/02

displaying 136 - 144 of 144

UPDATE: _Hedwig and the Angry Inch_ (5/1/05; collection)

updated: 
Wednesday, February 2, 2005 - 10:50pm
cozment_at_uark.edu

CORRECTION: _Hedwig and the Angry Inch_, was co-written by John Cameron Mitchell and Stephen Trask.

We invite contributions for a projected essay collection on John Cameron Mitchell and Stephen Trask's rock opera _Hedwig and the Angry Inch_ (Hedwig). We welcome scholarly essays from different fields (literature, film, cultural studies, religious studies, classics, anthropology, biology, educational psychology, speech communication/rhetoric, and others) engaging with _Hedwig_ in a variety of cultural contexts. Topics might include but are not limited to:

CFP: Storytelling: A Critical Journal of Popular Narrative (ongoing; journal)

updated: 
Wednesday, February 2, 2005 - 10:50pm
Elizabeth Foxwell

Call for Papers---_Storytelling: A Critical Journal of Popular Narrative_

The peer-reviewed journal _Storytelling_ is dedicated to analyses of popular narratives in the widest sense of the phrase and as evidenced in the media and all aspects of culture. Although past essays have focused on children's literature, comics, detective/crime fiction, film, horror/gothic, popular music, romance, science fiction, and television, submissions are by no means confined to these areas.

Executive Editors: Bonnie Plummer and Charlie Sweet, Eastern Kentucky University

UPDATE: _Hedwig and the Angry Inch_ (5/1/05; collection)

updated: 
Wednesday, February 2, 2005 - 10:50pm
cozment_at_uark.edu

CORRECTION: _Hedwig and the Angry Inch_, was co-written by John Cameron Mitchell and Stephen Trask.

We invite contributions for a projected essay collection on John Cameron Mitchell and Stephen Trask's rock opera _Hedwig and the Angry Inch_ (Hedwig). We welcome scholarly essays from different fields (literature, film, cultural studies, religious studies, classics, anthropology, biology, educational psychology, speech communication/rhetoric, and others) engaging with _Hedwig_ in a variety of cultural contexts. Topics might include but are not limited to:

CFP: Storytelling: A Critical Journal of Popular Narrative (ongoing; journal)

updated: 
Wednesday, February 2, 2005 - 10:50pm
Elizabeth Foxwell

Call for Papers---_Storytelling: A Critical Journal of Popular Narrative_

The peer-reviewed journal _Storytelling_ is dedicated to analyses of popular narratives in the widest sense of the phrase and as evidenced in the media and all aspects of culture. Although past essays have focused on children's literature, comics, detective/crime fiction, film, horror/gothic, popular music, romance, science fiction, and television, submissions are by no means confined to these areas.

Executive Editors: Bonnie Plummer and Charlie Sweet, Eastern Kentucky University

CFP: The Natalie Zemon Davis Prize: Renaissance and Reformation (ongoing; journal)

updated: 
Wednesday, February 2, 2005 - 10:50pm
renref

THE NATALIE ZEMON DAVIS PRIZE

For the best essay published annually in "Renaissance and
Reformation/Renaissance et Réforme".

The value of the prize is $500 CAD.

This prize honours the contributions of Professor Natalie Zemon Davis to
early modern studies and, in particular, to "Renaissance and
Reformation/Renaissance et Réforme" (with which she was involved at its very
beginning and which is now in its fortieth year).

The winner will be selected by a subcommittee of the editorial board from
among the essays published in each volume. The prize may, in extraordinary
circumstances, be divided among entries judged to be of equal merit.

CFP: The Natalie Zemon Davis Prize: Renaissance and Reformation (ongoing; journal)

updated: 
Wednesday, February 2, 2005 - 10:50pm
renref

THE NATALIE ZEMON DAVIS PRIZE

For the best essay published annually in "Renaissance and
Reformation/Renaissance et Réforme".

The value of the prize is $500 CAD.

This prize honours the contributions of Professor Natalie Zemon Davis to
early modern studies and, in particular, to "Renaissance and
Reformation/Renaissance et Réforme" (with which she was involved at its very
beginning and which is now in its fortieth year).

The winner will be selected by a subcommittee of the editorial board from
among the essays published in each volume. The prize may, in extraordinary
circumstances, be divided among entries judged to be of equal merit.

Pages