Rodopi Press Amsterdam / Atlanta announces a new series of literary studies entitled Dialogue under the general editorship of Michael J. Meyer. The series will offer new and experienced scholars the opportunity to present alternative readings and approaches to classic texts (those which have received canonical acceptance in either American or Continental Literature). The call for papers on Sylvia Plath's The Bell Jar will work as follows: the series editor or a guest editor will list several different topics or approaches to Plath's novel. These topics should have in the past elicited a significant level of disagreement among critics or have an inherent controversial element.
Submissions are invited for a forthcoming special book to be published in early 2012, entitled The Entrepreneurial Principles of the Cultural and Creative industries, compiled by Prof. Dr. Giep Hagoort (Utrecht University/Utrecht School of the Arts), assoc. Prof. Dr A. Thomassen (Auckland University of Technology), Drs. R. Kooyman (Ars Nova).
This special issue of MaComère is focused on Caribbean Canadian writer Dionne Brand. For over thirty years, Dionne Brand has been testing the capacity of poetic language to address ethical questions of global consequence. She has published in a wide range of genres, including poetry, novels, short stories, essays and non fiction, and documentary film, and is Poet Laureate of the City of Toronto (2009-2012). Brand has won many awards for her writing, including most recently the prestigious 2011 Griffin Poetry Prize for her narrative poem Ossuaries.
The International Centre for Muslim and non-Muslim Understanding (the MnM Centre) is proud to host the CSAA Annual Conference on 22-24 November, 2011 with the theme 'Cultural ReOrientations and Comparative Colonialities'. A pre-conference postgraduate and early career research day will be held on 21 November for all postgraduate or ECR delegates.
Conference Theme: 'Cultural ReOrientations and Comparative Colonialities'
Call for Papers: "Of Queen's Gardens": Victorian Ecofeminism
This panel invites ecofeminist readings of Victorian literature
(novels, poetry, prose), wherein women are frequently given "natural" traits or are associated with the earth. Ecofeminist interpretations may highlight the damaging consequences of this link, or celebrate women's potential to reform cultural/environmental attitudes because of it. In what ways does the woman/nature link function in Victorian literature? What do these interpretations reveal about Victorian attitudes about gender and the environment, and the treatment of each? Please e-mail abstracts of 300-500 words to Margaret Kennedy,
NVSA solicits submissions for its annual conference; the topic this year is Victorian Clichés and Orthodoxies.
The conference will feature a keynote panel including Nicholas Dames, Yopie Prins, and Jim Secord, and a visit to the Columbia Rare Book and Manuscript Library.
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This panel seeks papers concerning the stage life of African-American characters in 20th century drama. How has the portrayal of the black body changed in the last hundred years? What signifance does the historical traditions of blacks in theater play in current performance? How has the adaptation of literature to the stage aided or hindered the portrayal of African-Americans in modern productions? Please send 300-500 word abstracts to Jenna Clark Embrey (firstname.lastname@example.org)
When a man is left behind after battle—captured, killed in action, injured beyond help—the burden of his life lies heavy on his former comrades, who carry post-war survivor trauma. This hegemonic masculine ethos of homosocial obligation carries into the larger culture and reflects in literature from the Revolutionary War through the Wars in Iraq and Afghanistan. When these characters should be illustrating Anthony Rotundo's chronological models of American manhood, the scene of the soldier left behind impedes a fully individualized development into adult masculinity because trauma has become a constant companion in place of the fallen comrade.
Vancouver Poetry Conference 1963: Crossroads of the Canadian Avant-Garde
Marc Thackray and Adam Beardsworth, Editors
The Cinema Studies Graduate Student Association at San Francisco State University is happy to announce its 13th annual Fall Conference, "Mind, Body, Cinema."
Keynote address: Melinda Barlow (Ph.D., New York University).
When it comes to cinema, the words "mind" and "body" evoke concepts that surpass definition. The physical representation of characters is central to cinematic pleasure; however, the relationship of the mind to the bodies of celluloid, narrative, landscape, and theatre must also be taken into consideration. The goal of this conference is to dissect minds and bodies, to take this dualism and produce something akin to a Cartesian nightmare: in what ways can cinematic renderings of minds and bodies transcend convention?
CALL FOR PAPERS
Performing Religion in Public: Acts of faith in the public sphere
ANTHOLOGY OF ESSAYS; 31 August 2011
Critical / analytical / interpretive essays are invited from scholars across the world for an Anthology to be brought out on the GEETANJALI of the noted Indian Poet Nobel Laureate RABINDRANATH TAGORE. The anthology will be published by a reputed Indian Publisher having its distribution network the world over.
The essay must be within 2500 and 4000 words, typeset with 1.5 paragraph space and must be according to the latest MLA Stylesheet.
An Abstract of the essay is desirable possibly before 15 July 2011.
The last date for submission of complete essay is August 31, 2011.
The Fringes of Adaptation
De Montfort University, Leicester
1 March 2012
Papers are invited for a one-day conference at De Montfort University on 'fringe areas' of adaptations, elements often overlooked in the study of screen adaptations. We welcome papers on areas such as costume, music, soundtracks, gaming, franchising, merchandising, casting, locations, promotions, authorial interventions, or anything else that has normally been forgotten in mainstream work in adaptation studies.
Proposals should be sent to
by December 2, 2011.
Almost ten years after the terrorist attacks of September 11, 2001, the idea of a 'collective American trauma' continues to haunt American culture. Especially the killing of Osama bin Laden has been interpreted as some sort of closure and thus as a milestone in the working through of this supposedly national trauma. Remarks by President Obama at the occasion of the victory over the leader of Al-Qaeda sketch out the field within which this sense of a collective trauma evolved. In the opening words of his address to the nation on May 1st 2011, Obama acknowledges the impact the mass media have had in their creation of an event that could be simultaneously witnessed by all Americans: "The images of 9/11 are seared into our national memory.