world literatures and indigenous studies

The Journal of Research in Contemporary World Literature (indexed in Scopus) invites original, unpublished research articles for a special issue dedicated to Contemporary African and Arabic Literature. This issue seeks contributions that explore literary production, cross-cultural encounters, postcolonial and decolonial aesthetics, migration and diaspora, oral and performance traditions, and new media literatures within African and Arabic-speaking contexts. The journal is a peer-reviewed, open-access quarterly that publishes in English.

Themes and Topics

Global Indigeneities and Life Narratives: Special Issue of Biography: An Interdisciplinary Quarterly—Deadline Extension

A Special Issue of Biography: An Interdisciplinary Quarterly
 
Guest Editor: J. Kēhaulani Kauanui, 
Eric and Wendy Schmidt Professor of Indigenous Studies and Anthropology, Princeton University
 
Submit: 400-word abstracts to kauanui@princeton.edu by December 12, 2025

Conference online: 22-23 January 2025

CFP:

Speculative Futures in CanLit

Call for Papers

Article submissions in English or French are invited for a special 50th-anniversary issue of Studies in Canadian Literature / Études en littérature canadienne on the theme of Speculative Futures in CanLit. The issue will be co-edited by John Clement Ball, Laura Moss, and Cynthia Sugars, and with a submission deadline of 15 May 2026.

This issue invites submissions on the myriad manifestations of the “speculative” and “future” in the field of Canadian literature, from submissions about speculative fiction and cultural texts, to environmental and/or political futures, to speculations about the future of Canadian literature itself.

CFP — Edited Volume
Watery Worlds: Decolonial Ecologies and the Mediterranean

This edited volume explores water as a decolonial, ecological, and affective force across Mediterranean geographies, including but not limited to contemporary Turkey. Rather than treating water as background or metaphor, the volume considers it a central analytic force shaping experiences of colonialism, displacement, border-making, memory, and belonging.

Centre for Global Migrations Symposium

Crossing Borders

Ōtākou Whakaihu Waka | University of Otago

17-18 February 2026

Keynotes: Anne McNevin | Simon Barber & Gabriella Makerita Hinetu Brayne

The relationship between music, sound, and memory has become a focal point of scholarly inquiry in recent years, illuminating the intricate connections between auditory experiences, cognitive functions, and how these might be written down or discussed in a wider dialogue within culture. Researchers have begun to explore the way various musical elements, such as melody, rhythm, and harmony, can evoke specific memories and emotional responses, thereby influencing individual recollection and perception of past events.

Guest editor: Maxime Fecteau

Primordial and born of Chaos, Gaia wears many faces. In Hesiod’s Theogony she is a fertile, earth-bodied mother; she is also an insurgent force—ally to the Titans and to violent births. This constitutive ambivalence—nourishing ground and upheaval, regeneration and revolt—guides the 15th issue of MuseMedusa. We follow the figure to probe the regimes of time and action it exceeds, while noting how modern representational devices have narrowed its plurality of faces (Latour, 1991; 2015). In short, understanding Gaia today means holding Greek myth together with attention to planetary change.