translation studies

Sound has always been there. However, its ephemeral condition has prevented us from critically listening to the past and even from thinking about our everyday sonic experiences. Moreover, the sonic materialization of the Logos —voice—  has been systematically relegated to a second level, even when orality was present in the production of any kind of text.

At the 2nd International Laurence Sterne Foundation Conference (26-28 October 2017, in Bydgoszcz, Poland) Prof. Peter de Voogd will be convening the panel "Sterne and (Post)Modernism revisited".

Paper proposals should be sent to peterdevoogd@fastmail.fm and j.lipski@ukw.edu.pl; the deadline is 15 July 2017.

The panel will cover various aspects of Sternean echoes in later literature, revisiting some of the issues addressed in the collection "Laurence Sterne in Modernism and Postmodernism" (ed. Peter de Voogd, David Pierce; Rodopi, 1996).

This panel examines the relationship between identity, memory and the physical, linguistic, affective and geographic expressions of place in Latin American and Latino/a literature (20th-21st centuries). In particular, we will look at the ways movement and translation (linguistic and physical) serve as strategies for questioning, redeeming, liberating or reconstructing marginal places (e.g. prisons, slums, colonies) and identities. This session also aims to address the relationship between representations of place and theoretical debates surrounding nomadism (cf. Braidotti and Forcinito), intersectionality (cf. Crenshaw and Collins), and feminism/queer studies (cf. Haraway and Freccero) as modes of resisting fixity and fostering fluidity.

We seek proposals highlighting East-West literary connections, particularly interested in cross-disciplinary approaches which compare literary topics or methodologies with the fields of history, philosophy, religion, or film. Please see the link below for information on paper proposal submissions.

Mike Sugimoto,

Presiding Officer

http://pamla.org/2017/topic-areas

This creative session seeks work that crosses, that inhabits several places or that moves relentlessly through and across places of genre, form, medium, and so on. It is meant as a partner and collaborator with the panel “Thinkings In and Out of Place,” though in this session the boundary-crossings activate and shape the works sought. The call is for scholarship|interpretive work projected into new forms with differently confluent streams of image and text, of prosaic and poetic, of academic and literary. Is there a way to project interpretation and theorization in such a way that resists or operates differently than the conventions of academic discourse, its unshakeable positivity and correlative thetic and agonistic stance?