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displaying 46 - 60 of 70

CFP: The Publishing Contexts of Eighteenth-Century Exploration Narratives (9/20/05; ASECS, 3/30/06-4/2/06)

updated: 
Monday, September 12, 2005 - 3:12pm
Dr. R Kent-Drury

"The Publishing Contexts of Eighteenth-Century Exploration Narratives"
Roxanne Kent-Drury, Literature & Language Dept., Northern Kentucky U., LA
543, Highland Heights, KY 41099; Tel: 859/572-6636; Fax: 859/572-6093;
E-mail: rkdrury_at_nku.edu
This panel would provide a forum for book history research pertaining to
eighteenth century exploration narratives. Book history research continues
to be concerned with the physical properties of books and the material
conditions of their production, yet the field has expanded in recent years
to embrace the entire range of social conditions that may have influenced
the conception, writing, publication, and distribution of books. Recent

CFP: The Publishing Contexts of Eighteenth-Century Exploration Narratives (9/20/05; ASECS, 3/30/06-4/2/06)

updated: 
Monday, September 12, 2005 - 3:12pm
Dr. R Kent-Drury

"The Publishing Contexts of Eighteenth-Century Exploration Narratives"
Roxanne Kent-Drury, Literature & Language Dept., Northern Kentucky U., LA
543, Highland Heights, KY 41099; Tel: 859/572-6636; Fax: 859/572-6093;
E-mail: rkdrury_at_nku.edu
This panel would provide a forum for book history research pertaining to
eighteenth century exploration narratives. Book history research continues
to be concerned with the physical properties of books and the material
conditions of their production, yet the field has expanded in recent years
to embrace the entire range of social conditions that may have influenced
the conception, writing, publication, and distribution of books. Recent

CFP: Victorian Traffic (Australia) (10/15/05; 2/6/06-2/9/06)

updated: 
Monday, September 12, 2005 - 3:12pm
Sue Thomas

CFP: Victorian Traffic (10/15/05; 2/6/2006-2/9/2006)
 
2006 Conference of the Australasian Victorian Studies Association
 
6-9 February 2006
Venue: Hotel Y Conference Centre, Melbourne, Australia
 
Hosted by La Trobe University
 
Offers of papers of 20 minutes duration are invited on the conference theme,
³Victorian Traffic². Proposals from a range of disciplines are welcome and
might address
 
· the history, theory or representation of trade, commerce,
marketplaces and transport
 
· traffic in ideas, aesthetics, styles and artifacts
 
· cross-cultural exchange and exchanges
 

CFP: Victorian Traffic (Australia) (10/15/05; 2/6/06-2/9/06)

updated: 
Monday, September 12, 2005 - 3:12pm
Sue Thomas

CFP: Victorian Traffic (10/15/05; 2/6/2006-2/9/2006)
 
2006 Conference of the Australasian Victorian Studies Association
 
6-9 February 2006
Venue: Hotel Y Conference Centre, Melbourne, Australia
 
Hosted by La Trobe University
 
Offers of papers of 20 minutes duration are invited on the conference theme,
³Victorian Traffic². Proposals from a range of disciplines are welcome and
might address
 
· the history, theory or representation of trade, commerce,
marketplaces and transport
 
· traffic in ideas, aesthetics, styles and artifacts
 
· cross-cultural exchange and exchanges
 

CFP: Victorian Traffic (Australia) (10/15/05; 2/6/06-2/9/06)

updated: 
Monday, September 12, 2005 - 3:12pm
Sue Thomas

CFP: Victorian Traffic (10/15/05; 2/6/2006-2/9/2006)
 
2006 Conference of the Australasian Victorian Studies Association
 
6-9 February 2006
Venue: Hotel Y Conference Centre, Melbourne, Australia
 
Hosted by La Trobe University
 
Offers of papers of 20 minutes duration are invited on the conference theme,
³Victorian Traffic². Proposals from a range of disciplines are welcome and
might address
 
· the history, theory or representation of trade, commerce,
marketplaces and transport
 
