[UPDATE]: What's Law Got to Do With It?: Diasporic Literature Post-9/11
In her 2010 collection of essays, Create Dangerously: The Immigrant Artist at Work, the Haitian-American writer Edwidge Danticat writes, "There are many possible interpretations of what it means to create dangerously, and Albert Camus, like the poet Osip Mandelstam, suggests that it is creating as a revolt against silence, creating when both the creation and the reception, the writing and the reading, are dangerous undertakings, disobedience to a directive" (11). This session focuses on the literature of diasporic communities that disobey legal directives and constructions of personhood, citizenship and immigrant status in the post-9/11 era.
Earlier writers, such as novelists John Okada and Joy Kogawa, challenged the contradictory and dehumanizing laws that excluded and imprisoned those of Japanese ancestry during WWII. Building on the well-attended roundtables "Mothers Beyond Borders: Immigrant Mothers in Literature" and "Post-9/11 Immigration and Literature" that I organized for NeMLA 2014 and 2013 respectively, this new session aims to address what Lisa Lowe calls the "immigrant acts" of contemporary diasporic writers who portray and represent migrant experiences in an era of heightened surveillance and criminalization of the transnational subject.
Some possible questions that participants might address are: How do literatures of immigrant experience respond to and transform cultural, legal and historical constructions of citizenship? How are notions of home, homeland, and national identity shaped by "immigrant ambivalence"? How do authors incorporate legal documents—legislation, executive orders, birth certificates, Homeland Security documents, etc.—into narrative or poetry? How do digital technologies shape the legal status of transnational subjects? Proposals should focus on writers in Canadian and U.S. contexts, who are as diverse as Aimee Phan, Junot Diaz, Edwidge Danticat, Dinaw Mengestu, Teju Cole, and Chimamanda Ngozi Adichie, among others.
Please submit a bio and a 300-500 word proposal by September 30, 2014 through the NeMLA submission site: https://nemla.org/convention/2015/cfp.html#cfp15280