twentieth century and beyond

Plastic / Plasticity

Literature and Culture and the Material of a (Bygone?) Era

Plastic is a defining material of our era. Its properties—plasticity, durability, the ability to imitate any shape, its toxicity, and indecomposability—are also properties of contemporary culture and literature. The proposed thematic issue begins with the premise that plastic can be read simultaneously as a historical substance and as a "theory machine"—a tool for understanding cultural texts and the experience of contemporary times.

"My approach, in this paper, is one of thinking with plastic through its metaphoricity and materiality, its relationality and gestationality; in short, a material mediality.” [R. Gosh]

For the Northeast Modern Language Association's 58th Annual Convention in Newport, RI March 6-9, 2027.

The panel will be Hybrid: The session will be held in-person but a few remote presentations may be included.

Global Anglophone / Cultural Studies and Media Studies

Apocalypse or Utopia: Whose End of the World?

The E. E. Cummings Society and the Society’s journal, Spring, invite abstracts for 20-minute papers for the 54th annual Louisville Conference on Literature and Culture since 1900, Feb. 18-20, 2027, at the University of Louisville (https://events.louisville.edu/conferences/list-conferences/louisville-conference-literature-and-culture).

Autism did not exist at the beginning of the world. Who we would now recognize as autistic people existed, yes. But autism itself is undoubtedly new, born in the 20th century clinic and doggedly taken up in popular discourse ever since. Autism did not exist at the beginning of the world, but now, it's hard to imagine a world without it. Despite, or perhaps because of this, autistic characters frequently feature in speculative and post-apocalyptic media—stories which take place at the end of the world but are often based on or extend from of our own reality.

Tom Stoppard Conference – 28-29 January 2027 – Sorbonne Université

Co-organisers: EMMA (Université de Montpellier Paul-Valéry) and VALE (Sorbonne Université)

Sixty years after the premiere of Rosencrantz and Guildenstern Are Dead at London’s Old Vic Theatre (1967), and just over a year after the death of Sir Tom Stoppard on 29 November 2025, this international conference seeks to pay tribute to one of the playwrights who most profoundly shaped British theatre in the twentieth and twenty-first centuries.

The year 2027 will mark the 50th anniversary of the controversial publication of Robert Coover’s The Public Burning. Both to celebrate the event and question its legacy, an international symposium will take place on 10-11 June 2027 in Paris, at Campus Condorcet. The call for papers is available here: https://publicburning50.sciencesconf.org/

Abstracts (300 to 350 words) together with a short biographical note should be sent by October 1st 2026 to the following address: publicburning50@sciencesconf.org

Keynote speakers: Alexandra Kleeman and Mark Doten

The Goldstein-Goren Diaspora Research Center at Tel Aviv University and the Bud Shorstein Center for Jewish Studies at the University of Florida announce a call for papers for an upcoming international conference: After the Holocaust: Jewish Communities, Identities, and Intimacies in a Global Perspective

We welcome proposals from scholars working in history, sociology, anthropology, literary studies, religious studies, memory studies, and related fields. Possible topics include, but are not limited to:

• Family formation, marriage, and kinship after the Holocaust

• Emotional lives of survivors: grief, hope, resilience, and belonging

This creative session invites scholars, writers, and hybrid practitioner-theorists to explore liminal dialogue as a form of literary creation in which unlikely, displaced, or structurally incompatible voices are brought into conversation. Drawing on the centrality of dialogue in literary and dramatic traditions, this panel reimagines conversational form as a site of constraint-based experimentation, where meaning emerges through the collision of discourses that would not ordinarily coexist. Rather than focusing on artificial intelligence as a technological subject, this session treats AI-assisted generation as a formal device for producing estranged adjacency between voices, genres, and epistemologies.

GIANT MONSTERS ALL-OUT ATTACK: Kaiju Culture in the Twenty-first Century

Edited by Alex Adams, independent scholar

At its most ambitious, the New Hollywood was a movement intended to cut film free of its evil twin, commerce, enabling it to fly high through the thin air of art. The filmmakers of the '70s hoped to overthrow the studio system, or at least render it irrelevant, by democratizing filmmaking, putting it into the hands of anyone with talent and determination.

Following Yiyun Li's May 2026 Pulitzer Prize win, this session is a critical reception of her memoir as an emancipatory narrative: a descriptive and agential act that represents the unrepresentable experience of maternal grief/trauma. Welcome papers that are interdisciplinary/inter-textual dealing with themes of maternal loss, grief, growth, birth/death, nature/unnatural, death by suicide. Mail 150-200 word abstracts to Dr. Anhiti Patnaik at apatnaik@cascadia.edu Submission Deadline:Monday, August 17, 2026Type:Just-in-Time Session, Modern Language Association Conference 2027Venue:Los Angeles

Anglica Wratislaviensia 65.2/2027

Anglica Wratislaviensia invites scholarly submissions for its forthcoming issue, which focuses on Anglophone literary and cultural studies and related interdisciplinary fields. While the journal's scope encompasses linguistics, translation studies, and language teaching methodology, this issue welcomes contributions in literary and cultural studies specifically. We seek rigorous, critically engaged work that brings together diverse critical traditions and perspectives from around the world. Comparative and methodologically innovative contributions are particularly welcome.

Submission Guidelines

CFP for NeMLA 2027 Conference

Virtual Only Panel

Oral Community Knowledge as Antidote for Empire in Anglophone Literature

We are pleased to announce an open call for bids to host the 2027 Post45 Graduate Symposium. The Post45 Graduate Symposium is a two-day event, typically held in Spring, which brings together graduate students and faculty members working on post-1945 arts, literature, media, and culture. Around fifteen graduate students each submit a work-in-progress and convene in a workshop-style setting along with faculty respondents to discuss each participant's work.