It's been almost thirty years since Allan Bloom made his clarion call to classicism within the American academy with the publication of The Closing of the American Mind. For as moribund as the humanities have supposedly been (according to positivist scientists, economics majors, and higher education administrators) the "Culture Wars" have surely blazed a bright path across the consciousness of any literature, history, philosophy, theology or cultural studies major. Columnists from William Safire to David Brooks have bemoaned the supposed death of the humanities (while conveniently ignoring how supply-side economics has had a hearty role in that) identifying a "post-modern bogeyman" as being responsible for the murder.
This panel welcomes papers that explore how contemporary literary genres attempt to think through the traditionally raced and class divided formulations (and representations) of the neoliberal city-scape. We particularly invite presenters to consider creative works that destabilize the city as the ultimate signifier of minority cultures and reimagine the spatial expanse of minority resistance. Other themes that panelists might address in their work include, but are not limited to:
ideology and effect of 'urban renewal' /gentrification/displacements and dispossessions
urban discourse of raced deviance
new immigrant destinations
The Editorial Board of Scritture migranti: rivista di scambi interculturali is now accepting articles for its 8/2014 issue. Interested scholars should send their contributions, along with an abstract and a short bio (in a MS-Word file) to email@example.com. Deadline for submissions: SEPTEMBER 1, 2015.
Scritture migranti particularly welcomes contributions which are innovative as to themes, subjects, methodologies, and theoretical approaches relevant to the multiple intersections of writing and migration. Articles in any of the major languages of international exchange are accepted.
This proposed panel seeks to present new and challenging perspectives on the history of the slave narrative genre. Recent studies have sought to recontextualize and/or reconsider the generic contours of the Anglo-American slave narrative. For example, Daphne Brooks has suggested the development of a "sonic slave narrative"; Nicole Aljoe and Ian Finseth have drawn attention to the "journeys" of the form in the early Americas; Deborah Jenson has highlighted popular sources from the Haitian Revolutionary period; John MacKay has written comparatively about the autobiographical writings of American slaves and Russian serfs.
Futures of Intellectual History
A Graduate Student Conference
New York University
October 23-24th, 2015
Call for Papers
The Remarque Institute invites graduate students to submit proposals for the Futures of Intellectual
History graduate student conference to take place at New York University on October 23-24th, 2015.
A recent wave of scholarship has reinvigorated Intellectual History and expanded the field beyond its
traditional geographical, methodological and conceptual boundaries. Though taking place at all levels of
the academy, much of this recent scholarship is the work of graduate students. Despite the vitality and
Key Note Speakers:
Craig Baldwin [filmmaker, lecturer @ UC Davis]
Dr. Denah Johnston [filmmaker, author of No Future Now: A Nomdadology of Resistance and Subversion, lecturer at California College of the Arts, executive director of Canyon Cinema]
Exploring the transformation, reconstitution and disruption of environments through the arts and humanities and social science.
Bath Spa University
29, 30, 31 March 2016
Sponsored by the British Academy and hosted by the Writing and the Environment Research Centre, Bath Spa University
Stephen Daniels, Professor of Cultural Geography, University of Nottingham
Other speakers TBC
There has been a significant shift in the boundaries between the private and public realm in recent years. The increasing indistinction between the two spheres has multiple causes, among them the rise of identity politics and the popularity of the confessional mode. The former might be said to underwrite the latter: the feminist rallying cry, 'the personal is the political' providing a substantial justification for radical autobiography. The motto continues as a cornerstone of feminist consciousness, as well as other forms of identity politics, but the ongoing consequences for public discourse are unclear.
Ordinary Chronicles of the End of the World
In the past two decades, universities, organizations, and businesses around the western world have placed a great emphasis on celebrating diversity, welcoming members, students, faculty, and employees from different ethnic, religious, gender, sexual, or national identities. Based on such developments, the "other"—as the person belonging to some minority group who had been ostracized in the greater part of the 20th century—has been welcomed from the margins of society to its very center.
As the prophet of magic realism and an extraordinary satirist of political dictatorship, Gabriel Garcia Marquez's literary horizons are incomprehensibly vast, and the rigorous intensity of his writings is inexplicably multidimensional. Marquez challenges the luminal line between 'story' and 'history', and interrogates the public and private domain with an uncommon and effortless ease and clarity. He fuses the chaotic and the cosmic, the materialistic and the mystical, and invites us to participate in a magico-historical narrative of which he is an undisputed craftsman.
Call for Papers
Third Bremen Conference on Language and Literature in Colonial and Postcolonial Contexts (BCLL#3)
In Association with INPUTS, BIKQS, and IACPL
March 15-18, 2016
• Jeannette Armstrong (The University of British Columbia)
• Hamid Dabashi (Columbia University)
• Michel DeGraff (Massachusetts Institute of Technology)
• Gloria Emeagwali (Central Connecticut State University)
• Lisa Lim (The University of Hong Kong)
• Sinfree Makoni (The Pennsylvania State University)
Embodied Difference: Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World, edited by Richard H. Godden and Asa Simon Mittman
Call for Papers (Initial deadline, September 1)
Medieval and Early Modern art and literatures are replete with images of nonnormative bodies. Saints lives valorize physical challenges, fabliaux render them metaphorical, medical texts pathologize them, and marginal images make them subjects of amusement. Divergent bodies are viewed as gifts from God, markers of sin, or manifestations of medical imbalances. In many cases throughout Western history, a figure marked by what Rosemarie GarlandThomson has termed "the extraordinary body" is labeled a "monster."
We seek submissions for a collection of new examinations of settler colonialism as expressed and developed through literature or other "texts" (including films, historical documents, art, architecture, music, maps, and advertisements, among other types of texts). We are particularly interested in submissions that approach these texts as articulations of transnational connections developed by ways of settler migration and/or colonial displacement.