Cambridge University Press is pleased to announce a new journal,
Eighteenth-Century Music, edited by Cliff Eisen (King's College London) and
W. Dean Sutcliffe (St Catharine's College, Cambridge). The reviews editor is
Simon Keefe (Queen's University, Belfast). The editorial board and advisory
panel for the journal will be found below.

The journal is intended as a forum for all eighteenth-century music research,
thus attempting to overcome the divisions so characteristic not only of the
historiography of this century but also the scholarly methodologies normally
associated with it. To this end, the editors welcome not only traditional
source, analytical, historical and performance practice studies, but also
interdisciplinary contributions, tapping into the institutional strengths of
many other areas of eighteenth-century research. In addition to standard
journal-length articles and book reviews, Eighteenth-Century Music will also
include a number of less usual features such as shorter articles (based on
the model of the 'kleine Beitr=E4ge' in some German journals: these can be
short reports on newly-discovered sources or documents, succinct analytical
observations or even kite-flying hypotheses), reviews of books, editions and
recordings, and an extensive 'communications' section intended to facilitate
better and more flexible scholarly exchange. Some of these communicative
functions will also be realized on our planned website. Further, we hope to
appeal not just to the straightforwardly academic market but also to others
who are involved in various capacities with eighteenth-century music.

The first issue will be published in early 2004 and we would be delighted to
receive submissions (four copies please) at the editorial address below, as
well as offers to review books, editions, recordings and eighteenth-century
conferences.

Editorial Board: John Butt (Glasgow, UK), Daniel Chua (King's London, UK),
Laurence Dreyfus (King's London, UK), Simon McVeigh (Goldsmith's London, UK),
Stanley Sadie (The New Grove), Julian Rushton (Leeds, UK), Robin Stowell
(Cardiff, UK)

Advisory Panel: Wye Allanbrook (Berkeley, USA), Manuel Carlos de Brito
(Lisbon, Portugal). William Caplin (McGill, Canada), Enrico Careri (Naples,
Italy), Juan Jos=E9 Carreras (Zaragoza, Spain), Thomas Christensen (Chicago,
USA), Carolyn Gianturco (Pisa, Italy), Ellen Harris (MIT, USA), Christopher
Hogwood (Academy of Ancient Music, UK), Mary Hunter (Bowdoin, USA), David Wyn
Jones (Cardiff, UK), Hans Joachim Marx (Hamburg, Germany), Marita McClymonds
(Virginia, USA), Jean-Paul Montagnier (Nancy, France), Rudolf Rasch (Utrecht,
Netherlands), Annette Richards (Cornell, USA), Carl Schachter (CUNY, USA)
Elaine Sisman (Columbia, USA), L=E1szl=F3 Somfai (Institute of Musicology,
Budapest, Hungary), Michael Talbot (Liverpool, UK), James Webster (Cornell,
USA), Neal Zaslaw (Cornell, USA)

Contact details

Editorial office
Eighteenth-Century Music
Department of Music
King's College London
Strand
London WC2R 2LS
United Kingdom
email: ecm_at_kcl.ac.uk

Editors
Cliff Eisen
Department of Music
King's College London
Strand
London WC2R 2LS
United Kingdom
tel: 020 7848 2307, email: cliff.eisen_at_kcl.ac.uk

W. Dean Sutcliffe
St Catharine's College
Cambridge CB2 1RL
United Kingdom
tel: 01223 338382, email: wds1000_at_cam.ac.uk

Reviews editor
Simon P. Keefe
School of Music
Queen's University
Belfast
Northern Ireland BT7 1NN
United Kingdom
tel: 02890 335204, email: S. Keefe_at_qub.ac.uk

_______________________________
Cliff Eisen
Department of Music
King's College London
Strand
GB-London WC2R 2LS

email: cliff.eisen_at_kcl.ac.uk
tel: 44 0207 848 2307

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Received on Sun Jan 19 2003 - 13:15:41 EST