The recent global turn in modernist studies prompts timely questions about the intersections between global modernism and world literature, and the role that global modernism plays within the study of world and comparative literature. In their article “The New Modernist Studies,” Douglas Mao and Rebecca Walkowitz argued for an “expanded” vision of modernism that reconsiders canonical figures and texts, contests canonicity’s traditional limits, and redefines temporal and geographical coordinates beyond Anglophone traditions and Eurocentric frameworks.
The International Conference on Current Issues of Literature, Translation and Teaching and Learning of Languages calls for papers (Ahwaz, Iran).
Academics and university lecturers are cordially invited to present their research regarding current issues of literature, translation and teaching and learning of different languages and dialects in either English or Persian.
For more details, please visit the conference website (WWW.LTLT.IR).
Please feel free to write if there is any query.
The Conference Secretariat,
Pazhoheshgaran Andishmand Institute,
Ahwaz 61335-4619 Iran
Encyclopaedic fictions are being studied increasingly comparatively: with such studies as Hilary Clark’s The Fictional Encyclopaedia (1990), Franco Moretti’s Modern Epic (1996), Stefano Ercolino’s The Maximalist Novel (2014), and Paul St. Amour’s Tense Future (201 5), as well as forthcoming studies like Nick Levey’s Maximalism in Contemporary American Literature (2016) and Antonio Barrenechea’s America Unbound (2016), critical attention has turned to assessing the commonalities between these daunting, ambitious, totalising texts—and away from single-author approaches.
ARIEL Special Issue Call for Papers:
Literature & Postcolonial Capitalism
There is a metaphysical gravity that pulls consciousness towards the incomprehensible darkness of ‘dread,’ like the impulse to willingly dive into the abyss, as into something utterly unknown - an analogy made famous by Kierkegaard in The Concept of Dread. But what is dread, exactly, and what are the cultural, philosophical and physical significances of a genre that uses dread as its primary structure of feeling? Is ‘horror’ even a genre? Can it be encompassing of dread, terror, angst or revulsion?
Since Karen Barber theorized the notion of “African popular arts” nearly thirty years ago (1987), a rich field of scholarship has developed around the term, exploring forms of local African expression by the people, for the people, and most often, about the people. The concept of African popular culture has been applied to a vast array of cultural forms in Africa ranging from Onitsha pamphlet literature to Kenyan matatu minibus inscriptions, Ghanaian Concert party theatre, Angolan hip-hop, Nollywood video films, Cameroonian detective fiction, Congolese Sapeur fashion, South African cartooning, trans-continental TV shows like Big Brother Africa, and much more.
NeMLA Convention, Baltimore (23-26/03/2017)
In her study of L. M. Montgomery (1874-1942) in the “Extraordinary Canadians” series, Canadian author Jane Urquhart invokes comparisons of L. M. Montgomery’s life and work to that of her near-contemporary American peers, Edith Wharton (1862-1937), Willa Cather (1873-1947), and Mary Wilkins Freeman (1852-1930), among others. While the transatlantic connection among women writers is receiving increasing critical attention, the literary relationships among American and Canadian women writers offer a relatively recent area for scholarly explorations of the influences and alignments crossing North America.
Envisioning asylum / engendering crisis http://explore.tandfonline.com/cfp/ed/crde-call-for-papers
Co-editors: Dr Emma Cox (Royal Holloway, University of London) and Dr Caroline Wake (University of New South Wales, Sydney)
Louis Owens (1948-2002) was one of the major voices of contemporary Native American literature and scholarship. His work includes five acclaimed novels, scholarly studies, and some one hundred essays. The extensive oeuvre Owens produced includes writing on themes of mixed-blood identities, working-class life, travel, western American landscapes, the environment, survivance, tricksters, story-telling, and memory. Owens was a scholar of international stature on John Steinbeck, a writer whose realism strongly influenced his own fiction.
