9/30: [UPDATE] Robert Burns and His Nineteenth Century Literary Heirs
45th Annual Convention
Northeast Modern Language Association (NeMLA)
April 3-6, 2014
Harrisburg, Pennsylvania
a service provided by www.english.upenn.edu |
FAQ changelog |
45th Annual Convention
Northeast Modern Language Association (NeMLA)
April 3-6, 2014
Harrisburg, Pennsylvania
The Louisville Conference on Literature and Culture Since 1900
http://www.thelouisvilleconference.com
Louisville, KY | 20-22 February 2014
Call for Papers: International Congress on Medieval Studies, Kalamazoo, MI 2014
Nature and Creation in the Middle Ages: Reassessing Concepts
Announcing Reconstruction 13.2
Politicized (Re)Productions of Gender
Edited by Michael Johnson Jr. and Bruce Drushel
Articles
Performing Race, Class and Gender: The Tangled History of Drag, by Bruce Drushel
Prisms and Refractions: Portrayals of Domestic Laborers in Ann Petry's The Street and Alice Childress' Like One of the Family: Conversations From a Domestic's Life, by Claudia May
Coffee 'Tied With a Pink Ribbon': Transgender Phenomena and Transnational Feminisms in Twenty-First Century Ethical Consumer Movements, by Evangeline Heiliger
Reconstruction: Studies in Contemporary Culture
Issue 14.3
Spatial Literary Studies (Deadline for Submissions Mar. 15 2014)
Edited by Robert T. Tally Jr.
The International Conference on Narrative is an interdisciplinary forum addressing all dimensions of narrative theory and practice. We welcome proposals for papers and panels on all aspects of narrative in any genre, period, discipline, language, and medium.
PROPOSALS FOR INDIVIDUAL PAPERS: Please provide the title and a 300-word abstract of the paper you are proposing; your name, institutional affiliation, email address, and 2-3 keywords (e.g. cognitive studies; Victorian novels; narrator); and a brief statement (no more than 100 words) about your work and your publications.
The deadline for chapter proposals for this edited collection has been extended to September 15th. There has been a very strong response so far, but there are still some areas mentioned in the CFP (reproduced below) that I would very much like to see proposals on, to help address the full range of the subject and different approaches to neo-Victorianism.
As before, potential contributors are invited to submit a 250-word abstract for consideration, along with a biographical note of 50 to 100 words, to:
Dr Benjamin Poore (Department of Theatre, Film and Television, University of York) at benjamin.poore@york.ac.uk
Neo-Victorian Villains: Neo-Victorian Fiction, Adaptation and Performance
The Atlantic World Research Network, in partnership with Quaintance-Weaver Restaurants and Hotels and The Fresh Market, presents a unique feast of ideas and food—an international and interdisciplinary conference exploring four great transatlantic foodways: Carolina Lowcountry, African, Italian, and Spanish/Latin American. Featuring famed food scholars and leading chefs, our conference will bring together inquiring minds and discerning palates as we ask how transatlantic contact combined and transformed old foodways, and how those foodways have transformed us all.
From Beverley Hills 90210 to Gossip Girl and Glee, the genre of the teen drama series has added a unique and multi-faceted dynamic to the American television landscape. The popularity of this genre stems from the way in which it challenges and dramatizes the realities of its young viewers, presenting them with a fantastical reality which is defined by melodrama, materialism and excess. This quality of the genre often causes adult viewers to dismiss the teen drama series as a product of guilty pleasure television.
From Beverley Hills 90210 to Gossip Girl and Glee, the genre of the teen drama series has added a unique and multi-faceted dynamic to the American television landscape. The popularity of this genre stems from the way in which it challenges and dramatizes the realities of its young viewers, presenting them with a fantastical reality which is defined by melodrama, materialism and excess. This quality of the genre often causes adult viewers to dismiss the teen drama series as a product of guilty pleasure television.