CFP: _Literature and Medicine_ General Issue (no date; journal)
CFP: _Literature and Medicine_ General Issue (no date)
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CFP: _Literature and Medicine_ General Issue (no date)
CFP: _Literature and Medicine_ General Issue (no date)
CFP: _Literature and Medicine_ General Issue (no date)
CFP: Literature and Medicine Special Issue: Narrative, Pain, and
Suffering (5/15/04)
_Narrative, Pain, and Suffering_
_Literature and Medicine_ Volume 23, Number 1
Issue Editors: Tod Chambers and Martha Stoddard Holmes
CFP: Literature and Medicine Special Issue: Narrative, Pain, and
Suffering (5/15/04)
_Narrative, Pain, and Suffering_
_Literature and Medicine_ Volume 23, Number 1
Issue Editors: Tod Chambers and Martha Stoddard Holmes
CALL for PAPERS
Post•hu•man•ous: A Special Edition of Reconstruction (4.3, 2004)
Guest Editors: C. Jason Smith, Ximena Gallardo C., and Geoff Klock.
Post•hu•man•ous, adj. From the combination of “posthumous” and “posthuman”; 1. Occurring or continuing after the death of the human: a posthumanous writing. 2. Published after the death of the Author: a posthumanous book. 3. Born after the death of the patriarchy: a posthumanous child. 4. Any activity which presumes the fatal limitation of the rational-humanist subject: a posthumanous subject.
INTERVALLES/INTERVALS
The E-journal of the Interdisciplinary Center for Applied Poetics
(University of Liège, Belgium)
http://www.ulg.ac.be/cipa/
No 1 " Minimalisme(s)/Minimalism(s) "
Call for papers
Academic Exchange Quarterly: Call for Manuscripts
Academic Exchange Quarterly: Call for Manuscripts
Academic Exchange Quarterly: Call for Manuscripts
Academic Exchange Quarterly: Call for Manuscripts
Call For Proposals
Topic: “The Writer on Writing, The Artist on Art”
The Department of French Studies at Brown University announces the topic
of its Spring/Summer 2004 issue of Equinoxes: A Graduate Journal of French
and Francophone Studies
We invite graduate students to submit papers relevant to the theme of the
writer on writing, or the artist on art, as it pertains to literary and
artistic creation. While keeping the topic as broad as possible, we hope
to focus on the complex relationships between the artist-creator and her
or his work. We welcome submissions that treat French and Francophone
works, as well as broader cultural or theoretical issues, from the Middle
Ages to the present.
Call For Proposals
Topic: “The Writer on Writing, The Artist on Art”
The Department of French Studies at Brown University announces the topic
of its Spring/Summer 2004 issue of Equinoxes: A Graduate Journal of French
and Francophone Studies
We invite graduate students to submit papers relevant to the theme of the
writer on writing, or the artist on art, as it pertains to literary and
artistic creation. While keeping the topic as broad as possible, we hope
to focus on the complex relationships between the artist-creator and her
or his work. We welcome submissions that treat French and Francophone
works, as well as broader cultural or theoretical issues, from the Middle
Ages to the present.
CALL FOR PAPERS
Journal of Language, Identity, and Education
Thomas Ricento and Terrence G. Wiley, Editors
Special topic issue: Queer inquiry in language education
Cynthia D. Nelson, Guest Editor
The Journal of Language, Identity and Education is seeking submissions
for a special topic issue that examines sexual identities within
language education (or language-in-education) contexts. This special
topic issue, entitled 'Queer inquiry in language education', will
provide a unique and timely forum for exploring questions such as:
Nua: Studies in Contemporary Irish Writing seeks submissions for a
special issue on Ireland and Film. Rebecca Steinberger will be the
guest editor of this special issue on recent Irish films, planned for
appearance in spring of 2005. Topics of interest include, but are not
limited to: how is the nation represented in recent cinematic
interpretations? What constitutes ?Irish? cinema? How does the Irish
question surface in film? What is the role of history in film
narrative? How does film?s function in Irish culture differ from that
of written fiction or plays? In what ways do film soundtracks reflect
traditional Irish music? What role does the Irish landscape assume in
film?