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displaying 16 - 30 of 364

Gender, Precarity, and Narratives of Loss

updated: 
Friday, September 30, 2016 - 10:09am
Victoria Chandler
deadline for submissions: 
Wednesday, October 12, 2016

Call for Panelists -  2017 Narrative Conference

March 23-26, 2017, Lexington, KY

The University of Kentucky will host the Narrative Conference in Lexington, KY from March 23-26, 2017. Keynote speakers include Judith Butler, Kenneth Warren, and Linda Williams.

We seek two or three panelists to join a panel entitled “Gender, Precarity, and Narratives of Loss” 

cover art

updated: 
Friday, September 30, 2016 - 10:09am
Double Helix: A Journal of Critical Thinking and Writing
deadline for submissions: 
Tuesday, January 31, 2017

Double Helix: A Journal of Critical Thinking and Writing is soliciting artwork for its cover image.  The deadline for its Volume 4 supplement is 1/31/17, but this is also an open call for submissions for subsequent volumes.  DH may be reached at http://qudoublehelixjournal.org/index.php/dh or through its listing at the WAC Clearinghouse: http://wac.colostate.edu/.

CFP: War & Culture, SWPACA, Albuquerque, Feb. 15, 2017

updated: 
Friday, September 30, 2016 - 10:10am
Southwest Popular / American Culture Association
deadline for submissions: 
Tuesday, November 1, 2016

Call for Papers

“War & Culture”

Southwest Popular / American Culture Association (SWPACA)

 

38th Annual Conference, February 15-18, 2017

Hyatt Regency Hotel & Conference Center

Albuquerque, New Mexico

http://www.southwestpca.org

Proposal submission deadline: November 1, 2016

 

CFP: Horror, SWPACA, Albuquerque, Feb.15, 2017

updated: 
Friday, September 30, 2016 - 10:10am
Southwest Popular / American Culture Association
deadline for submissions: 
Tuesday, November 1, 2016

Call for Papers

“Horror”

Southwest Popular / American Culture Association (SWPACA)

 

38th Annual Conference, February 15-18, 2017

Hyatt Regency Hotel & Conference Center

Albuquerque, New Mexico

http://www.southwestpca.org

Proposal submission deadline: November 1, 2016

 

Jamesian Cultural Anxiety in the East and in the West

updated: 
Sunday, January 22, 2017 - 3:46am
Choon-Hee Kim / Henry James Society of Korea
deadline for submissions: 
Tuesday, February 28, 2017

Call For Papers

 

Jamesian Cultural Anxiety in the East and in the West

International Conference of the Henry James Society

Henry James Society of Korea

5–8 July, 2017

Venue: Ewha Womans University, Seoul, South Korea

 

NeMLA 2017 Friedrich Nietzsche and the Literature of the 19th Century

updated: 
Sunday, October 2, 2016 - 2:59pm
Jin Chang/The Graduate Center, CUNY
deadline for submissions: 
Friday, October 7, 2016

In his lifetime, Nietzsche referred to over 150 nineteenth-century writers in both his published writings and Nachlaß. Nietzsche’s use of nineteenth-century fiction and poetry ranges from somewhat nonchalant to extremely systematic. Indeed, the cornerstone of his “Advent of European Nihilism” in the late 1880s is the decline or decadence of literature during Nietzsche’s lifetime.

The panel attempts to focus on passages, individual novels or poems, and complete bodies of work in order to assess Nietzsche’s use of these texts in his philosophical project.

Multimodal Books as Archives

updated: 
Friday, September 30, 2016 - 10:10am
International Society for the Study of Narrative
deadline for submissions: 
Monday, October 10, 2016

Multimodal Books as Archives

The annual conference of the International Society for the Study of Narrative

Lexington, KY: March 23-26, 2017

Please e-mail abstracts to the following addresses by October 10th, 2016

Efron[dot]2[at]osu[dot]edu

ghosal[dot]2[at]osu[dot]edu

Rooted: Legacies of Recovery and (Re)Memory in Cultural Production of the Black Diaspora

updated: 
Friday, September 30, 2016 - 10:10am
Howard University Graduate English Student Association
deadline for submissions: 
Friday, January 6, 2017

