Shakespeare is preeminent among English authors, but, by today's standards, for all of his fame, little is known about Shakespeare the man. This has lead some to create an authorship controversy, though among scholars this is a non-issue as there is ample evidence linking "the man from Stratford" to the London playwright. Stylometry studies have found that Shakespeare and his fellow playwrights collaborated much more than had ever been guessed at, but such findings shed little light on his creative processes. Perhaps the best currently available avenue to gain insight into his creative strategies is by examining what at first glance appears to indicate lack of creativity—his inveterate unabashed "borrowing" of plots, characters, phrases, and more.
Works of literature can be viewed from many angles or schools of critical thought and yield "meaning" dependent on through what school you choose to critique a text. Marjorie Garber closes her book The Use and Abuse of Literature stating
Literary interpretation, like literature, does not seek answers or closure. A multiplicity of persuasive and well-argued "meanings" does not mean the death or loss of meaning, but rather the living presence of the literary work in culture, society, and the individual creative imagination. To say that closure is impossible is to acknowledge the richness and fecundity of both the reading and the writing process.
“‘Go then. There are other worlds than these’” (King, Gunslinger, 266). These are the final words of one of Jake Chambers’s lifetimes in Stephen King’s 1982 novel The Gunslinger, Volume I in his Dark Tower series. Throughout the subsequent seven volumes—and other novels—King has continued to develop this “other worlds” concept, also described as “many levels . . . [of] the Tower of all existence” (King, Insomnia, 576). Recently, the metaphor may apply as well to adaptations of King’s work as to the multi-verse of the novels and stories themselves.
Intraspection, a journal of rhetoric, culture, and style, is accepting submissions on a rolling basis.
In 1967, Emeritus Professor Dr. Velma F.
Donald Trump was a public figure long before he became President of the United States, one who became familiar to American audiences through his appearances in a wide variety of media over a period of several decades. While much has been made of Trump’s selling of himself to the American public in branded productions that identified him as their author or producer, ranging from books such as Trump: The Art of the Deal to his reality-TV Apprentice franchise, less attention has been paid to the treatment of Trump in works of fiction produced by authors other than Trump. This panel will examine the treatment of Trump and his fictional analogues in films, television programs, and literature, with an emphasis on works that took up the subj
The 49th NeMLA Annual Convention
April 12-15, 2018 - Pittsburgh, PA
Call for PapersHumanities for STEMUsing Archives to Bridge the Two Culture DivideHumanities for STEM Research Collaborative Symposium | New York University | April 6-7, 2018
CFP Deadline: Friday, September 15, 2017
Humanities for STEM is a research collaborative at New York University that focuses on how the study of primary sources, archival research, and associated methodologies of the humanities can be used to enhance the understanding of science (including medicine), technology, engineering, and mathematics. We are convening a symposium in April 2018 and seek papers from faculty, librarians, archivists, and others along this theme.
Dear All, please consider submitting an abstract for the panel "Il carcere come spazio letterario" that will be held during the next NeMLA Annual Convention - April 12-15, 2018 Pittsburgh, PA The aim of this panel is to explore the idea of prison as a literary space.
Call for Papers by 31 July, 2022 and 30 September 2022
A Bi-Annual International Refereed e-Journal of English Studies
Research Papers on World Literatures