displaying 1 - 13 of 13

Arthurian Mythos: Well of Inspiration

Thursday, April 2, 2015 - 3:45pm
Mythopoeic Society

The rich and varied Arthurian Mythos has provided inspiration for countless authors over centuries, including the Inklings. Each individual picks and chooses certain parts of that Mythos, and interprets it according to personal inclination, cultural, and chronological biases. Consider, for example: the varied and often contradictory ways the characters are interpreted; aspects of Arthuriana most studied or most ignored; historical background; its place in legend and myth. We also welcome papers focusing on other work and interests of the Inklings (especially J. R. R. Tolkien, C. S. Lewis, and Charles Williams), of our Guests of Honor Jo Walton and John Rateliff), and other fantasy authors and themes.

Edited Collection: Modernism in the Green (Abstract Deadline: May 15)

Thursday, April 2, 2015 - 2:48pm
Julia Daniel and Margaret Konkol / Baylor University and New College of Florida

For all its many urban topographies, the literary landscape of modernism contains a startling array of greens. From William Carlos Williams's representations of Garret Mountain Park, to Peter's reflections on Mrs. Dalloway in Regents Park or Wallace Stevens' frequent use of Elizabeth Park throughout his oeuvre, planned green spaces play an overlooked role in the development of modernism. We propose that thinking with and through public greens leads to a fresh and often more complex understanding of modernism's tangled engagements with arts, politics, material culture, bodies, and the nature-culture divide.

[UPDATE] DEADLINE EXTENDED: APRIL 5: MMLA 2015: Animals in Literature and Film

Thursday, April 2, 2015 - 2:40pm
Julia Dauer, MIdwest Modern Language Association

This year's MMLA Animals in Literature and Film panel invites papers engaging this year's conference theme "Arts and Sciences," and especially the connection between the history of science and animals.

Papers might consider eighteenth- or nineteenth-century natural history writing and/or collection practices; contemporary or historical discourse around animal experimentation; conceptual issues of animacy, animality, and/or "life"; taxidermy; issues of animality or personhood in contemporary science, medicine, literature, or film; issues of extinction and/or species revival; or figures of "monstrous animals" produced by science, from Frankenstein to Godzilla to the dinosaurs reanimated to populate Jurassic Park.

Old and Middle English Permanent Section MMLA, Columbus, OH, November 12-15, 2015

Thursday, April 2, 2015 - 1:56pm
Midwest Modern Language Association

While the Middle Ages are not always though of as a time rich in developments in the arts and sciences, as scholars of medieval literature, we know that this is not the case. Certainly, old and middle English literature can be thought of as an art form itself, and manuscript art and illumination can also be considered as art. Additionally, discussions of arts and sciences within texts themselves (both literary and religious) are plentiful and wildly interesting throughout the Middle Ages.

[UPDATE] CSECS 2015: States of the Book/ Le livre dans tous ses états (Vancouver).

Thursday, April 2, 2015 - 1:26pm
Canadian Society for Eighteenth Century Studies / Le congrès annuel de la Société canadienne d’étude du dix-huitième siècle

Extension 15 April/Avril CSECS/SCEDHS 2015

The programme roster for CSECS 2015, "The States of the Book," to be held in Vancouver 14-17 October, is almost full, but we have space for about 25 more paper proposals. Note especially the panel topics posted on the conference website at http://www.sfu.ca/english/csecs/panels---seance.html. Please send proposals to csecs@sfu.ca by April 15th!

The Practice of (in)Visibility: 4th International Critical Studies Research Group Conference, 25th and 26th June 2015

Thursday, April 2, 2015 - 11:09am
Critical Studies Research Group, University of Brighton, UK

When politics, arts, history, ethics or philosophy are judged by their ability to disrupt what is visible and sayable, is there a danger that the potential political efficacy in remaining hidden is ignored and the possibility of intervention/action for the already unseen is inhibited? How do artistic practices reflect and engage in strategic invisibility? What are the artistic and political intersections of acting invisible? What kinds of visibility are afforded to whom? How can research approach invisibility without eliminating the invisibility it purports to study? Can there be a methodology of working around (in)visibility and if so what claims can it make to validity?

[UPDATE, Keynotes added] THE REAL AND THE INTERMEDIAL, Oct 23-24, 2015 (deadline May 25) Film and Media Studies Conference

Thursday, April 2, 2015 - 10:40am
Sapientia Hungarian University of Transylvania, Cluj-Napoca, Romania

Following up on the themes introduced in our previous conferences dedicated to "film in the post-media age", the "cinema of sensations", "rethinking intermediality in the digital age", and "figurations of intermediality in film", we invite you to address one of the most puzzling phenomena of contemporary media and film: the intertwining of the illusion of reality with effects of intermediality, connecting the experience of a palpable, everyday world with artificiality, abstraction and the awareness of multiple mediations.

IJECM, United Kingdom: CFP- vol 3, issue 5 (15th May issue)

Thursday, April 2, 2015 - 7:37am
International Journal of Economics, Commerce and Management, Rochester, United Kingdom

International Journal of Economics, Commerce and Management (ISSN 2348-0386) is inviting papers for Vol 3, issue 5 (May issue). For authors' guidelines visit http://ijecm.co.uk/for-authors/

Submission deadline: April 30, 2015

Impact Factor Evaluation: 3.357 (SJIF), .291 (GIF)

Indexing: Ulrich's ProQuest, ScienceCentral, Electronic Journal Lib, ZDB, EyeSource, Wildau, AcademicKeys, NewJour, JourInformatics, ResearchBib, World Cat, CiteFactor, ECONIS, EconBiz, Scientific Journal, Journal Index, Google Scholar

International Conference: Vulnerabilty 8-9 October 2015

Thursday, April 2, 2015 - 4:29am
E. A. CLIMAS, Bordeaux Montaigne University, FRANCE

Etymologically, vulnerability refers to a "wound" (from the Latin vulnus, vulneris). Somebody is said to be vulnerable when they have been wounded, injured, hurt or harmed. Or indeed when they are in a state of greater weakness, more fragile, and therefore more easily wounded, injured, hurt or harmed. Vulnerability can be physical, moral and social. An individual, a group, a community, even a country can be vulnerable.

Portable Prose: The Novel and the Everyday

Thursday, April 2, 2015 - 1:39am
University of Sydney

We are looking for papers for our volume 'Portable Prose: The Novel and the Everyday'. The collection will build on and extend work coming out of a conference, 'The Prosaic imaginary', held at the University of Sydney, NSW, Australia in July 2014. We aim to explore the privileged relationship between the novel genre and categories of the 'prosaic' or 'everyday'. Building on John Plotz's notion of the novel as exemplary 'portable property', we seek to interrogate the relationship between novel-reading as an everyday activity and the novel's prosaic subject matter, whether this is conceived as material object, cultural practice, or speech act.