2006
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CFP: The Political Norman Mailer (including grad) (4/15/06; 10/12/06-10/14/06)

updated: 
Monday, January 30, 2006 - 10:44pm
Lennon, Michael

CALL FOR PAPER ABSTRACTS--THE 4TH NORMAN MAILER SOCIETY CONFERENCE, 2006
=20
The Programming Committee is looking for good proposals for panel =
presentations during the fourth annual conference of The Norman Mailer =
Society, to be held in Provincetown, MA, October 12-14, 2006. The =
theme of this year's conference is "The Political Norman Mailer," but =
papers on other topics related to Mailer and his work are also welcome. =
Please follow the guidelines below carefully.
=20
Send a 50-75 word biographical statement and a 300-400 word abstract of =
the proposed paper--as MS Word attachments only--not in the body of your =
email--by April 15 to the program committee chair: Robert Begiebing, =

CFP: Scottish Crime Fiction, CLUES: A Journal of Detection (10/31/06; journal issue)

updated: 
Monday, January 30, 2006 - 10:44pm
Elizabeth Foxwell

> CFP: Scottish crime fiction, spec issue of _CLUES: A Journal of Detection_
> Guest Editor: Gill Plain, University of St. Andrews (UK)
>
> From Ian Rankin to Val McDermid to Alexander McCall Smith, Scottish writers have dominated the British crime fiction market for the past twenty years. The Scottish crime fiction issue of _CLUES_ (the only US academic journal on mystery fiction) seeks to examine this phenomenon. Is the success of Scottish crime fiction attributable to a literary history stretching back to the nineteenth century and beyond, or is it the result of more recent cultural and political developments?

CFP: British Screens Now (UK) (3/31/06; 9/11/06-9/13/06)

updated: 
Monday, January 30, 2006 - 10:44pm
Andrew Moor

This is the first cfp for 'British Screens Now', an international conference to be held at
Manchester Metropolitan University and Cornerhouse Cinema Manchester, UK.

Deadline for abstracts: 31st March 2006.

'British Screens Now' will address, in the broadest sense, screen media produced and consumed in
Britain. Bringing together practitioners and scholars, it will look forward and backwards in an
attempt to promote an understanding of what appears on British screens, how it gets there and how it
is consumed. The conference will also encourage a sustained reassessment of what actually
constitutes 'British screens' in increasingly global contexts.

Major strands of the conference will be:

CFP: British Screens Now (UK) (3/31/06; 9/11/06-9/13/06)

updated: 
Monday, January 30, 2006 - 10:44pm
Andrew Moor

This is the first cfp for 'British Screens Now', an international conference to be held at
Manchester Metropolitan University and Cornerhouse Cinema Manchester, UK.

Deadline for abstracts: 31st March 2006.

'British Screens Now' will address, in the broadest sense, screen media produced and consumed in
Britain. Bringing together practitioners and scholars, it will look forward and backwards in an
attempt to promote an understanding of what appears on British screens, how it gets there and how it
is consumed. The conference will also encourage a sustained reassessment of what actually
constitutes 'British screens' in increasingly global contexts.

Major strands of the conference will be:

CFP: Scottish Crime Fiction, CLUES: A Journal of Detection (10/31/06; journal issue)

updated: 
Monday, January 30, 2006 - 10:44pm
Elizabeth Foxwell

> CFP: Scottish crime fiction, spec issue of _CLUES: A Journal of Detection_
> Guest Editor: Gill Plain, University of St. Andrews (UK)
>
> From Ian Rankin to Val McDermid to Alexander McCall Smith, Scottish writers have dominated the British crime fiction market for the past twenty years. The Scottish crime fiction issue of _CLUES_ (the only US academic journal on mystery fiction) seeks to examine this phenomenon. Is the success of Scottish crime fiction attributable to a literary history stretching back to the nineteenth century and beyond, or is it the result of more recent cultural and political developments?

CFP: Scottish Crime Fiction, CLUES: A Journal of Detection (10/31/06; journal issue)

updated: 
Monday, January 30, 2006 - 10:44pm
Elizabeth Foxwell

> CFP: Scottish crime fiction, spec issue of _CLUES: A Journal of Detection_
> Guest Editor: Gill Plain, University of St. Andrews (UK)
>
> From Ian Rankin to Val McDermid to Alexander McCall Smith, Scottish writers have dominated the British crime fiction market for the past twenty years. The Scottish crime fiction issue of _CLUES_ (the only US academic journal on mystery fiction) seeks to examine this phenomenon. Is the success of Scottish crime fiction attributable to a literary history stretching back to the nineteenth century and beyond, or is it the result of more recent cultural and political developments?

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