Rooted: Legacies of Recovery and (Re)Memory in Cultural Production of the Black Diaspora

“To be rooted is perhaps the most important and least recognized need of the human soul.”—Simone Weil
“My obsessions stay the same—historical memory and historical erasure.” –Natasha Trethewey

Conference on Harlem Renaissance

updated: 
Friday, September 30, 2016 - 10:10am
Paine College
deadline for submissions: 
Friday, October 7, 2016

CALL FOR PAPERS
CONFERENCE ON THE HARLEM RENAISSANCE PAINE COLLEGE
AUGUSTA, GANOVEMBER 2-4, 2016 The Department of Humanities at Paine College is requesting proposals for the 20th Annual Conference on the Harlem Renaissance to be held on the campus of historic Paine College. The theme for 2016 is “Precursors, Periods, and Postscripts: Critical Thought, Beliefs, Productions, and Activism before, during, and after the Harlem Renaissance.” The focus for presentations will center on the literature, history, philosophy, art, and music, as well as inter- and cross-disciplinary approaches from the social and political sciences, economics, and STEM.

Undergraduate Popular Culture CFP

updated: 
Thursday, September 29, 2016 - 4:45pm
Southwest Popular/American Culture Association
deadline for submissions: 
Tuesday, November 1, 2016

Proposals for both Panels and Individual Papers are now being accepted for Southwest Popular/American Culture’s 38th Annual Conference in Albuquerque, NM. We encourage and invite undergraduates to prepare a brief paper (15 minutes) on any topic that is covered by existing Areas within the conference. To see a list of topics, please visit: http://southwestpca.org/conference/call-for-papers/

This well-established conference has an Area for all types of scholars, from Horror aficionados to Library Archives fanatics, so make plans to attend and present at the SWPACA’s conference at the beautiful Hyatt Regency Hotel.

 

Clearly, Queerly

updated: 
Wednesday, September 28, 2016 - 10:13am
Medieval Colloquium, University of the South
deadline for submissions: 
Friday, October 14, 2016

 Queerly, Clearly: Defining the Borders of the Medieval QueerOrganizers:Christopher Michel Roman, English, Kent State University, Tuscarawas (croman2@kent.edu)Will Rogers, English, University of Louisiana, Monroe (youngman@ulm.edu)

 

Islands on Sale: New Zealand and Pacific Arts in the Global Marketplace

updated: 
Wednesday, November 23, 2016 - 4:12am
Regent’s University, London 30 June/1 July 2017. Cohosted by the University of Northampton in association with the New Zealand Studies Network
deadline for submissions: 
Tuesday, February 28, 2017

This conference will be devoted to the discussion of recent developments affecting the production and reception of New Zealand and Pacific literary, visual and performance arts in a global context. It will focus on a range of issues related to the creation, reception, study, translation and marketing of these forms of expression. Whereas on the one hand New Zealand and Pacific arts are being created and circulated as deriving from culturally specific locations, they have also been received, translated, taught and marketed as part of the more broadly defined category of ‘world’ culture.

Conquest of Knowledge: The British in India

updated: 
Wednesday, September 28, 2016 - 10:13am
National Institute of Technology Silchar
deadline for submissions: 
Friday, December 16, 2016

GIAN Course | Conquest of Knowledge: The British in India | NIT Silchar | 16-22 December 2016

 

National Institute of Technology, Silchar with generous support form the Ministry of Human Resource Development (MHRD) is organizing a Global Initiative of Academic Networks (GIAN) course titled Conquest of Knowledge: The British in India during 16-22 December 2016.

 

Journal Special Issue - Galleries, Libraries, Archives and Museums

updated: 
Wednesday, September 28, 2016 - 10:13am
Australasian Journal of Popular Culture
deadline for submissions: 
Friday, January 20, 2017

Cultural institutions are custodians of important collections of the material and natural world. They are repositories of material culture that reflect the cultures and practices of humanity and the natural world, revealing the fantastic, the foibles and the strange, in addition to the efforts and products of great ingenuity. Such collections, in various formats from the ephemeral to the digital, from the bespoke to the mass produced, are accessed by many different publics, including those seeking to understand or connect with elements of popular culture.

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