The border is a world of multiple conflicts and difficult definitions,
inhabited by individuals who navigate different frames of reference,
cultural issues, gender roles and performances, economic statuses and
conditions in order to construct a viable identity for themselves.

This panel questions the monoreferentiality or concepts such as cultural
identity, linguistic identity, tradition, gender roles and sexuality,
geography, and nationhood, exploring the ‘borders’ within each of these
categories.

The border is a world of multiple conflicts and difficult definitions,
inhabited by individuals who navigate different frames of reference,
cultural issues, gender roles and performances, economic statuses and
conditions in order to construct a viable identity for themselves.

This panel questions the monoreferentiality or concepts such as cultural
identity, linguistic identity, tradition, gender roles and sexuality,
geography, and nationhood, exploring the ‘borders’ within each of these
categories.

The border is a world of multiple conflicts and difficult definitions,
inhabited by individuals who navigate different frames of reference,
cultural issues, gender roles and performances, economic statuses and
conditions in order to construct a viable identity for themselves.

This panel questions the monoreferentiality or concepts such as cultural
identity, linguistic identity, tradition, gender roles and sexuality,
geography, and nationhood, exploring the ‘borders’ within each of these
categories.

The border is a world of multiple conflicts and difficult definitions,
inhabited by individuals who navigate different frames of reference,
cultural issues, gender roles and performances, economic statuses and
conditions in order to construct a viable identity for themselves.

This panel questions the monoreferentiality or concepts such as cultural
identity, linguistic identity, tradition, gender roles and sexuality,
geography, and nationhood, exploring the ‘borders’ within each of these
categories.

Gender and Sexuality in Gothic Literature

Contributors are invited to submit critical works on definitions of
masculinity and femininity in Gothic literature. How is the Gothic used to
subvert societal notions of gender and sexuality? What does the Gothic
tell us about gender roles and sexual ideology in the period in which these
works were written?

Abstracts of 250-300 words should be emailed to ghoff002_at_ucr.edu by
February 15, 2008.

Gender and Sexuality in Gothic Literature

Contributors are invited to submit critical works on definitions of
masculinity and femininity in Gothic literature. How is the Gothic used to
subvert societal notions of gender and sexuality? What does the Gothic
tell us about gender roles and sexual ideology in the period in which these
works were written?

Abstracts of 250-300 words should be emailed to ghoff002_at_ucr.edu by
February 15, 2008.

Gender and Sexuality in Gothic Literature

Contributors are invited to submit critical works on definitions of
masculinity and femininity in Gothic literature. How is the Gothic used to
subvert societal notions of gender and sexuality? What does the Gothic
tell us about gender roles and sexual ideology in the period in which these
works were written?

Abstracts of 250-300 words should be emailed to ghoff002_at_ucr.edu by
February 15, 2008.