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CFP: Poetry Collection on Adoption

updated: 
Monday, March 30, 2009 - 2:57pm
Jesse W. Goolsby / Department of English, United States Air Force Academy

This is a call for poetry submissions for a collection thematically centered on adoption. All types of poetry and prose poems are acceptable up to 500 words. The collection will not only serve as a stand alone example of beautiful and engaging work, but will also contribute as a companion piece to courses that deal with the intermingling of behavior, family, and society. Multiple perspectives are encouraged and welcomed.

Deadline: 15 August 2009

The Global and the Local in Contemporary Literature and Film

updated: 
Monday, March 30, 2009 - 2:07pm
Department of Foreign Languages, West Virginia University

CALL FOR PAPERS
The Global and the Local
in Contemporary Literature and Film

WEST VIRGINIA UNIVERSITY
Thirty-Third Colloquium on Literature and Film
October 8-10, 2009

Submissions are invited on the many ways that contemporary authors and filmmakers find their inspiration in global and local issues. Topics include, but are not limited to the following:

[UPDATE] Bangor University postgraduate Truth and Lies interdisciplinary conference.

updated: 
Monday, March 30, 2009 - 10:53am
Bangor University

Truth and Lies: An Interdisciplinary Postgraduate Conference
June 11th - 12th

Organized by the College of Arts and Humanities, Bangor University, Wales

Call for Papers

Our society bombards us with deception: false reports, embellished
testimony, misleading advertising, and that which goes unsaid. But are we
really being lied to? Or is the truth hiding underneath the deception, and
is it up to us to actively bring it to light?

We invite contributions from postgraduates across the disciplines in the
Arts and Humanities. Topic areas should reflect the interdisciplinary theme
of the conference. Suggestions may include (but are not limited to):

Reflections in the Margins: Representations of the Marginalized in Iberian and Latin American Literatures

updated: 
Sunday, March 29, 2009 - 9:33pm
Spanish Graduate Students Committee

2009 marks, in addition to an historic moment in US politics, the anniversary of many watershed moments in the history of Hispanic Literatures. On the Peninsula, this year marks the 400th anniversary of the expulsion of the moriscos from Spain, ending the era of the so-called convivencia of three cultures in Iberia. In Latin America, we celebrate the 400th anniversary of the 1609 publication of the Comentarios Reales by the Inca Garcilaso de la Vega, offering a new perspective in the telling of indigenous history in the New World. . In more recent history, we commemorate seventy years since the end of the Spanish Civil War and the ushering in of a dictatorship, which would attempt to silence dissident voices in three ensuing decades.

CFP: Agri-LIterature (MMLA, 6/1/09, 11/12-15/09)

updated: 
Sunday, March 29, 2009 - 8:41pm
Midwest Modern Language Association

"Agri-Literature." This panel will address the way recent American literature responds to the disappearance of the family farm. The rise of agribusiness has produced a number of literary conditions: a crisis of the pastoral imagination, a Depression-born masternarrative of reproletarianization, a renewal of interest in regional fiction, and a development and redevelopment of ecopoetics. Papers will explore this range of conditions, focusing on the way the issue of agribusiness turns literary figures into activists and vice versa.

'Migratory Passings': Poetry and the Visual Arts (Proposed MMLA Special Session--November 12, 2009-November 15, 2009)

updated: 
Sunday, March 29, 2009 - 7:51pm
Magdelyn Hammond Helwig/Western Illinois University

In The Necessary Angel, Wallace Stevens argues that the relationship between arts is migratory, similar to the relationship between the external and internal worlds: "The world about us would be desolate except for the world within us. There is the same interchange between these two worlds that there is between one art and another, migratory passings to and fro, quickenings, Promethean liberations and discoveries." How have poets historically conceptualized the relationship between poetry and the visual arts? How has this relationship been manifested in poetic practice? How do we read collaborative or interart forms?

English Dictionaries in Global and Historical Context

updated: 
Sunday, March 29, 2009 - 7:19pm
Strathy Language Unit and the Department of English at Queen’s University, Kingston, Canada

Proposals for papers, panels, and research seminars are invited for an interdisciplinary conference on the social, historical and political contexts of English-language dictionaries (unilingual or bilingual; contemporary or historical) as well as other language-reference texts (glossaries, wordlists, grammars, etc.). This conference will be hosted by the Strathy Language Unit and the Department of English at Queen's University, Kingston, Canada, June 3-5, 2010.

Southern Lit. and Pop Culture area of MPCA/ MACA

updated: 
Sunday, March 29, 2009 - 5:19pm
Anne Canavan/ Northern Illinois University

The Southern Literature and Popular Culture area of the Midwest Popular Culture Association seeks panel and paper proposals for the annual Midwest Popular Culture Association/American Culture Association conference, this year to be held at the Book Cadillac Westin in Detroit, MI from Friday 30 October to Sunday 1 November.
The area seeks papers whose topics address any aspect of Southern literature or popular culture. This includes works by southerners OR about the south. Topics might address, but are not in any way limited to:
- Literature
- Film
- Drama and performance
- Humor (Blue Collar Comedy, etc.)
- Music and Visual art

CFP: CCCC 2010 - The Politics of Creativity (4/24/09)

updated: 
Sunday, March 29, 2009 - 10:17am
Thomas Girshin Binghamton University

There seem to be two ideas regarding what is called "creative," "expressive," or "personal" writing in composition discourses. In one view, creative writing is seen as the work of the lone genius, who creates the Literature studied by English departments. Such a view, while having fallen out of favor in composition studies, is still considered viable in creative writing departments. Furthermore, as Susan Miller argues, it continues to haunt composition in the form of the split between composition and literature departments, and student writing and "real" writing. In the other view, creative writing is deemed overly subjective, apolitical, and generally inconsequential.

OCHRE Journal of Women's Spirituality 08/17/09

updated: 
Sunday, March 29, 2009 - 8:22am
California Institute of Integral Studies

Call for Submissions

OCHRE Journal of Women's Spirituality is a peer-reviewed, academic, online journal published by the Women's Spirituality program at California Institute of Integral Studies. OCHRE provides an interdisciplinary and international forum for discourse on women's spirituality among a diversity of voices.

NVCQ Issue 11 – Creative Visions: Québec Cinema and its Auteurs

updated: 
Saturday, March 28, 2009 - 6:18pm
Nouvelles "vues" sur le cinéma québécois

Nouvelles « vues » sur le cinéma québécois invites emerging and established researchers, critics, filmmakers and enlightened film enthusiasts to submit article proposals for its eleventh issue on Quebec film and its auteurs, which is scheduled to be published in the summer of 2009.
www.cinema-quebecois.net

The Politics of Creativity

updated: 
Saturday, March 28, 2009 - 5:38pm
Thomas Girshin / Binghamton University

There seem to be two ideas regarding what is called "creative," "expressive," or "personal" writing in composition discourses. In one view, creative writing is seen as the work of the lone genius, who creates the Literature studied by English departments. Such a view, while having fallen out of favor in composition studies, is still considered viable in creative writing departments. Furthermore, as Susan Miller argues, it continues to haunt composition in the form of the split between composition and literature departments, and student writing and "real" writing. In the other view, creative writing is deemed overly subjective, apolitical, and generally inconsequential.

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