/08

displaying 256 - 270 of 318

The International Conference on Current Issues of Literature, Translation and Teaching and Learning of Languages

updated: 
Tuesday, August 9, 2016 - 3:40pm
Pazoheshgaran Andishmand Institute
deadline for submissions: 
Wednesday, November 30, 2016

Dear Researcher,

 The International Conference on Current Issues of Literature, Translation and Teaching and Learning of Languages calls for papers (Ahwaz, Iran).

 Academics and university lecturers are cordially invited to present their research regarding current issues of literature, translation and teaching and learning of different languages and dialects in either English or Persian.

 For more details, please visit the conference website (WWW.LTLT.IR).

Please feel free to write if there is any query.

 The Conference Secretariat,
Pazhoheshgaran Andishmand Institute,
Ahwaz 61335-4619 Iran

(+98) 61-32931199

Migration, Diaspora, Circulation and Translation

updated: 
Tuesday, August 9, 2016 - 3:46pm
Charles Brockden Brown Society
deadline for submissions: 
Wednesday, February 15, 2017

Migration, Diaspora, Circulation and Translation 

October 5-7, 2017

University College Dublin, Clinton Institute for American Studies

Dublin, Ireland

A conference sponsored by the Charles Brockden Brown Society

(www.brockdenbrownsociety.ucf.edu

1980s Nostalgia in 21st Century Film and Television

updated: 
Tuesday, August 9, 2016 - 3:46pm
Douglas A. Cunningham / Society of Cinema and Media Studies Conference, Chicago, March 2016
deadline for submissions: 
Friday, August 19, 2016

This is a call for proposals on 1980s nostalgia in 21st-century film and television.  Topics may include, but are not limited to, films and programs such as TRON: LEGACY, SUPER 8, STRANGER THINGS, CREED, and THE EXPENDABLES series, among many others.  A variety of disciplinary approaches is welcome.  Please send a 300-word proposal, a 50-word bio, and a list of at least five relevant sources to Dr. Doug Cunningham at dcunningham@westminstercollege.edu.  The Society for Cinema and Media Studies Annual Conference will be held in Chicago between March 22 and March 26, 2017.

Acting Age in the Long Eighteenth Century

updated: 
Tuesday, August 9, 2016 - 3:46pm
NEMLA 2017
deadline for submissions: 
Friday, September 30, 2016

Recent work in performance studies have trenchantly analyzed constructs of identity, gender, and race in the Long Eighteenth Century. In Rival Queens, for example, Felicity Nussbaum explores how actresses of the eighteenth century embodied and challenged femininity through their roles on and off the stage, roles that blended together in the mind of a public audience. But enlightening performance studies such as Nussbaum's do not often, however, account for age. Age cuts across gender, race, and class.

Intersecting Global Modernism and World Literature

updated: 
Tuesday, August 9, 2016 - 3:46pm
ACLA 2017: Utrecht University, July 6-9
deadline for submissions: 
Friday, September 23, 2016

The recent global turn in modernist studies prompts timely questions about the intersections between global modernism and world literature, and the role that global modernism plays within the study of world and comparative literature. In their article “The New Modernist Studies,” Douglas Mao and Rebecca Walkowitz argued for an “expanded” vision of modernism that reconsiders canonical figures and texts, contests canonicity’s traditional limits, and redefines temporal and geographical coordinates beyond Anglophone traditions and Eurocentric frameworks.

Bring Out Your Undead: Undead South/Undead Nation

updated: 
Tuesday, August 9, 2016 - 3:46pm
Southern American Studies Association
deadline for submissions: 
Saturday, September 10, 2016

This proposed session for SASA 2017 pushes and pulls beyond traditional notions of the “gothic,” horror, and hauntings, instead engaging with more expansive ideas enabled by recent theorizations of undeadness. Special attention will be given to proposals that link forms of undeadness associated in some way with the American South to formulations in or across other regions and nations. What is "undead nation," and how might we understand it in relation to undead Souths? How does undeadness migrate and circulate across regional and national frames and at the same time backlight gender, sexuality, race, settler colonialism, and more?

