2004
/10
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displaying 1 - 11 of 11

CFP: Anne Hebert: Essays On Her Work (2/1/05; collection)

updated: 
Monday, October 11, 2004 - 5:43pm
Lee Skallerup

CFP: Anne Hébert: Essays On Her Work

Guernica Editions will be publishing a book on Québecois author Anne
Hébert for their Writers Series in 2006. New essays on any aspect of
Hébert's work are being solicited for the publication. Particular
preference will be given to studies that include more than one of
Hébert's works, or that focus on her later publications (Poèmes pour
la main gauche, Aurélien, Clara, Mademoiselle, et le Lieutenant
anglais, Un habit de lumière, Est-ce que je te derange?). All essays
will be published in English, but French submission are welcome, and
if accepted will be translated by the editor.

CFP: Postmodern Culture (10/30/04; journal issue)

updated: 
Monday, October 11, 2004 - 5:03pm
PMC

PMC: Postmodern Culture
Call for Reviews
Deadline 30 October 2004.

REPLY TO: pmc_at_jefferson.village.virginia.edu

Postmodern Culture is looking for reviews of recent books, films, CDs,
plays, TV shows, concerts, sporting events, performances, exhibitions,
conferences and conventions, happenings, and so forth, for our January
2005 issue. Reviews should be approximately 2000-3500 words long and
should follow the journal's format guidelines below.

UPDATE: Teaching the Novel and Short Fiction (11/30/04; journal issue)

updated: 
Monday, October 11, 2004 - 4:56pm
James Kelley

UPDATE: This call has been expanded to include teaching both novels and
short fiction.

Academic Exchange Quarterly, a peer-reviewed journal appearing in print and
electronic format, will include in its Spring 2005 issue a special focus on
Teaching the Novel and Short Fiction. Literature and creative writing
instructors at all levels (universities, community colleges, and high
schools) are invited to submit manuscripts to the journal.

To be considered for the Spring 2005 issue, please submit your manuscript of
2,500 to 3,000 words by November 30, 2004. (Publication in later issues is
also a possibility.) Submissions will undergo a double-blind peer review.

CFP: Distributed Aesthetics (12/20/04; journal issue)

updated: 
Monday, October 11, 2004 - 4:54pm
Anna Munster

Distributed Aesthetics =96 Call for Papers for fibreculture journal,=20
issue to be published May 2005

It has been widely argued by sociologists, cultural and media theorists=20=

such as Manuel Castells, Arjun Appardurai and Geert Lovink that we now=20=

live in a landscape shaped by the flows and traffic of globally=20
networked information. We have become, in Castells words, a =91networked=20=

society=92 and our cultural, social and economic practices must operate=20=

within this global space of flows. The geography of place and history=20
in which association through physical proximity and tradition such as=20
neighbourhood, or through identification based upon race, class or sex,=20=

CFP: Distributed Aesthetics (12/20/04; journal issue)

updated: 
Monday, October 11, 2004 - 4:54pm
Anna Munster

Distributed Aesthetics =96 Call for Papers for fibreculture journal,=20
issue to be published May 2005

It has been widely argued by sociologists, cultural and media theorists=20=

such as Manuel Castells, Arjun Appardurai and Geert Lovink that we now=20=

live in a landscape shaped by the flows and traffic of globally=20
networked information. We have become, in Castells words, a =91networked=20=

society=92 and our cultural, social and economic practices must operate=20=

within this global space of flows. The geography of place and history=20
in which association through physical proximity and tradition such as=20
neighbourhood, or through identification based upon race, class or sex,=20=

CFP: Virginia Woolf and Music (1/10/05; collection)

updated: 
Monday, October 11, 2004 - 4:52pm
avarga_at_indiana.edu

Critical Anthology: Virginia Woolf and Music

Deadline: January 10, 2005

"Novels," she repeated. "Why do you write novels? You ought to write music."
Rachel Vinrace's advice to Terence Hewet shows that the relationship between
music and text was an important concern for Virginia Woolf beginning with her
very first novel. Her active interest in music influenced her writings in
significant ways throughout her career. In 1940, she was writing to Elizabeth
Trevelyan: "Its [sic] odd, for I'm not regularly musical, but I always think of
my books as music before I write them" (Letters, VI, 425).