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displaying 106 - 114 of 114

CFP: Mystery, Crime, Thriller and Detective Fiction Area (4/30/06; MPCA/MACA, 10/27/06-10/29/06)

updated: 
Tuesday, February 14, 2006 - 4:10pm
Tricia Anne Jenkins

The Mystery, Crime, Thriller and Detective Fiction area of the Midwest
Popular Culture and American Culture Association is now accepting proposals
for its upcoming conference. The MPCA/MACA conference will be held
Friday-Sunday, October 27-29, 2006 at the Sheraton Indianapolis Hotel &
Suites in Indianapolis, IN.

Please send proposals on any aspect of mystery, crime or thriller fiction to
the area chair via email or mail. Emailed proposals should be sent to Tricia
Jenkins, American Studies, Michigan State University at jenki172_at_msu.edu.
Mailed proposals should be sent to Tricia Jenkins, The Journal of Popular
Culture, Michigan State University, 235 Bessey Hall, East Lansing, Michigan,
48824.

UPDATE: Hichcock (grad) (2/28/06; (dis)junctions, 4/7/06-4/8/06)

updated: 
Tuesday, February 14, 2006 - 4:10pm
disjunctions Ucr

CFP: Hitchcock

(dis)junctions: lost in translation
University of California, Riverside

April 7-8, 2006

This panel consists of all topics surrounding Alfred Hitchcock and his film=
s
and the effects of those films on movie-making since the sixties. Topics
include but are not limited to

   1. containment culture and sixties cinema
   2. gender bending
   3. reception studies
   4. changes in film theory/perceptions of film because of Hitchcock's
   work
   5. parodies of Hitchcock, allusions to Hitchcock in film
   6. use of soundtrack
   7. Hitchcock and film noir

UPDATE: Hichcock (grad) (2/28/06; (dis)junctions, 4/7/06-4/8/06)

updated: 
Tuesday, February 14, 2006 - 4:10pm
disjunctions Ucr

CFP: Hitchcock

(dis)junctions: lost in translation
University of California, Riverside

April 7-8, 2006

This panel consists of all topics surrounding Alfred Hitchcock and his film=
s
and the effects of those films on movie-making since the sixties. Topics
include but are not limited to

   1. containment culture and sixties cinema
   2. gender bending
   3. reception studies
   4. changes in film theory/perceptions of film because of Hitchcock's
   work
   5. parodies of Hitchcock, allusions to Hitchcock in film
   6. use of soundtrack
   7. Hitchcock and film noir

CFP: Race and Faith in African American Literature (3/30/06; collection)

updated: 
Tuesday, February 14, 2006 - 4:10pm
Tracey Michae'l Lewis

Deadline extended:

CHARCOAL CANONS

Race and Faith in African American Literature

 

Call for Submissions

 

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

 

CFP: Race and Faith in African American Literature (3/30/06; collection)

updated: 
Tuesday, February 14, 2006 - 4:10pm
Tracey Michae'l Lewis

Deadline extended:

CHARCOAL CANONS

Race and Faith in African American Literature

 

Call for Submissions

 

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

 

CFP: Race and Faith in African American Literature (3/30/06; collection)

updated: 
Tuesday, February 14, 2006 - 4:10pm
Tracey Michae'l Lewis

Deadline extended:

CHARCOAL CANONS

Race and Faith in African American Literature

 

Call for Submissions

 

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

 

CFP: Race and Faith in African American Literature (3/30/06; collection)

updated: 
Tuesday, February 14, 2006 - 4:10pm
Tracey Michae'l Lewis

Deadline extended:

CHARCOAL CANONS

Race and Faith in African American Literature

 

Call for Submissions

 

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

 

CFP: Race and Faith in African American Literature (3/30/06; collection)

updated: 
Tuesday, February 14, 2006 - 4:10pm
Tracey Michae'l Lewis

Deadline extended:

CHARCOAL CANONS

Race and Faith in African American Literature

 

Call for Submissions

 

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

 

CFP: The Theory and Practice of Modernist Revision (4/10/06; MSA, 10/19/06-10/22/06)

updated: 
Tuesday, February 14, 2006 - 4:10pm
james murphy

Paper proposals are invited for a proposed panel on Modernist
Revision at the 2006 Modernist Studies Association Conference in
Tulsa, OK from October 19-22.

Revision is a basic aspect of writing, but it assumed a special
prominence during the modernist period. T. S. Eliot dedicated The
Waste Land to his co-reviser, Ezra Pound. Henry James revised his
entire ouvre at the end of his life. When Virginia Woolf revised the
proofs of her novels, she revised one for the British edition and one
for the American edition.

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