The editors of JMMLA seek essays about the literature, film, music, and art of places that don't really matter, places whose adjacency to the capitals of the world confirms their lack of sway. Especially welcome are essays that explore the consequences that come from the way literary and artistic value gets determined, the way consumers of culture continue to count on a handful of institutions to vet the art of the elsewhere.
Broken narratives abound in literary and cultural history. Serialized literary works, serial television, fragmented novels, and shuffle literature are among the many forms that use brokenness as a resource for unfolding narratives. The eclectic nature and the many avatars of "broken narratives" make them valuable sites for comparative studies. Arguably, brokenness remains integral to certain textual forms more than others: Segmentation and sequentiality, for instance, are identified as key to the comic form (McCloud) as well as narrative poetry (McHale; DuPlessis) and television series (O'Sullivan).