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[CFP DEADLINE EXTENDED TO 3/17/2017] Digital Spaces

updated: 
Thursday, March 9, 2017 - 7:47am
Cornell University
deadline for submissions: 
Friday, March 10, 2017

With the opening of the Digital CoLab, Olin Library has established a physical space for collaborative work in the digital humanities. But why do the digital humanities need a space, let alone conferences, at all? We can see this movement happening outside of academia as well where digital, global networks have collected into hallmark centers; with trendy coworking spaces opening in major metropolitan areas and Apple, Facebook, Amazon, and Google’s opening new campuses, the image of group computational work anchored to an iconic, single space has become both commonplace and powerful. What does the lab model, whether it be repurposing a single room or building a flagship campus, tell us about the state of the digital humanities? 

English and I: Literary and Cultural Encounters

updated: 
Thursday, February 9, 2017 - 12:14pm
Albanian Society for the Study of English
deadline for submissions: 
Friday, March 31, 2017

English and I: Literary and Cultural Encounters

 

 

Fourth ASSE International Conference on British and American Studies

organized in collaboration with the Department of Foreign Languages, University of Vlora “Ismail Qemali” 

 

8-10 June 2017

 

Vlore, Albania

 

Call for papers

 

Call for Chapters: Liberating Herself: Emancipationist Writing at the Fin de Siècle

updated: 
Thursday, February 9, 2017 - 12:14pm
Cambridge Scholars Publishing
deadline for submissions: 
Friday, March 3, 2017

The second half of the nineteenth century was marked by the emergence of the global women’s movement.Feminism altered the course of literature by challenging those literary conventions that governed the portrayal of women and women's experience at the fin de siècle. Feminist texts explicitly advocated social change and discussed new women’s roles in society. This edited volume Liberating Herself: Emancipationist Writing at the Fin de Siècle (under contract with Cambridge Scholars Publishing) welcomes contributions on any aspect of nineteenth-century literary feminism. Comparative approaches are welcome. By March 8, please submit a 250-300 word abstract and your CV to Dr.

[REMINDER] Collection on pirates

updated: 
Tuesday, February 7, 2017 - 1:55pm
Dr. Antonio Sanna
deadline for submissions: 
Wednesday, March 1, 2017

                                                             [REMINDER]

                              Pirates: Lifting the Jolly Roger in History and Popular Culture

Edited by Antonio Sanna

Call for Guest Editors

updated: 
Tuesday, February 7, 2017 - 1:56pm
Nineteenth-Century Gender Studies Journal
deadline for submissions: 
Saturday, April 1, 2017

Nineteenth-Century Gender Studies (www.ncgsjournal.com) is currently accepting proposals for guest-edited summer 2018 and 2019 issues.

BAVS CONFERENCE 'Victorians Unbound: Connections and Intersections'

updated: 
Monday, February 6, 2017 - 12:01pm
British Association for Victorian Studies/ Bishop Grosseteste University, Lincoln, UK
deadline for submissions: 
Friday, March 31, 2017

Call for Papers

BAVS Annual Conference 2017

 Victorians Unbound: Connectiosn and Intersections

Bishop Grosseteste University, Lincoln, UK

22nd – 24th August 2017

                      

Keynote Speakers:

Professor Kate Flint, University of Southern California, Dana & David Dornsife College

Professor Mike Huggins, University of Cumbria

Professor Sir Christopher Ricks, Boston University

 

MLA 2018: Dickens and Resistance

updated: 
Monday, February 6, 2017 - 12:01pm
The Dickens Society
deadline for submissions: 
Wednesday, March 15, 2017

The Dickens Society is sponsoring a panel at the 2018 MLA Convention in New York City.

Panel Title: Dickens and Resistance

Description: Papers on any type of resistance in or to Dickens (his literature or his life): physical, emotional, political, linguistic, pedagogical, etc.

Submision: Send 250-word abstract and short cv by 15 March 2017 to Professor Diana C. Archibald (diana_archibald@uml.edu).

64th Annual Meeting of the Midwest Conference on British Studies, September 29-Oct 1, 2017

updated: 
Monday, February 6, 2017 - 12:02pm
Midwest Conference on British Studies
deadline for submissions: 
Sunday, March 26, 2017

The Midwest Conference on British Studies is proud to announce that its 64th Annual Meeting will be hosted by Webster University in St. Louis, MO, September 29-Oct 1, 2017. The keynote speaker will be Tammy Proctor of Utah State University, and the plenary address will be given by Jonathan Sawday from Saint Louis University.

“‘Changing the Subject’: Subjectivity, Habitus, Behavior, and the End of the Subject”

updated: 
Monday, March 6, 2017 - 10:02pm
British Modernities Group, UIUC
deadline for submissions: 
Monday, March 13, 2017

“‘Changing the Subject’: Subjectivity, Habitus, Behavior, and the End of the Subject”

 

Graduate Student Conference

University of Illinois at Urbana-Champaign

 

May 4-5, 2017

 

Keynote Speakers:

Timothy Wientzen (Skidmore College)

Andrew Gaedtke (UIUC)*

 

The BMG Reading Group at the University of Illinois at Urbana-Champaign invites graduate students to present papers at its twelfth annual interdisciplinary conference, “Changing the Subject’: Subjectivity, Habitus, Behavior, and the End of the Subject.”

 

Supernatural Studies 4.1: Deadline Extended

updated: 
Monday, February 6, 2017 - 12:04pm
Supernatural Studies
deadline for submissions: 
Wednesday, March 1, 2017

Call for Papers, Spring 2017 Issue

Supernatural Studies is a peer-reviewed journal that promotes rigorous yet accessible scholarship in the growing field of representations of the supernatural. The breadth of “the supernatural” as a category creates the potential for interplay among otherwise disparate individual studies that will ideally produce not only new work but also increased dialogue and new directions of scholarly inquiry. To that end, the editorial board welcomes submissions employing any theoretical perspective or methodological approach and engaging with any period and representations including but not limited to those in literature, film, television, video games, and other cultural texts and artifacts.  

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