New Approaches to Teaching the Gothic
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Women and/of the Empire(s): On the 150th Anniversary of Queen Victoria’s Proclamation as Empress of India (1876-2026)
29-30 October 2026
An international conference hosted by the Faculty of Arts and Humanities (Faculdade de Letras), University of Porto, Portugal
Confirmed keynote speakers:
Ana Cristina Mendes (Professor of English Studies, University of Lisbon, President of the Association for Cultural Studies)
Martin Hewitt (President of the British Association for Victorian Studies, Visiting Professor of English, University of Leeds, Editor of the Curran Index)
Call for Chapters
Edited Volume: Rethinking M.R. James: Antiquarianism, Horror, and the Supernatural
Editor: Dr. Sakti Sekhar Dash, Fellow of Social Science Research Council
Introduction
In bell hooks’ Belonging: A Culture of Place (2009), she posits that “many folks feel no sense of place” (1). She continues by explaining her personal experience with this spatiality, noting that, “Like many of my contemporaries I have yearned to find my place in this world, to have a sense of homecoming, a sense of being wedded to a place” (2). To that end, a commonality shared between all humans is a searching for a place in which we belong, and this is particularly evident in literature that is produced during times of major societal events.
Nineteenth-century British literature frequently interrogates the boundaries of community dynamics, examining not only what the individual contributes to a collective and what it means to belong, but how communal engagement fundamentally reshapes the individual.
Consistent with the NeMLA 2027 theme, "Empowering Communities," this panel explores a vital dual imperative within the nineteenth-century British novel: the structural tension between individuals whose actions serve to empower their communities, and communities that conversely function to shield and empower otherwise fragile individuals.
“Unruly Realism: Conventions and Contestations in 19th-Century American Realist Fiction”
Workshop at the University of Erfurt – November 26 - 27, 2026
Co-organized by Ilka Saal (Erfurt) and Antonia Purk (Mannheim)
Victorians: A Journal of Culture and Literature invites article submissions on the topic of “planetary precarity” for its Winter 2027 issue. This special issue will consider how precarity is produced on both local and global scales. As we confront our own possible extinction-level threats caused by climate disaster and, supposedly, a future dominated by artificial superintelligence, we seek to investigate how the Victorians reconceived their own precarity in the face of extractive capitalism and ecological crisis.
This panel invites proposals that examine acts of remembrance and care of an individual’s or a collective’s past that lead to empowerment and change. Papers may address historical or contemporary works in art, architecture, film, recordings, and literature, and may engage theoretical, critical, pedagogical, or archival practices. Drawing from Valérie Perrin’s novels Forgotten on Sundays (2015) and Fresh Water for Flowers (2019), soon to be on the screen by Jean-Pierre Jeunet, memory work enables individuals to feel visible, situate themselves in a collective, and solve piece puzzles through inquiry. Such work is often relegated to women’s labor, caregivers, and hired help who go beyond roles and job duties to make personal connections.
The Forum Section invites scholars to reflect on the different ways that their research and/or pedagogy has intertwined with their lives in relation to the theme of the Volume. It is a more immediate exploration of how one’s research is shaped out of one’s personal experiences and positionalities. This section was introduced in 2023, encouraging contributors to experiment with styles outside academic writing to tease out the intricacies of pedagogy, research, and lived experience. Forum pieces can be more personal and self-reflective, and can include open ended enquiries. There are aspects of research that never make it to the research paper.
The British Women Writers Association (BWWA) seeks organizers for our
2028 conference and beyond, both in the United States and abroad. The
BWWA’s mission is to bring women from the margins to the center of
literary history by promoting scholarship on and the teaching of long
18th-and 19th-century British women writers in diverse global and
cultural contexts. In practice, the conference invites papers
addressing women’s writing as early as 1660 and as late as 1920,
inclusive of the work of transatlantic and Anglophone authors.
CFP: MW/SWCCL, “Taking Care”
Midwest/Southwest Conference on Christianity and Literature
College of the Ozarks
Point Lookout, Missouri
September 25-26, 2026
Keynote Speaker: Jeffrey Bilbro, professor of English at Grove City College and editor-in-chief at Front Porch Republic
2028 will mark the two hundredth anniversary of Thomas Lovell Beddoes’s completion of the first version of his masterpiece Death’s Jest-Book. This special issue of Studia Neophilologica, coinciding also with the centenary of a journal that has been the home of many significant essays on Beddoes’s writings, will offer new readings and accounts of Beddoes’s life, work, and reputation.
Contributions are invited for essays between 5 and 8,000 words on all aspects of Beddoes’s career. Topics might include:
“Quiet Desperation”: Pessimism in Emerson and Thoreau
12-13 March 2027
University of Łódź
Faculty of Philology
Sorbonne Université
Research Unit VALE
Online conference
Call for Papers
I am pleased to announce that registration is open for the 18th annual hybrid conference of the Victorian Popular Fiction Association (VPFA) on the topic of 'The Victorians and Their Publics'. You can access the VPFA conference registration page here.
The Politics of Light in Neo-Victorian Fictions - Call for Contributions
The Victorian period saw the introduction of a multiplicity of overlapping technologies and cultural practices of lighting, which radically transformed labour and the medical sciences, reinvented the night and connected ideas of leisure and security, refashioned the domestic interior as well as the perception of public appearance, and greatly impacted architecture and urban planning, policing, warfare and, not least, philosophy and the arts.
