish philosopher and humanist Roman Ingarden in 2020 is an occasion to launch an international academic debate on his philosophical legacy. It is also an opportunity to share and celebrate the efforts of Jagiellonian University aimed at the study and archivisation of Ingarden’s hitherto unknown correspondence and research papers. These tasks are being carried out as part of the project entitled ‘The Roman Ingarden Digital Archive: Previously Unpublished Correspondence and Academic Papers of the Eminent Polish Humanist’, financed within the framework of the DIALOG programme, using funds provided by the Ministry of Science and Higher Education of the Republic of Poland.

The Essay: Present Histories, Present Futures (Malta Conference, 2019), CFP

updated: 
Monday, January 15, 2018 - 5:53am
University of Malta
deadline for submissions: 
Monday, April 30, 2018

 

The Essay: Present Histories, Present Futures

University of Malta

Thursday 11th April—Saturday 13th April 2019

 

‘My style and my mind alike go roaming’

-          Montaigne

 

‘The essay is the only literary form which confesses, in its very name, that the rash act known as writing is really a leap in the dark’

-     G. K. Chesterton

 

Call for Journal Articles

updated: 
Thursday, November 9, 2017 - 9:03am
Limina: A Journal of Historical and Cultural Studies
deadline for submissions: 
Saturday, March 31, 2018

Limina: A Journal of Historical and Cultural Studies is inviting articles for its forthcoming general issue, scheduled for publication in late
2018. Limina welcomes scholarly contributions of 5000-7000 words. Papers submitted before March 2018 will be given priority for that year’s general edition.

Please submit your article as an email attachment in MS Word format or Rich Text Format (RTF) to liminajournal@gmail.com. In a separate document, please also provide:


• your name

• your email address


• your institutional affiliation


• the title of the article


• a 150 word abstract


CFP-- "Hermeneutic Forms" at SEP-FEP 2018

updated: 
Thursday, November 9, 2017 - 9:02am
2018 SEP-FEP Joint Annual Conference
deadline for submissions: 
Monday, January 8, 2018

We invite participants for a curated panel entitled "Hermeneutic Forms" to be held at the joint Society for European Philosophy and Forum for European Philosophy Conference in Colchester, England from June 18th to June 20th.

„Journal of Applied Cultural Studies”

updated: 
Thursday, November 9, 2017 - 9:01am
Adam Mickiewicz University Poznań
deadline for submissions: 
Friday, December 15, 2017

The Journal of Applied Cultural Studies is an international scientific journal directed at researchers representing all fields of the humanities and social sciences. The editorial board of the journal publishes original scientific articles, focused on the concept of applied cultural studies. Empirically-oriented social science, since its beginnings, has faced the problem of defining the aim of its studies. The social sciences have failed in their attempt to develop a logos out of the different forms of ethnic, social and national life. The authors of the project believe that culture is an assemblage of patterns preserved in the traditions and customs of a particular community.

What IFF (Intersectional Feminist Futures)?/aFFIrme tes idées (Futures Féministes Intersectionnels) !

updated: 
Tuesday, January 2, 2018 - 7:14pm
The Feminist and Gender Studies Graduate Student Association at the University of Ottawa/L’Association des Etudiant-es Diplômé-es en Etudes Féministes et de Genre de l’Université d’Ottawa
deadline for submissions: 
Wednesday, January 3, 2018

[French to follow]

The Feminist and Gender Studies Graduate Student Association at the University of Ottawa presents the first annual Graduate Student Symposium entitled “What IFF (Intersectional Feminist Futures)?” to take place in Ottawa, ON, Canada on MARCH 10, 2018.

In Living a Feminist Life, Sara Ahmed says “to become a feminist is to stay a student” (11). As graduate students interested in feminist work, we are the future of the academic world, and we are also explicitly invested in the future of feminism. How do we grapple or imagine these feminist futures?

Culture Matters

updated: 
Thursday, November 9, 2017 - 9:00am
Culture in Focus at Middle Georgia State University
deadline for submissions: 
Monday, January 15, 2018

Culture in Focus is published annually at http://www.mga.edu/cif (current issue, back issues, special issues, call for papers). As an international forum for literary and cultural studies, Culture in Focus seeks to include a wide range of topics in literary and cultural studies.

SAS @ 30: Then | Now | Next

updated: 
Wednesday, November 8, 2017 - 1:19pm
Society for Animation Studies
deadline for submissions: 
Friday, December 15, 2017

SAS @ 30: Then | Now | Next

Call for Papers

 

Conference: June 19-21, 2018

Emerging Researchers Seminars & Workshops: June 18, 2018

Post-conference field trip: June 22, 2018

ABSTRACT DEADLINE: Dec 15, 2017

 

The Anatomy of Inscription (Special Issue of Humanities)

updated: 
Wednesday, November 8, 2017 - 1:18pm
Hunter Dukes, University of Cambridge
deadline for submissions: 
Thursday, February 1, 2018

In their 1910 essay ‘Poetic Principles’, Nikolai and David Burliuk describe poetry as ‘sensible’, arguing that the word ‘changes its qualities according to whether it is handwritten, printed or thought’. Jacques Derrida widens this claim in Of Grammatology (1967), writing that one of the ‘fundamental problems’ when coming to terms with signification is the deployment of ‘diverse forms of graphic substances (material: wood, wax, skin, stone, ink, metal, vegetable)’, as well as different kinds of styli. How do the material properties of writing feed back into its semantic sense, differing when engraved in stone or tattooed on skin?

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