Beyond Historicism: Resituating Samuel Beckett, 7-8 December 2012
Samuel Beckett's trilogy of novels – Molloy (1950), Malone Dies (1951) and The Unnamable (1953) – has redefined the modernist landscape in the sixty years since it first appeared. Yet even as it affirmed the death of the novel as a viable narrative form, it also inspired at least two other fictional trilogies: Paul Auster's New York Trilogy and John Banville's Frames Trilogy. Following Faber's recent re-publication of the three novels, this conference marks a crucial moment in Beckett studies.