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NeMLA March 15-18 2012 Panel: Feminist Revisions of the Sacred (DEADLINE Sept. 30th 2011)

updated: 
Thursday, June 23, 2011 - 1:50pm
Jill Neziri/ Fordham University

As Alicia Ostriker demonstrates in her final chapter of Stealing the Language, revisionist mythology is a practice that extends across cultures and centuries. In late 20th century America, second wave feminists seized upon this strategy as they sought to locate and emphasize women's roles in history, literature, mythology and sacred traditions. In particular, many feminists utilized the practice of revisionism as a means of coming to terms with the sacred and of carving out a place in both traditional and non-traditional religions for a women-centered spirituality. This panel focuses on feminist revisions of the sacred in 20th century American literature.

[UPDATE]

updated: 
Thursday, June 23, 2011 - 1:06pm
Essais

Essais, a new journal for undergraduate literature students published through Utah Valley University, is asking for papers dealing with any subject in literature, rhetoric, theory, or cinema studies.
As far as formatting we ask for standard MLA guidelines. There is no length max or minimum, but we would like the article to be of an appropriate academic length. There is no limit on how many pieces you may submit if you are interested in submitting more than one essay. All topics dealing with literature, theory, rhetoric, and cinema studies are open. (Essentially, we are not asking for you to write a new essay, just for you to submit papers you have written for your classes, although you are welcome to submit something new.)

Interviews with Native American/Indigenous Filmmakers/directors/producers

updated: 
Thursday, June 23, 2011 - 11:05am
Post Script: Essays in Film and the Humanities

Post Script: Essays in Film and the Humanities (Texas A & M University-Commerce) welcomes submissions of substantive interviews with new Native American/Indigenous filmmakers/directors/producers for a special issue that will include a dvd containing shorts or clips from work by those interviewed. Post Script encourages original interviews in this area coming from a Native perspective on film and focusing on Native and Indigenous film of North America. We are seeking work from filmmakers, scholars and academics, curators, teachers and the like.

The Apocalypse in Literature and Film

updated: 
Thursday, June 23, 2011 - 10:47am
_LIT: Literature Interpretation Theory_

Alien invasion, viral outbreak, nuclear holocaust, the rise of the machines, the flood, the second coming, the second ice age—these are just a few of the ways human beings have imagined their "end of days." And someone's Armageddon clock is always ticking—we just dodged Harold Camping's rapture on May 21st of this year, and the Mayan-predicted doomsday of 2012 is just around the corner. In the end, what do we reveal about ourselves when we dream of the apocalypse? What are the social and political functions of these narratives in any given historical period? How do different cultures imagine the apocalypse, and what do these differences reveal? What is particular to the narratological design and content of apocalyptic texts?

CFP: Historical Perspectives SIG Paper or Panel/ALISE 2012 (January 17-20: Dallas, Texas)

updated: 
Thursday, June 23, 2011 - 1:23am
Ellen Pozzi/Association of Library and Information Science Educators, Historical Perspectives SIG

Call for Paper or Panel Presentation – DEADLINE: JULY 22, 2011

In keeping with the 2011 ALISE Conference Theme, "Extending our Reach: Expanding Horizons, Creating Opportunities" the Historical Perspectives SIG invites submissions for an individual paper, or for a 3-4 person panel program that highlights the history of new opportunities and connections in the field of LIS (interpreted broadly.) This session offers an opportunity to reveal previously unknown historical instances of times when the field has extended its reach; or to revisit or reexamine those we think we already understand.