CFP: African Film Conference (5/31/07; 11/9/07-11/10/07)

full name / name of organization: 
Margaret C. Flinn
contact email: 

Call for Papers

African Film Conference, Fall 2007

Abstract submission deadline: May 31, 2007
Conference date: November 9-10, 2007
Place: Center for African Studies
University of Illinois, Urbana-Champaign

The African film conference in Urbana-Champaign will explore how an
appreciation of films as mode of expression and form can be combined with an
understanding of their content. Cinema has a more pronounced public
dimension than some of the other arts; it creates an audience and depends on it
for its survival, and filmmaking itself can be situated within the history,
economy, politics, and broader cultural trends of postcolonial Africa. The
conference will aim to foster a dialogue between film scholars, critics, and the
social science interpreters, users, and enthusiasts of African films, and will try to
achieve, among other things, a greater sensibility for film as a medium among
the latter. We seek abstracts from scholars and writers interested in
participating in this project.

We invite contributions on thematic and stylistic development in African
filmmaking and on the way the films reflect and feed upon urban popular
culture. A subset of related themes involve the connections to international film
making styles or to the ethnographic and documentary film traditions, including
considerations of emerging regional and national styles within Africa. We would
like to see sober and carefully documented studies of continuity with older
African verbal, dramatic, and visual arts, or of the emergence in film of new
expressive manners breaking away from them. Film music and soundtracks, the
use of traditional and popular musical genres in the films, the influence of
international film scores, and a documentation of the impetus that films give to
national musical composition could enrich our reflection on modern Africa. Who
the domestic audiences of these films are, the reactions of these audiences to
the films, and the training and careers of African directors and actors can as well
bear more sustained attention. Of particular interest to us are the popular film
and video industries on which relatively little gets written, for example the one
in Nigeria. Finally, our understanding of the subject matter and the style of
African films can be deepened by an understanding of the broader political
economy of the African film industries, the role of public and private financing
from home and abroad, the share in revenue of domestic and export markets,
the initiatives for co-production or the sharing of post-production facilities,
among African countries and between them and the countries of the north.

Please send abstracts of 250-300 words to either one of us, by e-mail or by

Mahir Saul
Department of Anthropology
University of Illinois
Davenport Hall
607 S. Mathews Ave.
Urbana, IL 61801

Ralph Austen
Department of History
University of Chicago
Pick Hall 214
5828 S. University Avenue
Chicago IL 60637

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Received on Tue Jan 16 2007 - 17:18:33 EST