The “LLC – International Journal of Linguistics, Literature and Culture” is a peer reviewed journal which accepts high quality research articles. It is a quarterly published international journal and is available to all researchers who are interested in publishing their scientific achievements. We welcome submissions focusing on theories, methods and applications in Linguistics, Literature and Culture, both articles and book reviews. All articles must be in English.
(Appel en français à lire en bas)
Maïssa Bey: Two Decades of Creativity (1996-2016).
Call for contributions: Edited volume.
We are inviting submissions for a forthcoming edited volume that analyse and survey folk narratives from India’s Northeast. The eight north-eastern states—Meghalaya, Arunachal Pradesh, Nagaland, Mizoram, Tripura, Assam, Manipur and Sikkim—have a wealth of narratives that are likely to function as alternative history beyond the generic cultural and geographical assumptions of the history of the Northeast as part of a ‘greater’ Indian history. The polyphonic potential of these narratives can be explored in multiple ways including historical, literary, sociological and political, but not exclusively such.
Proposed Seminar for the 2017 Annual Meeting of the American Comparative Literature Association (ACLA) in Utrecht, The Netherlands (July 6-9, 2017)
Luisa Banki, University of Wuppertal (firstname.lastname@example.org)
Franziska Humphreys, Ecole des Hautes Etudes en Sciences Sociales (email@example.com)
Materiality and Affect of Reading
Since its emergence, cinema has been preoccupied with the relationship between film and politics, and across its long history filmmakers have explored the relationship between film and social change. This history seemed to reach its apogee in the 1960s with the global explosion of radical filmmakers intent on exploring cinema’s revolutionary capacities. Of these movements, Godard’s political modernist cinema and Latin American third cinema are the most well-known and have since come to stand as both the height and limit of a politically committed film practice.
CFP: Videographic Approaches to World Cinema and Transnational Circulation
Society for Cinema and Media Studies Conference, Chicago, March 22 – March 26, 2017
13–15 December 2016
Daejeon Convention Center, Daejeon, Korea
The world has entered into the age of universal economic crisis. In this second decade of the twenty-first century, the long shadow of economic downturn and instability looms over not only traditionally underdeveloped countries and regions, but the superpowers of global economy, such as the US, the EU, and China. At the time when economy is at once a global priority and the source of worldwide anxiety, fear, and uncertainty, and when economic crisis seems to accelerate the crisis of humanities and higher education, the ELLAK will organize an international forum to reconfigure the interface of literature and economy and redefine the social parameters of literary studies.
In 1947, the nation of India was formed as an imagined community whose literalness immediately became vividly and at times tragically apparent. The creation of the independent state of India conferred a unified national identity on a place whose phenomenal diversity is manifested in over 1,700 languages as well as an infinitely complex cultural, social, and religious heritage.
Poetry After Europe: Geopolitical Poetics in the 21st Century [or does the subtitle dilute the force of “Poetry After Europe?”]
- Walt Hunter (Clemson University)
- Shirley Lau Wong (Westfield State University)
Seeking proposals for a panel on "The 'Modern Mary'" at the NeMLA Annual Convention in Baltimore, Maryland, March 23-26, 2017.
Pocahontas and after: historical culture and transatlantic encounters, 1617-2017
The British Library and the Institute for Historical Research, London
March 16-18, 2017
A major international conference to commemorate the 400th anniversary of Pocahontas’ death. Co-hosted by the Eccles Centre for American Studies at the British Library and the Institute for Historical Research.
Additional support has been provided by the Omohundro Institute for Early American History and Culture and The University of Warwick.
Approximately thirty sessions for the November 11-13, 2016 Pasadena, California PAMLA Conference are still in need of a paper or two. To propose to one of these open sessions (see a partial list below) go here: http://www.pamla.org/2016/topic-areas . These open sessions will be open until August 5, or the session fills, whichever comes first.
