The Function of Modernist Criticism (in Its Time and Ours) - MSA 2014, Pittsburgh, PA Nov 6-9, 2014
In Criticism in the Wilderness (1980), Geoffrey Hartman argued that criticism exists within literature. Working under this assumption – that criticism functions as a part of literary history – this panel asks how the study of critics writing during the first half of the 20th century help us understand both the poetry and fiction of that period (or art in general) and/or help us come to terms with our tasks as scholars in the 21st century. In what ways, in other words, does the criticism of Richards, Wilson, Blackmur, Burke, Trilling, Leavis, Auerbach, the New Critics, or even an Americanist like Matthiessen, borrow, revise, draw upon, or subvert modernist "literary" techniques?