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Conference Session on Detective Fiction

updated: 
Friday, July 31, 2015 - 12:59am
NorthEastern Modern Language Association

Recent examinations of the functioning of the past within detective fiction – whether going back in time to reconstruct a crime or examine a larger criminal pattern/ trend in a past period – raise the question of how "dead," to borrow Faulkner's famous line, the past is. Whether considered from the standpoint of physics (time as a function of space and the expansion of the universe) or, as may seem more obvious, history, time is clearly neither dead/ finished nor objective, even indifferent, or perceived as such.

Composition Session, NeMLA Convention, 17 - 20 Mar., 2016, Hartford, CT

updated: 
Friday, July 31, 2015 - 12:55am
NorthEastern Modern Language Association

Much has been written and said, in recent years, about the role of love and passion in instruction/ enquiry more generally, incl. in writing/ composition studies. Choosing a topic or project one is "passionate" about is believed to foster a better outcome all around; passion/ love is also believed to be the driving force behind bold, successful career and academic trajectories.

Margins: A Journal of Literature and Culture

updated: 
Thursday, July 30, 2015 - 11:09pm
Department of English, Gauhati University, Guwahati: 781014, Assam, India

Margins, an international peer-reviewed journal, is published annually by the Department of English, Gauhati University, Guwahati, Assam. It offers a space for the exploration of the marginal in its theoretical implications and in literature and culture through four kinds of writings: 1) It welcomes examination of the historical and the contemporary through interdisciplinary perspectives – looking at texts in both their wider conceptual and immediate situational significance (7500 and 10,000 words).

Experimentations in the Postcolonial Novel: Writing and Re-writing Gender Panel

updated: 
Thursday, July 30, 2015 - 8:12pm
NeMLA 2016

Experimentations in the Postcolonial Novel: Writing and Re-writing Gender Panel (9/30/2015; 3/17-3/20 2016) NeMLA Hartford, CT

Experimentations in the Postcolonial Novel: Writing and Re-writing Gender Panel
Chair: Tara Harney-Mahajan

47th Annual Convention, Northeast Modern Language Association (NeMLA)
March 17-20, 2016; Hartford, CT
Host Institution: University of Connecticut

[Deadline extended 1 week] Beauty and Belief (deadline for abstracts: August 7; conference: November 5-6, 2015)

updated: 
Thursday, July 30, 2015 - 4:54pm
Literature and Belief, a semiannual publication of the Office for the Study of Christian Values in Literature, Brigham Young University

The conference will include a wide variety of sessions and topics on possible connections among (and tension between) literature, aesthetics, theory, and belief, broadly defined. Sessions will include—but not limited to—

•Creative writers discussing connections among (or possible conflicts between) aesthetics and faith in either their own work or the work of others.

•The analysis of literary texts or cultural artifacts that in some way explore or embody one or more aspects of religious belief or practice, broadly defined.

CFP: Special Issue on Shakespeare and War

updated: 
Thursday, July 30, 2015 - 12:00pm
Critical Survey

CALL FOR PAPERS: Critical Survey Special Issue
Shakespeare and War
Guest Editor: Patrick Gray, Durham University

The tercentenary of Shakespeare's death fell in 1916, in the midst of the First World War, and the quatercentenary will fall next year, 2016, amid what looks likely to be continuing conflict in the Middle East, in the wake of more than two decades of intensive Western military engagement in Iraq, Afghanistan, and Libya.

[UPDATE] Expanded Horizons: New Approaches to CinemaScope Aesthetics (SCMS 2016 Atlanta, Submit by 8/15

updated: 
Thursday, July 30, 2015 - 11:53am
Anthony Coman, University of Florida; Sam Roggen, University of Antwerp


We invite your papers exploring the production history, aesthetics, and legacy of CinemaScope films. The anamorphic technology, seized upon by Twentieth Century-Fox in an effort to revitalize studio finances, presented technical and formal challenges to Hollywood's established methods of filmmaking and spurred the creativity of many filmmakers. The early CinemaScope years therefore offer a prime case for studying how a phase of technological change might have influenced the work of classical studio directors.