twentieth century and beyond

Call for Papers: Elizabeth Bowen Review: Volume 4, 2021

 The editors of the Elizabeth Bowen Review are seeking scholarly and innovative essays for publication in the fourth volume of the journal in September 2021.

For this issue, the editors are particularly interested in essays on Bowen’s short stories. However, we are very keen to see essays on any aspect of Bowen’s writing – this could include work as a reviewer and critic, Bowen’s travel writing (e.g. A Time in Rome) and non-fiction.

Essays should be 6-7,000 words including citations, and use Harvard referencing. Please attach a 150-word abstract and short biography. Completed essays should be submitted by January 31st 2021.

Celebrating 50 Years of Writing the Midwest: A Symposium of Scholars and Writers

The 50th Annual Symposium of the Society for the Study of Midwestern Literature

May 20 – May 22, 2021

The Newberry Library, 60 W. Walton St., Chicago, IL

Seeking submissions for a Critical Insights volume on Joseph Heller’s Catch-22 under contract with Salem/Grey House Publishers. Known as being a satirical, anti-war novel that initiated the eponymous phrase regarding paradoxical situations, Catch-22 was originally published in 1961. Catch-22 is appreciated for its dark humor, use of flashbacks, contorted chronology, countercultural sensibilities, and bizarre language structures. With current trends and political climate considered, we will revisit this classic text for a contemporary audience.

ALLUVIUM Rolling Call for Guest and Contributing Editors

Alluvium are looking for guest editors to thematically lead and edit three special issues in 2021. We
are also looking for contributing editors to assist with general issues of the journal.

Alluvium is an open access, BACLS affiliated scholarly journal which is dedicated to twenty-first
literary criticism. We are run by postgraduates, and we primarily publish academic articles of
approximately 2000 words, as well as interviews and book reviews. Our contributors range from
postgraduates and early career researchers to independent scholars and established academics.

Call For Papers – ReFocus: The Films of David Mamet

CALL FOR PAPERS: GRATEFUL DEAD DIVISION

POPULAR CULTURE ASSOCIATION 2021 NATIONAL CONFERENCE

Boston Marriot Copley Place

June 2-5, 2021

For information on PCA/ACA, please go to http://www.pcaaca.org

DEADLINE:  November 16, 2020

The Grateful Dead area invites scholars from all disciplines to join us for our first meeting in Boston 2021!

Academics, professionals, and graduate students are all encouraged to submit proposals for papers, sessions, discussion panels, and special sessions on any aspect of the Grateful Dead and their associated contexts.

CFP: “Theatre-Fiction”

Abstracts: November 1, 2020

Seeking proposals for an edited book of chapters on “theatre-fiction”, i.e. novels and stories about theatre.

Call for papers: The American Comparative Literature Association’s 2021 Annual Meeting

Snapshots of the Past:
Memory and Photography in Literature and Film

Location: Virtual conference Abstract Submission Deadline: October 31, 2020

Time: April 8-11, 2021

Organizer: Dr. Mavis Tseng

Associate Professor
Taipei Medical University

mavistseng@tmu.edu.tw

Douglas Coupland and the Art of the ‘Extreme Present’

Virtual Conference, 23-24 April 2021

The author of thirteen novels, two collections of short stories, seven non-fiction books, and a prolific and celebrated visual artist, Douglas Coupland’s oeuvre is inherently concerned with what it means to be living in our ‘extreme present’. Marking the 30th anniversary of the publication of Coupland’s first novel, Generation X, this virtual international conference – the first on Coupland’s work – seeks to explore the richness of Coupland’s engagement with contemporary life across writings and visual culture.

Sixth Annual Post45 Graduate Symposium

February 19-20 and 26-27, 2021

Keynote Speaker: Annie McClanahan 

Additional Faculty Participation by Srimayee Basu, Christopher Fan, Oren Izenburg, Virginia Jackson, Joseph Jonghyun Jeon, Theodore Martin, and Rajagopalan Radhakrishnan

Post45 seeks graduate-level works-in-progress related to post-1945 literature and culture. We particularly welcome submissions that expand our conception of post-1945 literature’s histories, boundaries, and future trajectories, or place it in a comparative, transnational, or hemispheric frame.

The ACLA conference takes place April 8-11, 2021

https://acla.secure-platform.com/a/solicitations/2/sessiongallery/260

The Comics Arts Conference is now accepting 100 to 200 word abstracts for papers, presentations, and panels taking a critical or historical perspective on comics (juxtaposed images in sequence) for a meeting of scholars and professionals at WonderCon, in Anaheim, CA, March 26-28, 2021.  We seek proposals from a broad range of disciplinary and theoretical perspectives and welcome the participation of academic and independent scholars.  We also encourage the involvement of professionals from all areas of the comics industry, including creators, editors, publishers, retailers, distributors, and journalists.  The CAC at WonderCon is presently scheduled to take place in person; however, this may change, and presenters should be prepared to adapt to a virtual f

South Asian Disasters in 20th and 21st Century Literature, Film, and Culture: 

a seminar at the American Comparative Literature Association meeting on April 8-11, 2021.

Co-organized by Liam O'Loughlin (Capital University) and Pallavi Rastogi (Louisiana State University)

Literature in France has always had the potential to become a form of popular entertainment. However, what delighted families in La Bibliothèque Bleue has been forgotten or classified as literary “classics.” But popular literature, or “genre literature,” is more recent. Born in 19th-century newspapers when writers like Méry, Balzac, or Sue published their novels in serial form, its most emblematic writer is Alexandre Dumas. Unlike conventional works, where historical characters are magnified (epic tales) or relegated to the background (La Princesse de Clèves), Dumas’ novels staged characters who marked the history of France.