No longer limited to records, stages, and videos, popular music has widened its sphere of influence by entering the realm of museums and tourism. For the past decades, popular music themed exhibitions have multiplied as well as diversified, and have in the process gained growing visibility and cultural momentum. Be it in the form of spatially fixed museum spaces that draw international audiences, or be it in the form of traveling exhibits that transport displays across the limits of cities and nations: Exhibitions revolving around popular music participate in and contribute to the global circulation of meanings, values, and emotions ascribed to and associated with diverse genres of and eras in popular music.
The deadline for submissions has been extended to January 16th. Please consider submitting individual abstracts or full paper proposals.
Speaking Text(s): Communication in the Humanities
We are pleased to invite proposals for the 28th annual graduate conference presented by Stony Brook University's Graduate English Society.
Inaugural Interdisciplinary Queer Studies Symposium
University of California, Merced
Saturday, April 16th, 2016
Keynote: Eric A. Stanley, UC Riverside
Eric A. Stanley is an assistant professor in the Department of Gender and Sexuality Studies at the University of California, Riverside. Along with Chris Vargas, Eric directed the films Homotopia (2006) and Criminal Queers (2015). A coeditor of the anthology Captive Genders: Trans Embodiment and the Prison Industrial Complex (AK Press, 2011) which won the Prevention for a Safe Society award and was a finalist for a Lambda Literary Award, Eric's other writing can be found in the journals Social Text, American Quarterly, Women and Performance, and TSQ.
This proposed special session on the episodic and the serial invites participants to consider the limitations and opportunities offered by episodic and serial forms across a variety of media (film, comics, novels, the poetic sequence, the podcast, etc.). Papers may consider such issues as narrative, temporality, identity, media ecology, and/or technology and aesthetics. To explore our topic, we will use Pecha Kucha presentations, an appropriate format for our subject!
300-word abstract by 10 Feb 2016; Katherine Fusco (firstname.lastname@example.org)
Journal of Gaming and Virtual Worlds
Proposed Special Issue: Permadeath and Precarity
Call for Abstracts
Due: February 15, 2015
Length: 350-500 words
Ethos: A Digital Review of the Arts, Humanities, and Public Ethics—a peer-reviewed, interdisciplinary online journal and digital forum—invites submissions for its April 2016 issue. For this issue of the Ethos journal, we invite submissions of original scholarly work that consider topics relevant to the project's intellectual interests in the arts, humanities, and public ethics. Articles may explore literary texts, film, music, trends in cultural criticism and "theory," or issues of wider social and political concern. Interested contributors are encouraged to browse through our digital archive of forum posts and journal issues to learn more about the range of topics featured on the project.
The 4th Annual MA in Critical Studies Symposium
Maryland Institute College of Art
The Lazarus Center Auditorium
131 W. North Avenue
Baltimore MD 21202
April 16, 2015
"Reorientations: Alternative Attitudes Toward Space and Self"
Keynote Speaker: Manuel Cirauqui
Old and New Humanism(s): Studies in Medieval and Early Modern Culture
Humanism—the renowned contribution of the Renaissance to academic inquiry and creative endeavors—began as a movement to recover the classical past and to explore what it means to be human. However, as a way of living, humanism did not always align with contemporary views on politics, education, religion, and culture. Thus, humanism has been a subject of debate since its origins. These conflicts still reverberate in our own discussions with regard to the pertinence and role of the humanities today.
**CFP with Extended Deadline** 10 January, 2016.
All Things Victorian: Exploring Materiality and the Material Object.
Call for Papers
Postgraduate Conference, 19 March 2016
The Centre for Studies in Literature
University of Portsmouth
Dr Nadine Muller (Liverpool John Moores University)
4th Annual Graduate Symposium on Theatre and Performance Studies
Hosted by the Association for Research in Theatre at Indiana University (ART@IU)
Jon McKenzie, in his 2001 book Perform or Else, makes the prediction that "performance will be to the twentieth and twenty-first centuries what discipline was to the eighteenth and nineteenth, that is an onto-historical formation of power and knowledge" (18).
Medieval drama taught its audiences not only about virtuous living but, more importantly, a good death and a joyful afterlife. Miracle plays re-played the most significant and most spectacular deaths known from the Gospels, while morality plays, such as Everyman, imagined the act of dying and the prospects for posthumous happiness of their main characters.
The resurgence of formalist interests in recent years has sparked new discussions of the conception, role, and significance of form in literary and cultural studies as well as pedagogies. In her 2007 PMLA essay "What Is New Formalism," Marjorie Levinson lays out several strains of new formalism emerging in the American academy, which simultaneously embrace a renewal of attention to aesthetic form and express divergent emphases and agendas.
DEADLINE EXTENDED TO JANUARY 15, 2016
Still Walking, Still Sleeping, Still Life: Slow Aesthetics and the Moving Image
12th Annual Graduate Student Conference of the Department of Cinema and Media Studies at the University of Chicago
April 22-23, 2016
Reva and David Logan Center for the Arts
Keynote Speaker: Dr. Jean Ma, Associated Professor of Art and Art History, Stanford University.
"Cinema, like no other art, widens, enhances, and concentrates a person's experience—and not only enhances it but makes it longer, significantly longer. That is the power of cinema."
-- Andrei Tarkovsky
IX INTERNATIONAL ALDINGTON SOCIETY &
V INTERNATIONAL IMAGISM CONFERENCE
June 30 – July 2, 2016
THE FRANKLIN INN CLUB
And the Franklin Inn club...
and young fellows go out to the colonies
but go on paying their dues
—Ezra Pound, Canto LXXX
"Making Pacts: Before & After Imagism"
I make a pact with you, Walt Whitman—
I have detested you long enough.
—Ezra Pound, "A Pact"
Thursday 30 June @ 5 PM
Opening Reception at the Franklin Inn Club
Poetry Reading & Cocktails
Dinner & Keynote Address: Emily Mitchell Wallace "Imagists in Philadelphia: H.D., Ezra Pound and William Carlos Williams"
Friday 1 July
37th Annual Medieval and Renaissance Forum
Keene State College
Keene, NH, USA
Friday and Saturday April 15-16, 2016
Call for Papers and Sessions
"The Local and the Global in the Middle Ages"
Keynote speaker: Suzanne Conklin Akbari, University of Toronto