"Interdisciplinary Dickens" -- 22nd Annual Dickens Society Symposium

updated: 
Tuesday, August 9, 2016 - 3:23pm
Co-Sponsored by the Dickens Society and The Center for Interdisciplinary Teaching & Learning at CGS, Boston University
deadline for submissions: 
Tuesday, November 1, 2016

Call for Papers for the 22nd Annual Dickens Society Symposium
Theme: “Interdisciplinary Dickens”
July 14-16, 2017, College of General Studies, Boston University

Co-Sponsored by the Dickens Society and The Center for Interdisciplinary Teaching & Learning at CGS, Boston University

CFP: ACLA Seminar 2017: Coming-of-age in the Contemporary World: New Directions

updated: 
Tuesday, August 9, 2016 - 3:46pm
ACLA Conference, Utrecht University
deadline for submissions: 
Friday, September 23, 2016

Proposed Seminar for the 2017 Annual Meeting of the American Comparative Literature Association (ACLA)

Utrecht University, Netherlands, July 6-9, 2017

Seminar Organizers:
Alejandro Zamora, Glendon College, York University
Jocelyn Frelier & Mélissa Gélinas, University of Michigan - Ann Arbor

Coming-of-age in the Contemporary World: New Directions

           

CFP: special issue on Chris Marker and Jacques Rivette

updated: 
Tuesday, August 9, 2016 - 3:46pm
The Cine-Files, www.thecine-files.com
deadline for submissions: 
Wednesday, November 30, 2016

The Cine-Files is now accepting submissions (4000-6000 words) for the featured scholarship segment of Issue 12 (Spring 2017), a special commemorative issue on Chris Marker and Jacques Rivette.

An aura of mystery surrounds Jacques Rivette and Chris Marker.  Little is known of the private identities of these reclusive and elusive figures, other than their mutual regard and affection for cats.  We remember them through their films, which continue to redefine the art of cinema around the world.

Black/Feminist/Lesbian/Queer/Trans* Cultural Production Symposium

updated: 
Monday, August 8, 2016 - 8:07pm
San Francisco State University
deadline for submissions: 
Friday, September 16, 2016

 

The College of Health and Social Sciences and the Center for Research and Education on Gender and Sexuality cordially invite you to: 

Black/Feminist/Lesbian/Queer/Trans* Cultural Production: A Symposium Honoring the 20th Anniversary of Cheryl Dunye’s “The Watermelon Woman”

September 23-24, 2016

San Francisco State University

 

Children in American Television: A Changing Landscape

updated: 
Friday, August 5, 2016 - 4:36pm
Adrian Schober/Monash University, Debbie Olson/Missouri Valley College
deadline for submissions: 
Thursday, September 15, 2016

Call for submissions to a collection that interrogates the child image in popular post-WWII American television programming.  This collection seeks to trace the American cultural landscape and its impact on the ways popular television (re) imagined childhood and children during each decade.  We invite submissions that examine either children’s programming or programs that prominently feature children. These submissions will explore how US television has been a significant conduit for the public consumption of changing ideas about children and childhood, and will connect relevant events, attitudes, or anxieties in American culture to an analysis of children or childhood in American television programs.

Restoration Drama and Ecocriticism

updated: 
Friday, August 5, 2016 - 4:36pm
Denys Van Renen / University of Nebraska at Kearney
deadline for submissions: 
Thursday, September 15, 2016

CFP for ASECS Panel (Minneapolis –  30 March-2 April 2017)

Restoration Drama and Ecocriticism

Levering Expectations: Young People and Popular Arts Culture in Africa

updated: 
Friday, August 5, 2016 - 4:36pm
Paul Ugor and Esther de Bruijn
deadline for submissions: 
Monday, September 19, 2016

Since Karen Barber theorized the notion of “African popular arts” nearly thirty years ago (1987), a rich field of scholarship has developed around the term, exploring forms of local African expression by the people, for the people, and most often, about the people. The concept of African popular culture has been applied to a vast array of cultural forms in Africa ranging from Onitsha pamphlet literature to Kenyan matatu minibus inscriptions, Ghanaian Concert party theatre, Angolan hip-hop, Nollywood video films, Cameroonian detective fiction, Congolese Sapeur fashion, South African cartooning, trans-continental TV shows like Big Brother Africa, and much more.  

Pages