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Reconstruction 13.2, Politicized (Re)Productions of Gender

updated: 
Friday, August 30, 2013 - 12:44pm
Reconstruction: Studies in Contemporary Culture

Announcing Reconstruction 13.2
Politicized (Re)Productions of Gender
Edited by Michael Johnson Jr. and Bruce Drushel

Articles

Performing Race, Class and Gender: The Tangled History of Drag, by Bruce Drushel

Prisms and Refractions: Portrayals of Domestic Laborers in Ann Petry's The Street and Alice Childress' Like One of the Family: Conversations From a Domestic's Life, by Claudia May

Coffee 'Tied With a Pink Ribbon': Transgender Phenomena and Transnational Feminisms in Twenty-First Century Ethical Consumer Movements, by Evangeline Heiliger

CFP: INTERNATIONAL CONFERENCE ON NARRATIVE 2014 - Deadline Oct. 15, 2013

updated: 
Friday, August 30, 2013 - 9:52am
International Society for the Study of Narrative

The International Conference on Narrative is an interdisciplinary forum addressing all dimensions of narrative theory and practice. We welcome proposals for papers and panels on all aspects of narrative in any genre, period, discipline, language, and medium.

PROPOSALS FOR INDIVIDUAL PAPERS: Please provide the title and a 300-word abstract of the paper you are proposing; your name, institutional affiliation, email address, and 2-3 keywords (e.g. cognitive studies; Victorian novels; narrator); and a brief statement (no more than 100 words) about your work and your publications.

[UPDATE] Deadline extended for 'Neo-Victorian Villains' edited volume

updated: 
Friday, August 30, 2013 - 8:23am
Benjamin Poore, University of York, UK

The deadline for chapter proposals for this edited collection has been extended to September 15th. There has been a very strong response so far, but there are still some areas mentioned in the CFP (reproduced below) that I would very much like to see proposals on, to help address the full range of the subject and different approaches to neo-Victorianism.

As before, potential contributors are invited to submit a 250-word abstract for consideration, along with a biographical note of 50 to 100 words, to:

Dr Benjamin Poore (Department of Theatre, Film and Television, University of York) at benjamin.poore@york.ac.uk

Neo-Victorian Villains: Neo-Victorian Fiction, Adaptation and Performance

[UPDATE] - Atlantic World Foodways CFP Due October 16

updated: 
Friday, August 30, 2013 - 7:29am
Atlantic World Research Network and Quaintance-Weaver

The Atlantic World Research Network, in partnership with Quaintance-Weaver Restaurants and Hotels and The Fresh Market, presents a unique feast of ideas and food—an international and interdisciplinary conference exploring four great transatlantic foodways: Carolina Lowcountry, African, Italian, and Spanish/Latin American. Featuring famed food scholars and leading chefs, our conference will bring together inquiring minds and discerning palates as we ask how transatlantic contact combined and transformed old foodways, and how those foodways have transformed us all.

[Update] Representing the Contemporary Youth in Teen Television Drama

updated: 
Friday, August 30, 2013 - 5:05am
45th Annual Convention, Northeast Modern Language Association (NeMLA) , Harrisburg, Pennsylvania

From Beverley Hills 90210 to Gossip Girl and Glee, the genre of the teen drama series has added a unique and multi-faceted dynamic to the American television landscape. The popularity of this genre stems from the way in which it challenges and dramatizes the realities of its young viewers, presenting them with a fantastical reality which is defined by melodrama, materialism and excess. This quality of the genre often causes adult viewers to dismiss the teen drama series as a product of guilty pleasure television.

[Update] Representing the Contemporary Youth in Teen Television Drama

updated: 
Friday, August 30, 2013 - 5:04am
45th Annual Convention, Northeast Modern Language Association (NeMLA) , Harrisburg, Pennsylvania

From Beverley Hills 90210 to Gossip Girl and Glee, the genre of the teen drama series has added a unique and multi-faceted dynamic to the American television landscape. The popularity of this genre stems from the way in which it challenges and dramatizes the realities of its young viewers, presenting them with a fantastical reality which is defined by melodrama, materialism and excess. This quality of the genre often causes adult viewers to dismiss the teen drama series as a product of guilty pleasure television.