Movement as Immobility - A Conference on Film and Christianity
In Simone Weil’s “First and Last Notebooks” we find a note that describes the sea as “a movement within immobility,” the “Image of primal matter”, which leads this Christian philosopher to see music also as a movement that “takes possession of all our soul—and this movement is nothing but immobility”. Perhaps this is an even more fitting description of film, with its images in motion. Its movements can reconnect us with the movements of the world, those motions in which a mysterious sense of order, what Weil calls immobility, arises.