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Translation & Philosophy|Philosophy & Translation

updated: 
Tuesday, May 31, 2016 - 4:13pm
David M. Spitzer, Comparative Literature, Binghamton University (SUNY)
deadline for submissions: 
Friday, September 30, 2016

 

 

In the Holzwege version of “Der Spruch des Anaximander,” Martin Heidegger advances the need to translate oneself prior to undertaking any translation of early Greek thinking (303). At the level of perception Nietzsche locates foundational moments of translation (Übertragungen) at each stage of the movement from stimulation to concept-formation (Über Wahrheit und Lüge §1: 312-17).

WSQ Call for Papers: Precarious Work

updated: 
Tuesday, May 31, 2016 - 4:14pm
WSQ
deadline for submissions: 
Thursday, September 15, 2016

WSQ, Call for Papers: Special Issue

PRECARIOUS WORK

 

Guest Editors: 

Alyson Cole, Queens College & the Graduate Center, CUNY

Victoria Hattam, NSSR, New School

 

Special Issue on Cinema and the Production of Space

updated: 
Tuesday, May 31, 2016 - 4:15pm
Wide Screen
deadline for submissions: 
Friday, July 15, 2016

Wide Screen, a peer-reviewed, open-access journal dedicated to the study of cinema, television, and new media, calls for papers for inclusion in a special issue on the cinematic production of space.

Professor

updated: 
Tuesday, May 31, 2016 - 4:15pm
Gerardo Augusto Lorenzino
deadline for submissions: 
Friday, September 30, 2016

Representations of Language Attrition and Loss in Film, Literature, and Popular Culture

Reckonings: Essays on American Revenge Narratives (edited collection) DEADLINE EXTENDED

updated: 
Monday, August 15, 2016 - 12:06pm
Kyle Wiggins, Boston University
deadline for submissions: 
Tuesday, September 6, 2016

I invite proposals for a collection of essays that examines the theme of revenge in American fiction, film, and television. Vengeance – that quest for violent reciprocity – is one of storytelling’s oldest and most enduring plots. But in the modern American imaginary the familiar shape of retribution assumes a new form. Over and over, avengers on page and screen desire not only blood but also symbolic victories. In Sherman Alexie’s Indian Killer (1996) a troubled protagonist named John Smith yearns to kill the one “white man [who] was responsible for everything that had gone wrong” for Native Americans.

Stereo&Immersive Media. Photography and Sound Research 2016

updated: 
Friday, May 27, 2016 - 9:49am
Universidade Lusófona de Humanidades e Tecnologias
deadline for submissions: 
Friday, July 22, 2016

Date: 27 - 29 October 2016  Lisbon Portugal

The International Conference Stereo & Immersive Media'16 aims to gather researchers, artists, curators, and archivists working on visual and sound media renowned for their immersive features.