world literatures and indigenous studies

This seminar centers the contemporary phenomenon of colorblindness to query how in times marked by police killings, Black Lives Matter activism, and the mass maiming of detained migrants, it is critical race theory that the Trump administration calls “divisive” and “un-American.” As critical race theorists Ian Haney López and Neil Gotanda respectively assert, legal colorblindness in a post-Civil Rights era renders racism “any and every use of race.” This colorblind stance “legitimates racial inequality and domination” by perpetuating a deadly contradiction between racist violence and race-free discourse.

Since the sexual abuse allegations against American film producer Harvey Weinstein in Oct 2017, the #metoo movement has received wide attention on social media and in public life. What this movement has reminded us is sexual abuse is deeply implicated in social/hierarchical power structures (forcing survivors to suffer violence and then hide trauma). It has also offered the possibility of speaking against sexual abuse, harassment, and violence in public and “shaming” perpetrators (as “due process” has often been painful, slow, and unfair). The movement has led to public debates on questions of patriarchy, power, nepotism, culture, clothing, ethics, and ideology.

The idea that studying the humanities generates more empathy and compassion is one that is now commonly understood. However, the humanities have been at a crossroads for these past ten odd years, since the rise of the digital humanities as “the next big thing” (Panapacker, 2009). Staunch advocates of the traditional humanities would look back and defend the discipline's ongoing relevance from its inception. Although there has been much-needed innovation in the humanities in recent years, partly in response to greater funding and public fervor for so-called “STEM” fields, it has not been without controversy.

5-6 November 2020 - ONLINE

Organizers / Scientific Committee:

InMind Support (Poland)

Professor Wojciech Owczarski - University of Gdańsk (Poland)

Professor Polina Golovátina-Mora - Universidad Pontificia Bolivariana (Colombia)

CFP: Migration, Adaptation and Memory 

Living in the End Times: Utopian and Dystopian Representations of Pandemics in Fiction, Film and Culture

A Virtual Interdisciplinary Conference hosted by Cappadocia University, Turkey, January 13 – 15, 2021 

Venue: Cappadocia University, Mustafapaşa Campus, 50420 Ürgüp/Nevşehir/Turkey (Virtual-Microsoft Teams)

Keynote speakers: Larissa Lai, Maggie Gee, Kim Stanley Robinson, Tom Moylan, Raffaella Baccolini, and Elizabeth Outka

Description:

CALL FOR PAPERS

Stories from the Margins: Indigenous Connections to the Land

University of Northumbria 29-30 June 2021

Confirmed Keynote Speakers

• Prof. Lill Tove Fredriksen (UiT The Arctic University of Norway)
• Conversation between Prof. David Stirrup (University of Kent, U.K.) and Anishinaabe, Métis and settler-Irish artist Elizabeth LaPensee

CALL FOR PAPERS

OUR 30TH ANNUAL CONFERENCE WILL BE HELD VIRTUALLY, FROM FEBRUARY 15, 2021 to FEBRUARY 19, 2021.

The British Commonwealth and Postcolonial Studies Conference, inaugurated in 1992 — the oldest and longest-running annual meeting of its kind in the United States — will hold its first virtual conference, and calls for presentations situated in colonial and postcolonial histories, literatures, creative and performing arts, politics, economics, and all other aspects of the countries formerly colonized by Britain and other European powers.

World Literature and the Minor: Figuration, Circulation, Translation

6 – 7 May 2021

University of Leuven, Belgium (online)

Keynote Speakers:

Michael Cronin (Trinity College Dublin)

B. Venkat Mani (UW-Madison)

Francesca Orsini (SOAS)

Lyndsey Stonebridge (Birmingham)

In After Nature: A Politics for the Anthropocene (2015), Jedediah Purdy describes what he calls the "environmental imagination," which comprises “how we see and how we learn to see, how we suppose the world works, how we suppose that it matters, and what we feel we have at stake in it. It is an implicit, everyday metaphysics, the bold speculations buried in our ordinary lives” (6-7). Amidst the gravity of the Anthropocene today, Purdy examines the linkages between environmental imagination and “ways of acting, personally, politically, and legally, that have shaped the world in concrete ways” (7).

Se aceptan presentaciones de manera virtual.

This roundtable invites work that analyzes the new wave of graphic narratives in contemporary Spain. This roundtable also welcomes proposals that deal with different genres and approaches to the medium, including analysis of the industry and publishers.

We are looking for 2 more articles for a collection of essays on "Haunted Nature", preferably from an indigenous perspective but other topics are welcome as well. The collection is a study of human entanglements with nature as seen through the mode of haunting. Together, the essays demonstrate how haunting and being haunted can elucidate our troubled relationships with our natural environments. Seen as an interruption of the present by the past, hauntings address contemporary anxieties concerning human involvement in the transformation of natural environments and their ecosystems, and our complicity in their collapse.

The exploration of prison is not new in literature and theatre. It is one in which convicts tell their stories from the inside. Here, the detained locate their experiences and conditions of prison. According to Arnold Erickson, prison has been a fertile setting for Artists, Musicians and Writers alike. Prisoners have produced hundreds of works that encompassed a wide range of literature books describing the prison experience. Modernist literature and theatre with its eclecticism saw the upsurge in the prison narrative. While Tennessee Williams’ Not about Nightingales establishes the prison genre, John Herbert’s Fortune and Men’s Eyes focuses on the harsh treatment of imprisoned homosexuals.

Call for Papers, Caribbean Literature at CEA 2021April 8-10, 2021 | Birmingham, AlabamaBirmingham Sheraton Hotel The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Caribbean Literature for our 52nd annual conference. The general conference theme is “justice,” so we are especially interested in presentations that feature topics relating to justice in texts, disciplines, people, cultural studies, media, and pedagogy.

We welcome individual and panel presentation proposals that address Caribbean literature in general, including—but not limited to—the following possible themes:

PLEASE NOTE NEW SUBMISSION DEADLINE OF OCTOBER 11TH

Signs of the prominence of oil as an object of study in the Environmental Humanities abound: the increasing circulation of terms like “Petroculture” and “petrocapital,” the emergence of the Energy Humanities as a sub-field, and the nearly simultaneous publication of recent volumes such as Living Oil (2016); Petrocultures (2017); and Energy Humanities: An Anthology (2017). Scholars in a range of disciplines are working to theorize and bring into focus the myriad economic, environmental, social, and imaginative ramifications of our relationship with—and dependence on—oil.