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UPDATE: Crowned with Laurel: Critical Essays on African American Pulitzer Prize Wining Literature (4/30/07; collection)

updated: 
Monday, March 5, 2007 - 8:59pm
Yolanda Page

UPDATE: Papers are solicited for the following works to be included in a
collection of critical essays tentatively titled: Crowned with Laurel:
Critical Essays on African American Pulitzer Prize Wining Literature. The
collection will examine works by African Americans that have won the
country's most prestigious award. The works on which essays are still being
sought are:

 

1950: Poetry-Annie Allen by Gwendolyn Brooks

1970: Drama-No Place to Be Somebody by Charles Gordone

1978: Fiction-Elbow Room by James Alan McPherson

1987: Drama-Fences by August Wilson

1993: Poetry-Neon Vernacular by Yusef Komynyakaa

 

Papers may discuss any aspect of the works.

 

UPDATE: Crowned with Laurel: Critical Essays on African American Pulitzer Prize Wining Literature (4/30/07; collection)

updated: 
Monday, March 5, 2007 - 8:59pm
Yolanda Page

UPDATE: Papers are solicited for the following works to be included in a
collection of critical essays tentatively titled: Crowned with Laurel:
Critical Essays on African American Pulitzer Prize Wining Literature. The
collection will examine works by African Americans that have won the
country's most prestigious award. The works on which essays are still being
sought are:

 

1950: Poetry-Annie Allen by Gwendolyn Brooks

1970: Drama-No Place to Be Somebody by Charles Gordone

1978: Fiction-Elbow Room by James Alan McPherson

1987: Drama-Fences by August Wilson

1993: Poetry-Neon Vernacular by Yusef Komynyakaa

 

Papers may discuss any aspect of the works.

 

UPDATE: Crowned with Laurel: Critical Essays on African American Pulitzer Prize Wining Literature (4/30/07; collection)

updated: 
Monday, March 5, 2007 - 8:59pm
Yolanda Page

UPDATE: Papers are solicited for the following works to be included in a
collection of critical essays tentatively titled: Crowned with Laurel:
Critical Essays on African American Pulitzer Prize Wining Literature. The
collection will examine works by African Americans that have won the
country's most prestigious award. The works on which essays are still being
sought are:

 

1950: Poetry-Annie Allen by Gwendolyn Brooks

1970: Drama-No Place to Be Somebody by Charles Gordone

1978: Fiction-Elbow Room by James Alan McPherson

1987: Drama-Fences by August Wilson

1993: Poetry-Neon Vernacular by Yusef Komynyakaa

 

Papers may discuss any aspect of the works.

 

UPDATE: Crowned with Laurel: Critical Essays on African American Pulitzer Prize Wining Literature (4/30/07; collection)

updated: 
Monday, March 5, 2007 - 8:59pm
Yolanda Page

UPDATE: Papers are solicited for the following works to be included in a
collection of critical essays tentatively titled: Crowned with Laurel:
Critical Essays on African American Pulitzer Prize Wining Literature. The
collection will examine works by African Americans that have won the
country's most prestigious award. The works on which essays are still being
sought are:

 

1950: Poetry-Annie Allen by Gwendolyn Brooks

1970: Drama-No Place to Be Somebody by Charles Gordone

1978: Fiction-Elbow Room by James Alan McPherson

1987: Drama-Fences by August Wilson

1993: Poetry-Neon Vernacular by Yusef Komynyakaa

 

Papers may discuss any aspect of the works.

 

CFP: Renaissance Discovery? (4/1/07; RSA, 4/3/08-4/5/08)

updated: 
Monday, March 5, 2007 - 8:58pm
jfleming_at_sfu.ca

Renaissance Discovery? (RSA 08)

Scholars of various Renaissance fields – including science, emblems, and
antiquarianism – have observed an instability or paradoxicality around the
operative concept of empirical discovery. Scholars have not, however,
evaluated or explained this strange observation. In some cases, discovery
seems irrelevant to the period's production of knowledge; in others,
relevant, but discouraged or abjured. Given that discovery seems basic to
modern notions of evidence, and of interpretation, the hermeneutic and/or
epistemological consequences of the Renaissance attitude may be
considerable.

CFP: Renaissance Discovery? (4/1/07; RSA, 4/3/08-4/5/08)

updated: 
Monday, March 5, 2007 - 8:58pm
jfleming_at_sfu.ca

Renaissance Discovery? (RSA 08)

Scholars of various Renaissance fields – including science, emblems, and
antiquarianism – have observed an instability or paradoxicality around the
operative concept of empirical discovery. Scholars have not, however,
evaluated or explained this strange observation. In some cases, discovery
seems irrelevant to the period's production of knowledge; in others,
relevant, but discouraged or abjured. Given that discovery seems basic to
modern notions of evidence, and of interpretation, the hermeneutic and/or
epistemological consequences of the Renaissance attitude may be
considerable.

CFP: Renaissance Discovery? (4/1/07; RSA, 4/3/08-4/5/08)

updated: 
Monday, March 5, 2007 - 8:58pm
jfleming_at_sfu.ca

Renaissance Discovery? (RSA 08)

Scholars of various Renaissance fields – including science, emblems, and
antiquarianism – have observed an instability or paradoxicality around the
operative concept of empirical discovery. Scholars have not, however,
evaluated or explained this strange observation. In some cases, discovery
seems irrelevant to the period's production of knowledge; in others,
relevant, but discouraged or abjured. Given that discovery seems basic to
modern notions of evidence, and of interpretation, the hermeneutic and/or
epistemological consequences of the Renaissance attitude may be
considerable.

CFP: Renaissance Discovery? (4/1/07; RSA, 4/3/08-4/5/08)

updated: 
Monday, March 5, 2007 - 8:58pm
jfleming_at_sfu.ca

Renaissance Discovery? (RSA 08)

Scholars of various Renaissance fields – including science, emblems, and
antiquarianism – have observed an instability or paradoxicality around the
operative concept of empirical discovery. Scholars have not, however,
evaluated or explained this strange observation. In some cases, discovery
seems irrelevant to the period's production of knowledge; in others,
relevant, but discouraged or abjured. Given that discovery seems basic to
modern notions of evidence, and of interpretation, the hermeneutic and/or
epistemological consequences of the Renaissance attitude may be
considerable.

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