Erich Auerbach’s "Mimesis"—The Representation of Reality in Western Literature—was published in 1945 and had a tremendous influence in the middle part of the 20th century. Using a method of textual analysis to establish continuities from Homer to Virginia Woolf, Auerbach has been read by virtually every serious student of literature for seventy years now. Because of the scope and density of the book it is somewhat difficult to ready examine and evaluate Mimesis. This panel will examine Mimesis from two angles. First, we will study and reflect the overarching themes of this magisterial book. Second, we will look at his individual textual analyses to probe their validity and relevance in 2016.
Heidegger and the Western Literary Tradition.
This panel will investigate the complex relationships between the work of Martin Heidegger and Western literature from the Greeks until the 20th century. Three distinct questions or areas of investigation will be treated:
• How did Heidegger use a specific writer in one or more of his philosophical writings?
• How does Heidegger’s use of a given writer relate to our current understanding of the works and themes of this writer?
• Are there thematic points of contact between Heidegger’s work and literary authors that Heidegger may not have mentioned? Can we point out specific limitations that might result from Heidegger’s philosophical methodology?
In his lifetime, Nietzsche referred to over 150 nineteenth-century writers in both his published writings and Nachlaß. Nietzsche’s use of nineteenth-century fiction and poetry ranges from somewhat nonchalant to extremely systematic. Indeed, the cornerstone of his “Advent of European Nihilism” in the late 1880s is the decline or decadence of literature during Nietzsche’s lifetime.
The panel attempts to focus on passages, individual novels or poems, and complete bodies of work in order to assess Nietzsche’s use of these texts in his philosophical project.
World War I marked one of the great turning points in the political, social, and cultural history of Europe and the world. This panel explores the lived, daily experience of this war by looking at five different forms. Presenters can address these forms in isolation or show the relationships between them.
First, presenters may analyze and evaluate the experience of the Great War through its literary texts, diaries, or journals. Presenters are encouraged to choose a single passage or two in order to explore the concrete experience of the war. The texts may focus on soldiers, civilians or both. Any text—on the fronts or at home—are suitable for this panel.
Since 1945, Berlin has become a cultural Weltstadt in many ways; this panel would like to focus on three of them. First, the contemporary situation of Berlin in reunified Germany serves as a lens for the flow of people, ideas, rinfluences between Europe and the rest of the world. Second, from 1945-1989, most of the tensions of the Cold War converged in Berlin. Third, for both of these reasons, today a large number of films, novels, and TV programs are set in Berlin, thus making it a privileged place of cultural representation. The purpose of this panel is to study all three of these situations from an international and comparative point of view.
The present literary reputation of Albert Camus is both fascinating and instructive. It is fascinating because, on the one hand, his work is all but absent from global university curricula; yet, he is one of the most widely read authors on the planet. Who has not read The Stranger or The Myth of Sisyphus?
Moreover, Camus and his work are instructive for many reasons.
The aim of this roundtable is to present possible guidelines and book selections for a hypothetical undergraduate course in “Novels of the Holocaust.” The panel will be resolutely international and open to books originally published in any language. As this roundtable is sponsored by NeMLA’s comparative literature director, participants are not obliged to use or refer to English translations if they wish to use original texts. The course that might be called the “target course” may be for any undergraduate level and for any country.
While this is roundtable is meant to follow the interests of its participants and not impose any institutional rigidities, seven particular themes or questions seem especially important.
The Anthropocene: Fiction and the End(s) of Human Ecologies
Guest Editor: Robert P. Marzec
Deadline for Submissions: 1 March 2017
Guest Editor: Laura Doyle
Deadline for Submissions: 1 June 2017
The editors of MFS seek essays that engage with the concept of inter-imperiality, as developed in the recent PMLA “Theories and Methodologies” cluster (March 2015) and elsewhere. The global turn in literary and cultural studies, although productive, sometimes elides the post/colonial, economic, and other historical or geopolitical conditions of literary-cultural production. We solicit essays that offset this tendency by reading literary-cultural texts within an inter-imperial framework.