The 2009 Conference in Denver will continue the tradition established in 2004 of offering seminars designed to increase participation of the membership in the conference and giving them another excellent reason to attend. Modeled on what has worked successfully for such organizations as the Shakespeare Association of America and the Modernist Studies Association, these four seminars will each be led by a distinguished member of the Association.
The culture and theory wars may have died down on college campuses, but the way that works of literature are transmitted from generation to generation and place to place remains a perennial question, especially given the advent of increasingly powerful electronic communication. The recent success in English of a wide range of imaginative works from around the world suggests both continuity and change in how the western canon of literature is understood. This panel will examine this question and the prospects for the future of the literary past. Please send proposals to email@example.com.
Convener: Susan McReynolds (Northwestern University)
Convener: David Mikics (University of Houston)
Rumors of the death of the sonnet continue to be exaggerated. Indeed, the sonnet seems to be enjoying a resurgence in popularity. Many journals are publishing more sonnets than they used to, and there are even a number of new periodicals devoted entirely to the form, such as the online publications 14 by 14 and Contemporary Sonnet. This panel will examine the resilience of the sonnet and prospects for its future, paying close attention to the history of the form and discussing some of it preeminent current practitioners. Please send proposals to David Mikics at firstname.lastname@example.org, with a CC to email@example.com.
Convener: Sandra Stotsky (University of Arkansas, Fayetteville)
This panel focuses on work that ALSC has published in the past year, focusing on Literary Imagination, Forum, and Literary Matters. Panelists will discuss major pieces from these journals and respond to them, extending the conversation and foregrounding the publications of ALSC. Please send proposals to firstname.lastname@example.org.
Convener: Michael Poliakoff (University of Colorado)
Each generation creates new versions and adaptations of the classics. This panel will examine recent translations, performances and adaptations of the classic drama of Greece and Rome, examining a wide range of forms (theater, film, dance, opera, forms of translation, etc.) the underlying question to be addressed is that of what classical antiquity means to contemporary artists and audiences. Please send proposals to Michael Poliakoff at Michael.Poliakoff@Colorado.edu, with a CC to email@example.com.
Convener: David Rothman (University of Colorado, Boulder)
Academy of Humanities and Economics in Łódź, Poland
Faculty of Philology
Invites all the interested scholars to participate in an international two-day conference:
The familiar becomes frightening – the notion of the uncanny in language and culture
26th-27th November 2009
Crime films and films of detection that emerged in the US and abroad around the turn of the 20th century provide an exceptionally salient commentary on modernity and urban culture, and the New Woman figures prominently in this commentary because she is a product of this new culture as well as a figure of progress and uncertainty. Early cinematic representations of the New Woman indicate a fascination with this cultural model while using it as a form of entertainment to encourage social limitations on her social and political freedoms on and off screen. They also illustrate divergent cultural attitudes toward the New Woman.
This panel welcomes papers on various forms of art (prose, poetry, film, etc.) that take up contemporary debates about what has been pejoratively dubbed a "hermeneutics of suspicion" inherent in psychoanalytic and Marxian models of interpretation. While critiques of such "paranoid" approaches to art--ranging from modes of "New Formalism" on the poetic/literary front to calls for a return to Althusserian relative autonomy on the theoretical--undoubtedly raise important questions about ideological and methodological limitations of various depth models, this panel seeks to explore how such models are nonetheless indispensable.
Call for Papers: Modernism, Poetry, and Faith
41st Anniversary Convention
NeMLA: Northeast Modern Language Association
April 7-11, 2010
Montreal, Quebec - Hilton Bonaventure
Curriculum, Politics and the Student/Teacher of English:
The 2nd Conference on the Future of English Studies
University of Illinois @ Springfield
October 16-17 2009
Professor Richard Miller, Rutgers University
The call for papers for this conference has been extended to August 1st.
A Jewish presence in Hollywood history is undeniably defined through a substantial yet complex influence upon American popular culture. From the founding of the Hollywood studio system by Jewish moguls to the early creative presence of such stage stars as Al Jolson and Eddie Cantor to the musical influence of songwriters Irving Berlin, George Gershwin, and Jerome Kern - the birth of the modern entertainment industry in the first half of the century was defined by the ingenuity and creativity of immigrant Jews and their offspring. Yet, almost paradoxically, during this influential period, xenophobia and anti-Semitism was openly expressed by numerous important people, institutions, and legislative acts.
We invite proposals for a book-length project related to issues in women's performance art and texts in the African Diaspora, broadly conceived. We are primarily interested in works by female artists and writers that articulate "the Black Atlantic" as both a theoretical concept and a lived experience, particularly in relation to the interplay of race, class, and gender in fictional and/or (auto) biographical pieces.