/06
/14

displaying 16 - 30 of 44

CFP: 18th- and 19th-C. British Women Writers (9/30/05; BWWC, 3/23/06-3/26/06)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Lisa Hager

The 14th Annual
Eighteenth- and Nineteenth-Century British Women Writers Conference
March 23-26, 2006
The University of Florida

Call for Papers

This year's theme, "(Re)Collecting British Women Writers," encourages
interdisciplinary approaches to writers of the period, with a special
interest in issues related to archival scholarship and memory and how
those issues manifest themselves in collections, exhibitions, and canons.

We are very pleased to announce that our keynote speakers will be Talia
Schaffer (CUNY-Queens College), Carolyn Steedman (University of
Warwick), and Lynne Vallone (Texas A&M University).

We encourage proposals focusing on but not limited to:

CFP: 18th- and 19th-C. British Women Writers (9/30/05; BWWC, 3/23/06-3/26/06)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Lisa Hager

The 14th Annual
Eighteenth- and Nineteenth-Century British Women Writers Conference
March 23-26, 2006
The University of Florida

Call for Papers

This year's theme, "(Re)Collecting British Women Writers," encourages
interdisciplinary approaches to writers of the period, with a special
interest in issues related to archival scholarship and memory and how
those issues manifest themselves in collections, exhibitions, and canons.

We are very pleased to announce that our keynote speakers will be Talia
Schaffer (CUNY-Queens College), Carolyn Steedman (University of
Warwick), and Lynne Vallone (Texas A&M University).

We encourage proposals focusing on but not limited to:

CFP: 18th- and 19th-C. British Women Writers (9/30/05; BWWC, 3/23/06-3/26/06)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Lisa Hager

The 14th Annual
Eighteenth- and Nineteenth-Century British Women Writers Conference
March 23-26, 2006
The University of Florida

Call for Papers

This year's theme, "(Re)Collecting British Women Writers," encourages
interdisciplinary approaches to writers of the period, with a special
interest in issues related to archival scholarship and memory and how
those issues manifest themselves in collections, exhibitions, and canons.

We are very pleased to announce that our keynote speakers will be Talia
Schaffer (CUNY-Queens College), Carolyn Steedman (University of
Warwick), and Lynne Vallone (Texas A&M University).

We encourage proposals focusing on but not limited to:

CFP: 18th- and 19th-C. British Women Writers (9/30/05; BWWC, 3/23/06-3/26/06)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Lisa Hager

The 14th Annual
Eighteenth- and Nineteenth-Century British Women Writers Conference
March 23-26, 2006
The University of Florida

Call for Papers

This year's theme, "(Re)Collecting British Women Writers," encourages
interdisciplinary approaches to writers of the period, with a special
interest in issues related to archival scholarship and memory and how
those issues manifest themselves in collections, exhibitions, and canons.

We are very pleased to announce that our keynote speakers will be Talia
Schaffer (CUNY-Queens College), Carolyn Steedman (University of
Warwick), and Lynne Vallone (Texas A&M University).

We encourage proposals focusing on but not limited to:

UPDATE: Queer Theatre in Britain: American Influences (no deadline noted; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
DimpleGodiwala_at_aol.com

Further to the call for chapters (pasted below) we now need critics to
undertake to write chapters on the influence of American theatre on British
queer theatre. Topics to be covered
Split Britches; Angels in America etc; Cafe la Mama
Please contact me as below=E2=80=A6=20
(previous call)
Alternatives Within the Mainstream II: Queer Theatre in Postwar Britain
Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions

UPDATE: Queer Theatre in Britain: American Influences (no deadline noted; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
DimpleGodiwala_at_aol.com

Further to the call for chapters (pasted below) we now need critics to
undertake to write chapters on the influence of American theatre on British
queer theatre. Topics to be covered
Split Britches; Angels in America etc; Cafe la Mama
Please contact me as below=E2=80=A6=20
(previous call)
Alternatives Within the Mainstream II: Queer Theatre in Postwar Britain
Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions

UPDATE: Queer Theatre in Britain: American Influences (no deadline noted; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
DimpleGodiwala_at_aol.com

Further to the call for chapters (pasted below) we now need critics to
undertake to write chapters on the influence of American theatre on British
queer theatre. Topics to be covered
Split Britches; Angels in America etc; Cafe la Mama
Please contact me as below=E2=80=A6=20
(previous call)
Alternatives Within the Mainstream II: Queer Theatre in Postwar Britain
Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions

UPDATE: Queer Theatre in Britain: American Influences (no deadline noted; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
DimpleGodiwala_at_aol.com

Further to the call for chapters (pasted below) we now need critics to
undertake to write chapters on the influence of American theatre on British
queer theatre. Topics to be covered
Split Britches; Angels in America etc; Cafe la Mama
Please contact me as below=E2=80=A6=20
(previous call)
Alternatives Within the Mainstream II: Queer Theatre in Postwar Britain
Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions

CFP: Centennial Study of Anne of Green Gables (2/1/06; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
blackfor_at_camden.rutgers.edu

Anne with an "E": The Centennial Study of _Anne of Green Gables_

Proposals are being solicited for the centennial studies volume of Anne of Green
Gables. Topics might include, but are by no means limited to:

CFP: Centennial Study of Anne of Green Gables (2/1/06; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
blackfor_at_camden.rutgers.edu

Anne with an "E": The Centennial Study of _Anne of Green Gables_

Proposals are being solicited for the centennial studies volume of Anne of Green
Gables. Topics might include, but are by no means limited to:

CFP: Centennial Study of Anne of Green Gables (2/1/06; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
blackfor_at_camden.rutgers.edu

Anne with an "E": The Centennial Study of _Anne of Green Gables_

Proposals are being solicited for the centennial studies volume of Anne of Green
Gables. Topics might include, but are by no means limited to:

CFP: Centennial Study of Anne of Green Gables (2/1/06; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
blackfor_at_camden.rutgers.edu

Anne with an "E": The Centennial Study of _Anne of Green Gables_

Proposals are being solicited for the centennial studies volume of Anne of Green
Gables. Topics might include, but are by no means limited to:

CFP: Edna O'Brien: New Critical Perspectives (7/29/05; collection)

updated: 
Tuesday, June 14, 2005 - 7:51pm
Maureen O'Connor

Call for contributions to the volume of essays, Edna O'Brien: New Cri=
tical Perspectives=0D=0A=0D=0AIn addition to selected papers from the=
 international conference, Edna O'Brien: A Reappraisal (held at the N=
ational University of Ireland, Galway, 23 April 2005), we would like =
to include further contributions from O'Brien scholars that are appro=
priate to the aims of the edition. =0D=0A=0D=0AAims and Intentions:=
=0D=0A=0D=0AEdna O'Brien's writing has always provoked controversy, f=
rom her earliest The Country Girls trilogy to her more recent books o=
f 'faction', In the Forest and Down by the River. Critical responses =
have been divided between those who see her writing as populist and s=

Pages