Abstracts are invited for a traditional panel session to be held at the annual meeting of the South Atlantic Modern Language Association, scheduled for 5-7 November 2026 at the Wyndham Atlanta Buckhead Hotel and Conference Center, Atlanta, GA, USA.
This session intends to explore the theme of “hospitality” in the works of Joseph Conrad in order to highlight how Conrad’s relationships both reflected and influenced his literary output throughout his career. Some relationships were more enduring than others, but all had an impact, often a profound impact, on his life and writing.
“A book must be the axe for the frozen sea within us.”
– Franz Kafka, letter to Oskar Pollak, 27th January 1904
We are delighted to announce that Errant is now open for submissions to its fifth issue.
Adolfo Ibáñez University and the consortium of institutions sponsoring this event are delighted to invite you to the 2027 World Congress of the Society for Global Nineteenth-Century Studies, centered on the theme “Global Imaginaries, Maritime Power, and Intercontinental Circulations: the Ambivalent Legacies of the Long Nineteenth Century.” The congress will be held in Viña del Mar, overlooking the port city of Valparaíso.
Textual Embodiments: Remediating Meaning Across the Disciplines
Rome Link Campus University, September 11-12, 2026
Dear colleagues,
Are you planning your summer writing projects—or revising an article and considering where to submit it? The editors of Nineteenth Century Studies are now accepting submissions for the 2027 volume. The deadline for consideration is October 1, 2026; submissions received after this date may be considered for the 2028 volume.
A Matter of Life and Death
Call for Papers: Victorians Institute Conference 2026
September 11-13, 2026, Crowne Plaza Hotel, Knoxville, TN
Following along from the urgency of last year’s theme, Victorian Studies: Who Cares? this year’s theme asks conference participants to consider matters of life and death in the Victorian era. What did it mean to live and die in Victorian England? How are matters of life and death reflected in the literature of the time?
This session focuses on British literature and culture of the long 19th century. Particularly welcome are proposals on underrepresented works, on the 150th anniversary of Queen Victoria’s proclamation as Empress of India and on the 125th anniversary of her passing, on Neo-Victorianism, and on the conference theme “Our Ruling Classes: Culture, Power, Conflict.”
While any proposals dealing with British literature and culture of the long 19th century are welcome, these topics related to the conference theme are of special interest:
We’re delighted to announce a new online event to mark Dickens’s passing. On this occasion, our theme does not dwell on the Inimitable’s death, but focuses instead on his ever-expanding life on the big and small screen. Dickens was first adapted for silent cinema in 1901, and since then his work has appeared countless times on film and television. Since Dickens’s Bicentenary in 2012, a number of significant screen adaptations have appeared, including Armando Iannucci’s Personal History of David Copperfield (2019), Steven Knight’s Great Expectations (2023), two Artful Dodger character adaptations, and multiple versions of A Christmas Carol.
Modernist Nationalisms Conference
St John’s College, University of Oxford
Thursday 10th September 2026
Session Type: Standing Session / Panel
Primary Area / Secondary Area: British and Anglophone / Our Ruling Classes: Class, Power, Conflict
Presiding Officer(s): Shataparni Bhattacharya (Indiana University - Bloomington)
shabhat@iu.edu
Abstract
Call for Papers: Dickens Day 2026 - ‘Dickens and Family’
Conference date: Saturday 10 October 2026
Format: in-person
Location: Senate House, London
How does the novel resist? Both as an action (movement, predicate) and as a form (structure, construction) how does the novel as a genre engage in resistance? Of what, too, is the novel resistant? Studies of the novel have long emphasized the genre’s capacity to control and coerce, as in the work of D. A. Miller and Nancy Armstrong, to name a couple. This panel instead invites papers that approach the novel as a resistant structure and a form of resistance. What might it mean to read the novel not as an instrument of control, but as a site of formal, aesthetic, or material resistance?
The Journal of Dracula Studies is open for submissions for its upcoming 2026 issue. We invite manuscripts of scholarly articles (4000-6000 words) on any of the following: Bram Stoker, the novel Dracula, the historical Dracula, the vampire in literature including folklore, fiction, film, popular culture, and related topics. Submissions should be sent electronically (as an e-mail attachment in .docx). Please indicate the title of your submission in the subject line of your e-mail.
The Lamar Journal of the Humanities is an interdisciplinary journal published annually by the College of Arts and Sciences of Lamar University in Beaumont, Texas. Papers of interdisciplinary or general interest in the fields of literature, history, contemporary culture, and the fine arts are appropriate for submission. Languages accepted are English, Spanish, German, and French. Detailed studies of highly specialized topics, literary explications which do not elucidate broader historical or ideological issues, and statistical essays in the social sciences are not encouraged but will be considered. Manuscripts, normally not to exceed 6,000 words, should conform to the MLA Handbook or the Chicago Manual of Style.
British literature of the 1800s has a close relationship to archival forms and practices. With a boom in bureaucratic record-keeping, extensive imperial documentation, meticulous medical and legal case histories, and the development of libraries and institutional archives, Victorian literary texts frequently include, copy, or contest letters, ledgers, case files, diaries, and serialized records. By engaging with and appropriating formal aspects of “the archive,” Victorian literature often blurred the boundaries between history and literature, fact and fiction, what is real and what is constructed. But who was keeping records? And of whom?