· traffic in ideas, aesthetics, styles and artifacts
 
· cross-cultural exchange and exchanges
 

CFP: A Thousand Words: Visual Culture and the Humanities (9/23/05; 3/30/06-4/1/06)

updated: 
Monday, September 12, 2005 - 3:12pm
ali steere

The Melbern G. Glasscock Center for Humanities
Research invites abstracts that address the
relationship of visual culture to other forms of human
expression and thought. Presentations may address
aspects of image production and image reception in the
humanities, whether the image be printed, projected,
digitized, rendered artistically, imagined, or
destroyed. Topics may include exploration of pictorial
as opposed to written or oral expression; the ways in
which images may fill interstices in language, music,
and thought; the centrality of different forms of
picture making in human history, society, and culture.
We encourage papers that range across the spectrum

CFP: A Thousand Words: Visual Culture and the Humanities (9/23/05; 3/30/06-4/1/06)

updated: 
Monday, September 12, 2005 - 3:12pm
ali steere

The Melbern G. Glasscock Center for Humanities
Research invites abstracts that address the
relationship of visual culture to other forms of human
expression and thought. Presentations may address
aspects of image production and image reception in the
humanities, whether the image be printed, projected,
digitized, rendered artistically, imagined, or
destroyed. Topics may include exploration of pictorial
as opposed to written or oral expression; the ways in
which images may fill interstices in language, music,
and thought; the centrality of different forms of
picture making in human history, society, and culture.
We encourage papers that range across the spectrum

CFP: Religion and Gender in the Early Modern Period (3/15/06; collection)

updated: 
Monday, September 12, 2005 - 3:12pm
Karen Raber

Religion and Gender in the Early Modern Period:

This is a call for papers for a book-length collection of essays that brings
into dialogue male and female voices on the question of gender and religion
in the literature, visual arts, religious writings, and culture of the late
medieval and early modern period. We are interested in treatments of
authors who directly or indirectly engage one another in debate, but we are
also interested in bringing into dialogue by their juxtaposition in this
collection male and female voices of authors who may not necessarily have
known of each other's work but who nonetheless seem to "speak" to one
another.

CFP: Religion and Gender in the Early Modern Period (3/15/06; collection)

updated: 
Monday, September 12, 2005 - 3:12pm
Karen Raber

Religion and Gender in the Early Modern Period:

This is a call for papers for a book-length collection of essays that brings
into dialogue male and female voices on the question of gender and religion
in the literature, visual arts, religious writings, and culture of the late
medieval and early modern period. We are interested in treatments of
authors who directly or indirectly engage one another in debate, but we are
also interested in bringing into dialogue by their juxtaposition in this
collection male and female voices of authors who may not necessarily have
known of each other's work but who nonetheless seem to "speak" to one
another.

CFP: Religion and Gender in the Early Modern Period (3/15/06; collection)

updated: 
Monday, September 12, 2005 - 3:12pm
Karen Raber

Religion and Gender in the Early Modern Period:

This is a call for papers for a book-length collection of essays that brings
into dialogue male and female voices on the question of gender and religion
in the literature, visual arts, religious writings, and culture of the late
medieval and early modern period. We are interested in treatments of
authors who directly or indirectly engage one another in debate, but we are
also interested in bringing into dialogue by their juxtaposition in this
collection male and female voices of authors who may not necessarily have
known of each other's work but who nonetheless seem to "speak" to one
another.

CFP: Religion and Gender in the Early Modern Period (3/15/06; collection)

updated: 
Monday, September 12, 2005 - 3:12pm
Karen Raber

Religion and Gender in the Early Modern Period:

This is a call for papers for a book-length collection of essays that brings
into dialogue male and female voices on the question of gender and religion
in the literature, visual arts, religious writings, and culture of the late
medieval and early modern period. We are interested in treatments of
authors who directly or indirectly engage one another in debate, but we are
also interested in bringing into dialogue by their juxtaposition in this
collection male and female voices of authors who may not necessarily have
known of each other's work but who nonetheless seem to "speak" to one
another.

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