victorian

Climate change is an important issue that has become a frequent topic in twentieth as well as twenty-first century literature and film. From science fiction of the past to the present-day speculative fiction, this roundtable presents an opportunity to provide and study examples both past and present regarding climate change issues in literature and film. Dystopias written by international writers reflect the world-wide concern regarding climate change. For example, novelists such as British-born Maggie Gee’s The Flood or French-born Pierre Boulle’s La Planète des singes[The Planet of the Apes] speculate on the possibility of climate changes causing devastating destruction.

Beyond Biofiction: Writers and Writing in Neo-Victorian Fiction

Guest Editors: Armelle Parey and Charlotte Wadoux

2021/22 Special Issue of Neo-Victorian Studies (http://neovictorianstudies.com)

Bad Mothers
A Global Inclusive Interdisciplinary Conference
 
Sunday 14th March 2021 - Monday 15th March 2021
Lisbon, Portugal

            From the transient street art of Banksy and Pablo Delgado to the exhibitions of Doreen Fletcher and Gilbert and George; from the novels of Charles Dickens and Monica Ali to televisual series produced by the BBC and ITV; and from early eighteenth-century churches designed by Nicholas Hawksmoor to twenty-first century skyscrapers conceived by Norman Foster, the East End is an iconic area of London.

Call for papers for the Victorian Review

Topic:

Victorian Posthumanism

Editor and Contact E-mail:

Lara Karpenko, Associate Professor of English, Carroll University: lkarpenk@carrollu.edu

Submission Date:

Please send articles of 5,000-8,000 words to lkarpenk@carrollu.edu  by March 31st 2021. Articles should be in MLA format and not under consideration at any other journal. Early submission is welcome as are queries or letters of interest.

Issue Description:

19th-century Britain witnessed the convergence of many historical trends that exacerbated disability stigma, even as the era embraced a rehabilitative ethos. The growth of specialized medicine, the expansion of a sprawling asylum system, institutional categorization of the poor, public health initiatives, and the rise of eugenics: all these and more spawned attitudes and practices that worked to disable those who were physically and mentally impaired.

Rhoda Broughton (1840-1920) was considered one of the queens of the circulating library in Victorian England. Broughton is the author of more than twenty novels and a collection of short stories, the latter featuring supernatural and mysterious elements. Her first two novels, Cometh up as a Flower and Not Wisely but too Well, earned her the reputation of a sensation writer; they were followed by other works containing sensational elements and subject-matter, and featuring rebellious, impetuous, passionate but often naïve heroines. She later resorted to one-volume novels in which she revealed skill and depth. These gems include A Beginner, Lavinia and Mamma.

Prospero Rivista di Letterature e culture straniere,

A Journal of Foreign Literatures and Cultures

Call for Papers

Prospero XXV, 2020

In A New Vocabulary for Global Modernism (2016), Eric Hayot and Rebecca L. Walkowitz call for thinking about modernism from a global perspective, in order to recover and examine “local instances of modernism...[with] the traces of world thinking and world imagining that both respond to...global pressures...and anticipate into being the structures of feeling that...shape the world we live in” (8-9).

University of Hertfordshire, 8‒10 April 2021

The editors invite contributions to Symbolism. An International Annual of Critical Aesthetics, an interdisciplinary, peer-reviewed journal dedicated to pursuing fundamental questions on the forms and functions of the symbolic. Symbolism publishes high-profile research on topics related to the use of figurative language, thought and signification in artistic expression and representation. While maintaining a strong literary focus, the annual also inquires into practices of the symbolic across discourses in media ranging from the cinema and painting to opera, sculpture and other arts.

The Victorian period is generally thought of as an age where science and its discoveries led to a shift from the religious to a scientific explanation of the natural world. Obviously at the centre of this whole shift was Charles Darwin, his powerful inferences and the delayed publication of The Origin of Species, as he feared disturbing established religious and social practices. And the crises of faith it did instill affected an entire generation. However much we wish to adhere to this scientific aspect of the Victorian period, one cannot ignore the fact that the age also saw a proliferation of the interest and belief in the supernatural, the occult, in ghost stories, séances et al.

I am seeking paper presentations for this year’s English II (1800-1900) session at the Midwest Modern Language Association's conference in Milwaukee (November 5-8) that discuss the significance and dynamics of social class and class consciousness in the representations, production, consumption, and understanding of literature in 19th century Britain. Please send a 250-word abstract, and a brief C.V. and bio to Kevin Swafford at swafford@fsmail.bradley.edu. Abstract, C.V. and bio are due on June 15

Literature Among the Ruins: Junky Humanities, Literary Garbage, and Textual Flotsam

Two-Part Conference Panel

Organizers: Dr. Craig Dionne and Dr. Meg Dobbins, Eastern Michigan University