victorian

The Neo-Victorian and the Late-Victorian: Texts, Media, Politics

2-3 September 2021, University of Brighton

The last few decades have witnessed an increasing interest in revisiting, reproducing or rewriting various aspects of nineteenth-century culture, particularly that of the late Victorian period, whether in the form of neo-Victorian literature, steampunk, media archaeology, fashion, documentaries and period dramas, among others.

A small number of entries for London's East End: A Short Encyclopedia (under contract, McFarland; ed. Kevin A. Morrison) remain unassigned in the "Literature" category. A list appears below. Entries for this category should range from 50-350 words. Established scholars, early career researchers, and advanced graduate students—those who, in a US context, have passed their qualifying exams—are welcome. Interested individuals may contact the volume's managing editor to have one or more entries assigned to them and request a style guide. 

All Hands

All Our Yesterdays

Analogies and metaphors (East End)

Barren Metal

The Big Bow Mystery 

PAMLA 2021 LAS VEGAS: "CITY OF GOD, CITY OF DESTRUCTION" (Thursday, November 11 - Sunday, November 14, 2021 at Sahara Las Vegas Hotel, hosted by University of Nevada, Las Vegas)

Session: British Literature and Culture: Long 19th Century

Contacts: Gretchen Bartels, California Baptist University (g.bartels@gmail.com)

Description: Any proposals dealing with 19th century British literature and culture are welcome, with particular consideration granted to papers that engage with the conference theme of "City of God, City of Destruction."

Conference Note:

Ex-position is published twice a year by the Department of Foreign Languages and Literatures of National Taiwan University. The journal is devoted to showcasing research in the critical humanities revolving around literary studies by scholars based in or interested in areas outside of the Western European/American world. The journal has worked with established and active scholars from around the world.

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“Measurement by Default”

Publication Date: June 2022 (Issue No. 47)

Submission Deadline: October 31, 2021 

MLA 2022 (Washington DC, 6-9 January 2022)

Dickens Society Allied Organization Panel 

This panel invites papers that consider the diversity of speech, language, and sound in Dickens, including vocal performances of and in texts; characters’ speech and speech patterns; figurative language, wordplay, and verbal excess; soundscapes. Please submit 300-word proposals and a brief bio to Michelle Allen-Emerson at meallen@usna.edu

Midwest Conference on British Studies 68thAnnual Meeting

Bowling Green State University

Bowling Green, OH

October 15-16, 2021

The Midwest Conference on British Studies is proud to announce that its 68th Annual Meeting will be hosted by Bowling Green State University in Bowling Green, Ohio, October 15-16. The keynote speaker will be Dr. Sara Butler, Professor and King George III Chair of British History at the Ohio State University.  While the MWCBS intends to hold the conference onsite at Bowling Green State University, we may change the conference to an online format if extraordinary circumstances related to the Covid pandemic warrant.  If so, the change to an online format will be announced in July.

In the context of the current viral pandemic, we look with fresh intensity at figurations of the invalid and of disease and disability in James’s fictional and non-fictional writing. With an eye to the cultural and political aspects of public health measures aimed at managing the spread of an infectious pathogen, we ask in particular about the relation in James’s work of sickness, subjectivity and society. How do James’s texts relate social experience to bodily ill-health or impairment? Does James position the invalid as a figure indicative of dysfunction in the larger social body, or suggest, in contrast, that illness or disability may be associated with an excess of social contact, a failure of ‘social distancing’?

How do race, racism, and anti-racism operate among US transcendentalists? What alternative vocabularies and theoretical models have their Black contemporaries and later Black thinkers created? We invite proposals that challenge or reform the legacies of transcendentalism. Potential topics (others are welcome):

-     constructions of race

-     systemic racism

-     Black intellectual/aesthetic traditions

-     Black writers/speakers

-     epistemologies

-     gender(s)

-     queer/trans of color critiques

-     disidentification

-     intersectionality

-     conversation as method

-     languages

-     critiques and revisionist readings of "transcendentalism"

Popular Culture Association - Online Conference - June 2-5, 2021 Call for Papers - deadline - February 28, 2021.

PCA 2021 is fully online - share your research, exchange ideas with colleagues -- all from the comfort of your own home office -- it will be like what you’ve been doing all year except with new people!

https://pcaaca.org/

Information about how to submit a proposal can be found here:

https://pcaaca.org/conference/submitting-paper-proposal-pca-conference

 SOAP OPERA AND SERIALIZED STORYTELLING

Henry James scholarship has hesitated to engage with the challenges and opportunities presented by the rich and proliferating constellation of thought that is Trans Studies. How might the question of transgender revise, reinvigorate or transform our understanding of James’s writing, and / or of James as a biographical subject?

We welcome proposals addressing any aspect of the topic. Possible approaches might include:

-          Transgender subjects in James’s fictional worlds and nonfiction texts

-          Transgender and subjectless queer critique

-          Sex, gender, and narration

-          Transgender and sexuality

-          Transgender and sibling relationships

CFP: Medievalism in Popular Culture

PCA/ACA 2021 National Conference

Jun 2nd – 5th – VIRTUAL

The Medievalism in Popular Culture Area (including Early to Later Middle Ages, Robin Hood, Arthurian, Chaucer, Norse, and other materials connected to medieval studies) accepts papers on all topics that explore either popular culture during the Middle Ages or transcribe some aspect of the Middle Ages into the popular culture of later periods. These representations can occur in any genre, including film, television, novels, graphic novels, gaming, advertising, art, etc. For this year’s conference, I would like to encourage submissions on some of the following topics:

Submissions are invited for a scholarly conference on domestic cats in literature to be hosted online 11-12 June 2021 by the Troy University Department of English.

Papers may address any aspect of the subject, including—but not limited to—the following:

Teaching and Practicing Feminism(s) in 2021

"Adapting Print Genres for the Victorian Stage" will consider how British plays within the Victorian era (1837-1901) interacted with and responded to news stories, social movements, or cultural debates appearing in print genres, including newspapers, the periodical press, and literature. Often, a theatrical adaptation of a popular novel appeared even before its serialization had concluded, as in the case of Charles Dickens's 1839 novel Nicholas Nickleby, which appeared on 19 November 1838 at the Adelphi Theatre, adapted by Edward Stirling, a mere eight numbers into its serialization.