twentieth century and beyond

Paper jam: Nonhuman Animal Cultures 

 To what extent have ecocriticism and the environmental humanities taken up the call to consider nonhuman cultures or reconsider the idea of culture itself in light of their existence? Contributions from many disciplines are welcome, including literary studies, cultural histories, animal studies, history, philosophy, anthropology, and more.

Please submit an abstract, 250 to 300 words on any example or aspect of the following:

Nonhuman avian culture(s)

Nonhuman oceanic culture(s)

Insect culture(s)

transcultural work of Sue SAVAGE-RUMBAUGH

Nonhuman cultures and PAR (participatory action research)

The Summer School The Cultural Heritage and Memory of Totalitarianism explores the legacy of Fascism in Italy blending unique in situ visits to art, architecture and historical monuments led by international experts and classes on literature, film and culture led by Sapienza faculty. The goal is to broaden the scholarly assessment of the period and to suggest innovative curricula for students in the humanities, who are also interested in working in museums and cultural institutes in Italy and abroad. The heritage of Fascism in Rome and Italy will be approached in the context of Nazism and Stalinism, and framed within the broader scenario of European colonialism.

This panel aims to provoke discussion of “trauma” and the critical paradigm that has grown up around it in our time. Especially since the publication of Cathy Caruth’s Unclaimed Experience in 1996, “the traumatic” has grown from a specialist analytic discourse to a catch-all framework that informs how we talk about everything from politics, to art, to personal relationships. In short, the concept of trauma today enjoys a culturally dominant status. In recent years, however, the narrative trope of trauma has served as a target for critics increasingly frustrated with its seeming omnipresence.

We are seeking a limited number of essays to complete an edited collection exploring the connections between the gothic genre and literary modernism. Inspired by the work of scholars such as Sam Wiseman, Linda Dryden, David Punter, and the late John Paul Riquelme, this collection will consider how and why gothic elements such as dark doubles, the uncanny, the return of the repressed, haunted spaces, etc. enter modernist writing.

Special Panel CFP: The Omniversal Occult

Multiverses, Alternate Timelines, and Parallel Realities of Esotericism, Occultism, and Magic in Popular Culture

The Area for Esotericism, Occultism, and Magic for the Southwest Popular/American Culture Association invites proposals for a special panel or panel series for its conference in Albuquerque, New Mexico, this February 19-22, 2025:

NEW DEADLINE FOR PROPOSALS!!!!--11/10/2024

Call for Papers, Irish, Scottish, and Welsh Literature at CEA 2025 

March 27-29, 2025 | Philadelphia, Pennsylvania 

Sonesta Philadelphia Rittenhouse Square 
1800 Market Street, Philadelphia, PA 19103 

215.561.7500 

“To discover the mode of life or of art whereby my spirit could express itself in unfettered freedom.”   

DEADLINE EXTENDED!

Call for Papers

Children’s/Young Adult Culture

Southwest Popular / American Culture Association (SWPACA)

46th Annual Conference, February 19-22, 2025

Marriott Albuquerque

Albuquerque, New Mexico

https://www.southwestpca.org

EXTENDED Proposal submission deadline: November 14, 2024

Deadline Extended!

Call for Papers

ALFRED HITCHCOCK

Southwest Popular / American Culture Association (SWPACA)

46th Annual Conference, February 19-22, 2025

Marriott Albuquerque

Albuquerque, New Mexico

https://www.southwestpca.org

Proposal submission deadline: November 14, 2024

HOLOCAUST STUDIES CONFERENCE

At Middle Tennessee State University 

March 6-7, 2025

Murfreesboro, Tennessee

Keynote Speaker: Professor Daniel Magilow, University of Tennessee, Knoxville                                                                                                                          

DEADLINE EXTENDED!

Call for Papers

ESOTERICISM, OCCULTISM, AND MAGIC

Southwest Popular / American Culture Association (SWPACA) 

46th Annual Conference, February 19-22, 2025

Marriott Albuquerque

Albuquerque, New Mexico

https://www.southwestpca.org

Proposal submission deadline: NOVEMBER 14, 2024

International conference "‘ Change life ", 100 years later: Surrealism from the origins till now" (December 9 and 10, 2024)

This year marks the centenary of the publication of the surrealist manifesto. The surrealist movement, itself derived from Dada, has since experienced internationalization and rebirths. In recent years, the movement has benefited from new insights while literary and artistic criticisms have sought to highlight figures and aspects hitherto neglected: the essential place of women in movement, its international dimension, its Relations with negritude and the criticism of colonialism, its intermediality, the multiplicity of its artistic practices.

This is a panel CFP for the 2025 Biennial Conference: Collective Atmospheres, to be held July 8-11, 2025, at the University of Maryland.

The Comics Arts Conference is now accepting 100- to 200-word abstracts for papers, presentations, and panels taking a critical or historical perspective on comics (juxtaposed images in sequence) for a meeting of scholars and professionals at WonderCon, in Anaheim, CA, March 28–30, 2025.  We seek proposals from a broad range of disciplinary and theoretical perspectives and welcome the participation of academic and independent scholars.  We also encourage the involvement of professionals from all areas of the comics industry, including creators, editors, publishers, retailers, distributors, and journalists.  The CAC at WonderCon does not accept virtual submissions.  The CAC is designed to bring together comics scholars, professionals, critics, and historian

Within Cli-Fi, Anthropocene Literature, Speculative Futurism, and visual cultures of the Anthropocene, increasing attention and sympathy have been given to the non-humans in narratives of climate crisis. From films like 20th Century Fox’s Planet of the Apes reboot to texts such as Ted Chaing’s Parrots of The Great Silence, The Strange Bird of Jeff VanderMeer’s same-named Novella, and the Elk-Headed Woman of Stephen Graham Jones’ The Only Good Indians, to visual works like Alexandra Daisy Ginsberg’s The Substitute, Animal perspectives have never been more prevalent in narratives of human-driven climate catastrophe.