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South Asian Popular Culture Special Issue Symposium - Call for Papers
Deadline: 1 June 2016
The Evolution of Song & Dance in Hindi Cinema
Sonoma State University, CA, USA, Friday 7 - Sunday 9 April 2017
THE PACIFIC ANCIENT AND MODERN LANGUAGE ASSOCIATION CONFERENCE
SATURDAY, NOVEMBER 11 – SUNDAY, NOVEMBER 13, 2016
PASADENA, CALIFORNIA
Call for papers
NORDIC LITERATURE AND CULTURE
JELLiC: Journal of English Language, Literature and Culture is currently accepting manuscripts for publication in Volume 5 – March, July and November 2016. JELLiC is an international peer-reviewed journal that publishes research articles from and across different academic disciplines that examine issues related to Language, Literature, Culture and Critical Theory, as well as dynamic cross-disciplinary discussions that engage the links between these and other domains.
CALL FOR SUBMISSIONS
Charles Alobwed’Epie: New Critical Insights
CELLA INTERNATIONAL CONFERENCE & KITAL 2016
August 25 - 26, 2016
The University of Bamenda
North West Region, Cameroon
"There is no great literature without nationality, no great nationality without literature." (Yeats, 1989: 30)
Transmit, transmute, transduce, transfuse: scientific and medical discourses have long relied upon the prefix “trans” to convey the mutability and permeability of living organisms, distant or tiny objects, and inorganic matter. Change is both a celebrated result of scientific advancements and an ominous harbinger of malignancies, disruptions, and decay. As with the clinical laboratory and astronomical observatory, the theatre serves as a reflexive and generative site of transformations, a place to penetrate barriers and test innovative ideas, approaches, and practices. This working session places transdisciplinarity at the core of its mission to identify and explore meaningful convergences of the fields of science and theatre.
Cinema: Journal of Philosophy and the Moving Image invites submissions for its 8th issue devoted to the philosophy of Karl Marx and its links with cinematic art.
Marxism, as a tool for social analysis and transformation, has influenced politicized and progressive filmmakers such as Sergei Eisenstein and Sembène Ousmane, in theory and in practice, as well as shaped theoretical discussions around film and history, aesthetics, economics, and ideology. Key topics of this discussion have been reproducible art and active collective experience (Walter Benjamin) and cultural and social hegemony (Antonio Gramsci), among others.
CALL FOR PAPERS: A BILLIE HOLIDAY ANTHOLOGY
Jessica McKee and Michael Perez, Embry-Riddle Aeronautical University