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CFP: Beckett Centenary (Ireland) (4/13/06; 5/26/06-5/27/06)

updated: 
Monday, February 27, 2006 - 5:19pm
Michael O' Sullivan

  100 Years a Dying
  A Post-Mortem on the Work of Samuel Beckett
  
   
  An International, Interdisciplinary Conference in
  Beckett Studies,
  University College Cork,
  26-27 May 2006
   
  

CFP: Beckett Centenary (Ireland) (4/13/06; 5/26/06-5/27/06)

updated: 
Monday, February 27, 2006 - 5:19pm
Michael O' Sullivan

  100 Years a Dying
  A Post-Mortem on the Work of Samuel Beckett
  
   
  An International, Interdisciplinary Conference in
  Beckett Studies,
  University College Cork,
  26-27 May 2006
   
  

CFP: Beckett Centenary (Ireland) (4/13/06; 5/26/06-5/27/06)

updated: 
Monday, February 27, 2006 - 5:19pm
Michael O' Sullivan

  100 Years a Dying
  A Post-Mortem on the Work of Samuel Beckett
  
   
  An International, Interdisciplinary Conference in
  Beckett Studies,
  University College Cork,
  26-27 May 2006
   
  

CFP: Beckett Centenary (Ireland) (4/13/06; 5/26/06-5/27/06)

updated: 
Monday, February 27, 2006 - 5:19pm
Michael O' Sullivan

  100 Years a Dying
  A Post-Mortem on the Work of Samuel Beckett
  
   
  An International, Interdisciplinary Conference in
  Beckett Studies,
  University College Cork,
  26-27 May 2006
   
  

CFP: Film & Literature Panel (3/15/06; PAMLA, 11/10/06-11/11/06)

updated: 
Monday, February 27, 2006 - 5:19pm
Dr. David M. Pollio

Papers are invited for a "Film and Literature" panel at The Pacific
Ancient and Modern Language Association's annual meeting (Nov. 10-11
at Riverside, CA). Papers that treat aspects of English and American
Literature and Culture are especially welcome, provided that they
conform to the panel's overall theme of film and literature.

CFP: Southern Crossroads Storytelling Conference (no deadline noted; 10/13/06-10/14/06)

updated: 
Monday, February 27, 2006 - 5:19pm
Owen Elmore

Southern Crossroads Storytelling Conference

LSU Alexandria (Alexandria, Louisiana)

October 13 and 14, 2006

=20

Alice Walker's story "Everyday Use" uses quilts as a symbol for her
characters' familial past. These quilts, though certainly valuable
artistically, must still be of everyday use to the family. The quilts
will wear out from use, certainly, but these worn squares would be, as
they've always been, replaced with new squares; the piece from
great-great-grandma's sundress might be replaced with a patch from
daddy's overalls.

=20

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