Black/Feminist/Lesbian/Queer/Trans* Cultural Production Symposium
The College of Health and Social Sciences and the Center for Research and Education on Gender and Sexuality cordially invite you to:
Black/Feminist/Lesbian/Queer/Trans* Cultural Production: A Symposium Honoring the 20th Anniversary of Cheryl Dunye’s “The Watermelon Woman”
September 23-24, 2016
San Francisco State University
This symposium honors the 20th anniversary of Cheryl Dunye’s film, “The Watermelon Woman” (1996). The first feature film directed by and starring a black lesbian, the production of this film marked a watershed moment for black cinema, feminist cinema, lesbian cinema, and new queer cinema. Appearing in the heyday of what filmmaker and scholar Yvonne Welbon has called the “golden age” of black queer cinema, the film garnered widespread critical acclaim, and its success inspired many black lesbians to create their own films in the years following. Her latest release, “Black is Blue” (2014) is a critically acclaimed documentary short film that follows the life of a black transgender man in Oakland, California. Dunye continues to break ground through complex filmic representations of the intersections of race, gender, and sexuality. Thus, this conference honors Dunye’s growing body of work, as well as her cultural legacy.
In celebration of this important work of cultural production, and the growing body of black feminist and LGBTQ cultural production that developed in its wake, this symposium seeks to redirect our attention to the archives that we might claim under the multiply determined, overlapping, and sometimes competing identity categories of black, feminist, lesbian, queer, and transgender. While the celebration of the twentieth anniversary of this film marks the increasing institutionality of black queer cultural production and black queer studies in the academy, queer of color scholars have voiced an increased aversion to the institutionalization and affirmation of cultural difference. This symposium is both a moment of celebration and introspection: we seek presentations by scholars who draw on the interdisciplinary fields of feminist, lesbian, queer, and trans* studies in their critical approaches to black cultural production, but who also will engage “the tensions and contradictions that bind these approaches together.”
In his recent book, James Baldwin and the Queer Imagination (2014), queer scholar Matt Brim argues that the multiple critical orientations that have been gathered under the term “queer”—queer theory, lesbian and gay studies, and transgender analysis—do not simply offer multiple, harmonious approaches to cultural texts, but oftentimes compel incompatible or incommensurable reading practices by queers coerced to read from their own socially located identities. Furthermore, scholarly and political debates continue to wage regarding the relationship between feminist, lesbian, queer, and transgender studies. We see this conference as an opportunity to discuss these intersections and tensions within the context of black studies, and its stakes for black politics more broadly. This symposium is especially salient in the context of contemporary social movements like Black Lives Matter, which has emerged as a queer and feminist led organization; yet questions still emerge about the need to address the particularity of black lives, as evidenced in campaigns like #SayHerName and #BlackTransLivesMatter.
Black cultural studies offers a particularly ripe site for investigation, as the widespread influence of the work of scholars like Frank Wilderson and Jared Sexton raises questions about the place of intersectionality within contemporary black studies. Recent work by black feminist scholars such as Mireille Miller-Young and Jennifer C. Nash on pornography, a recent special issue of the journal Black Camera titled “Beyond Normative: Sexuality and Eroticism in Black Film, Cinema, and Video,” a forthcoming edited volume reflecting on the past 25 years of black lesbian film and media-making (Duke UP), and a forthcoming special issue on “blackness” in Transgender Studies Quarterly all suggest that it is time to discuss the intersections and tensions of our methodologies in the “new black studies”. This symposium seeks to stage this conversation through a film screening and discussion, artist talks, scholarly presentations, and an art show featuring local queer women of color artists. Specifically, we will address the stakes of our current critical approaches to black feminist and LGBTQ cultural production: How should black feminist and LGBTQ scholars read the black cultural production now? How have our theoretical affinities and/or competing identity claims shaped our practices of recuperation and canonization of black cultural texts? What is the value, if any, of archival recovery in black feminist, lesbian and gay, queer, and transgender studies? What texts remain excluded from the “canon” of black feminist and LGBTQ cultural production? How might a return to these understudied texts shift the boundaries of the fields of black feminist and LGBTQ studies?
Filmmaker Dee Rees, “Pariah” (2011) and “Bessie” (2015)
Jennifer Devere Brody, Stanford University
Kara Keeling, University of Southern California
Yvonne Welbon, Bennett College for Women
The Conference, sponsored by The College of Health and Social Sciences, Center for Research and Education on Gender and Sexuality, Dean of the College of Health and Social Sciences, Dean of the College of Creative and Liberal Arts, Jamie and Phillis Pasker Funds, Queer Cinema Institute at San Francisco State University, and Black Sexual Economies Working Group (Washington University-St. Louis), is free and open to the public. Friday’s event will take place in McKenna Theatre in the Creative Arts Building, and Saturday’s event will take place in Seven Hill Conference Center, both on the main campus of San Francisco State University.
A VIP Reception will be held in honor of Cheryl Dunye. Cost of admission is $25, to benefit the Center of Research and Education on Gender and Sexuality at San Francisco State University.
Panelists Include: GerShun Avilez (UNC-Chapel Hill), Jillian Hernandez (UC-San Diego), Derek Conrad Murray (UC-Santa Cruz), Mireille Miller-Young (UC-Santa Barbara), L.H. Stallings (UMD-College Park), Matt Richardson (UT-Austin), Kortney Ziegler (Independent Scholar and Filmmaker).
Readings by Author Jewelle Gomez and Performance Artist Brian Freeman (Pomo Afro Homos)
Black Feminist and Queer Film Festival Curated By Candy Guinea(Cinema, SFSU)
For registration or further information, contact WMWSymposium@gmail.com