Mapping Rival Geographies: Migrations, Crosscurrents, and Intimacies
world literatures and indigenous studies
In his classic essay “An Introduction to the American Horror Film,” Robin Wood establishes the basic formula of the horror film as “normality is threatened by the monster.” He subsequently mentions that if one were to “substitute for ‘Monster’ the term ‘Indians’ . . . one has a formula for a large number of classical Westerns.” Wood’s point is to establish the flexibility of his framework but it also points in another direction: the monstrousness of the idea of Indigeneity within the colonial mindset. Today, one of the most exciting growing areas in horror cinema at the moment comes from Indigenous persons.
The language debate between Ngugi wa Thiong’o and Chinua Achebe has long defined the discourse about language use in African literature. Achebe’s argument that the writer can “Africanize” the English he or she is using (by infusing words, phrases, idioms, songs, proverbs, stories, dialogue, etc. into the writing) is very compelling because it offers writers a practical means of reaching a wider audience and it ensures African literature a prominent space in the global literary landscape.
C21Literature: Journal of 21st Century Writings
Call for Papers
Special Issue: “Surveilling the Body: Ableism and Anglophone Literature”
Guest Edited by Dr Susan Flynn and Dr Antonia Mackay
Early Modern Spain witnessed the birth of the literary and culturally significant picaresque genre with protagonists that existed in liminal spaces that allowed society to fashion them and in turn these pícaros to refashion themselves. Through autobiographies, letters and dialogues, they became manifested not only as beggars, buffoons, thieves, card sharks and prostitutes, but also as animals, actors, rich runaways and academics. This panel seeks papers in English or Spanish that examine how society fashions the picaresque genre’s protagonists and/or how pícaros shape themselves.
The Aesthetics of Drone Warfare
An International, Interdisciplinary Conference
Humanities Research Institute, University of Sheffield
7-8 February 2020
Debjani Ganguly (University of Virginia)
Derek Gregory (University of British Columbia)
We are looking for contributors to our edited volume, tentatively titled On the Edge: Essays on the Representations and Images of Frontiers and Borders in Literature. We would like to invite submissions considering the keywords of “frontier” and “border” in a literary context, and we are particularly interested in proposals that would give a new, unexpected meaning to these words. The frontier emerged as an important critical concept for an understanding of American history over a hundred years ago, and its status has changed from a celebrated catchphrase to explain away the perplexities of American identity, through an F-word not tolerated in the progressive circles, leading finally to a rehabilitated, more inclusive use.
CFP: Unrealized Futures: Post-Socialist Memory in German-language Literature
Northeast Modern Language Association (NeMLA) Convention
Panel: Mythology from Modernity to the Post-Modern: Regional and Global Perspectives