[UPDATE] Love and Religion in Global Popular Culture 12/1/2012

full name / name of organization: 
Journal of Popular Romance Studies

From reggae to Rumi (the bestselling poet in the United States across the 1990s), Bollywood to South Park, global popular music, fiction, film, poetry, and other media have extolled sacred love in romantic terms and romantic love as a religion. In the process, they have sometimes raised provocative, complex relationships about the relationships between these realms.

Some popular romance texts remain securely inside the boundaries of orthodox belief, bringing theologies of love to accessible, affective life. Others blur the lines between sacred and secular love, or between different national, cultural, and theological traditions, threatening those distinctions and, sometimes, drawing sharp condemnation in the process.

To explore the vast terrain of love and religion in global popular culture, the Journal of Popular Romance Studies calls for essays, interviews, and pedagogical materials for a special forum guest-edited by Lynn S. Neal (author of Romancing God: Evangelical Women and Inspirational Fiction). The deadline for submissions is December 1, 2012, and the forum is slated for publication in September, 2013.

Texts from all traditions, media, and periods are welcome. Topics of particular interest include:

Sacred love stories retold in popular culture
Hymns, love songs, and the porous boundary between them
Romantic love as a surrogate or secular religion, and debates over this
Crossover texts and figures: Rumi, the Song of Songs, etc.
Representations of interfaith romance
Love and religion in popular culture from before the 20th century, and from indigenous and other non-hegemonic religious traditions (Candomblé, Wicca, etc.)
Published by the International Association for the Study of Popular Romance (IASPR), the peer-reviewed Journal of Popular Romance Studies is the first academic journal to focus exclusively on representations of romantic love across national and disciplinary boundaries. Our editorial board includes representatives from English, Comparative Literature, Ethnomusicology, History, Religious Studies, African Diaspora Studies, and other fields. JPRS is available without subscription at http://jprstudies.org.

Please submit scholarly papers of no more than 10,000 words by December 1, 2012, to An Goris, Managing Editor managing.editor@jprstudies.org. Longer manuscripts of particular interest will be considered on a case-by-case basis. Submissions should be Microsoft Word documents, with citations in MLA format. Please remove all identifying material (i.e., running heads with the author's name) so that submissions can easily be sent out for anonymous peer review. Suggestions for appropriate peer reviewers are welcome.