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[UPDATE] Graduate Student Conference: EMERGENCE/IES -London, ON March 17-19, 2011

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Tuesday, October 19, 2010 - 10:28am
Comparative Literature and Hispanic Studies, The University of Western Ontario

The 13th annual Graduate Student Conference hosted by the Comparative Literature and Hispanic Studies programs at the University of Western Ontario will take place on March 17-19, 2011. We welcome proposals that explore "EMERGENCE/IES" from a variety of theoretical, disciplinary and critical perspectives. This conference will examine the theme of emergent/emerging/potentially emerging/surfacing realities and non-realities in language, literature, film, popular culture, theory and cultural studies.

Maghrebi Writing and the Unfungibles of World Literature(s) (Vancouver ACLA March 31-April3, 2011)

updated: 
Tuesday, October 19, 2010 - 10:04am
American Comparative Literature Association

This seminar examines how writing from the Maghreb intersects with word literature(s) and how language becomes a function of world literary value. How do the concepts of world literature or comparative literature relate to, elucidate, or occlude regional, national, or local concerns? How has critical and creative writing attempted to come to terms with the legacy of French colonial language politics in the Maghreb since 1830 and the enduring effects of Orientalism as a radical re-organization of forms of knowledge and cultural practices? How to trace the development of Arabization (and its discontents) and the range of "postcolonial" language wars and contestations?

Stage Mothers: Women, Work and the Theatre, 1660-1830 Feb 15 2011

updated: 
Tuesday, October 19, 2010 - 8:59am
Elaine McGirr / Royal Holloway and Laura Engel / Duquesne University

This collection of essays seeks to explore the connection(s) between working mothers and the theater both on and off stage throughout the long eighteenth century. Although the realities of eighteenth-century motherhood and representations of maternity have been investigated in relation to the novel, the idea of motherhood and its connection to the theatre as a professional, material, literary, and cultural site has received little critical attention. We would welcome essays on the following topics:

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