In anticipation of the release of the entire Collected Works of Hopkins by Oxford University Press and to commemorate the centenary of the poetry of Hopkins (1918-2018), Religion and the Arts 20.5 (June 2018) invites scholarly articles for a special issue on interactions, intersections, and crosscurrents between Hopkins’s spirituality and poetry, and the diverse and complex relationship between them. Please submit electronically an anonymous 5000-10000 word article in MLA Style Manual.
Legacies of Victorian Women’s Fiction: Looking Beyond the 'Neo'
“Daring Second Glances: Rereading the Rape Narrative” elicits new perspectives on well-known texts that depict sexual violence. This panel seeks to curate a trans-historical discussion about new ways to approach representations of sexual violence. In her book Framing the Rape Victim, Carine Mardorossian argues that postmodern feminists of the 1990s ironically placed the onus of rape deterrence back on women when they “began locating the source of women’s sexual oppression in the representational and rhetorical codes of feminism rather than in societal norms” (42).
NeMLA( Northeast Modern Language Association) 48th Annual Convention March 23-26 in Baltimore, Maryland, Session title: 'Reader, I married him!': Investigating 19th-century Readers and Reading the 19th Century As Charlotte Bronte’s Jane Eyre reminds us with her exclamation, “Reader, I married him!,” writers of fiction in the nineteenth century were very aware of their readership with texts. In the increasingly literate century, readers were savvy consumers, rapt fans, and scathing critics. They read penny papers, novels, and genre specific magazines. They read at home, in libraries, and on trains.
Is a Recipe a Poem? Nineteenth Century Domestic Literature
NeMLA 2017, Baltimore Maryland
March 23-27, 2017
Deadline for abstracts September 30, 2016
Call for proposals for the Dickens Society-sponsored panel at the Northeast Modern Language Society convention to be held in Baltimore, Maryland, March 23-26, 2017:
Dickens, race, and empire. This session will explore the many facets of Dickens’s engagement with Victorian debates around race and empire. Open to proposals that examine any aspect of these issues and explore all parts of Dickens’s career, it seeks to consider Dickens within the context of both contemporary and current critical conversations around these key elements of Victorian culture and society.
The link to the NeMLA conference site is at
Friday, 28th October, 2016
Professor Bradley Deane (University of Minnesota Morris)
Dr Patricia de Montfort (University of Glasgow)
‘Victorian manhood was by definition a state of permanent crisis, a site of anxiety and contradiction as much as a source of power.’
(Phillip Mallett, The Victorian Novel and Masculinity)
“The final revelation is that Lying, the telling of beautiful untrue things, is the proper aim of art.”—Oscar Wilde, The Decay of Lying
Special Issue Call for Papers WOMEN’S WRITING“Generations”Winter 2017 Issue
In honor of the 25th anniversary of the British Women Writers Association in 2017, Women’s Writing invites submissions for a special issue on the theme of “Generations.” While generational transitions are often productive and even revolutionary, they are seldom ever easy or smooth. Such transitions may be accompanied by paradigm shifts, struggles to be heard, or difficulty letting go. In this spirit, the editors especially welcome investigations into the complexities of generational exchange and transition in the field of women’s writing.
This book project seeks to elaborate lines of thinking that emerged during the panel, “The Unsettling Real in the Composition of Nineteenth-Century American Photography,” from this year’s C19 conference at Penn State University. The heart of our inquiry concerns the problem of referentiality and the real in photographic compositions that proliferated middle-class culture through the machinery of Victorian-era mass production. Contemporary scholarly analysis of this photographic tradition has tended to follow the classical semiotic assumption that the referent and its representation occupy distinctly different epistemological spaces. In contrast, we draw on the insights of contemporary aesthetic theory and the field of object studies to c